Elizabeth Daly

Unexpected Night

From Agatha Christie’s favorite American author—an amateur sleuth rescues his wife when her vacation home includes a ghost and murder. In the sticky summer of 1943, a secluded cottage in the Berkshires sounds just the ticket to the newly married Clara Gamadge. The resident ghost, a slender woman in a sunbonnet who died just one year ago in the cottage Clara is now renting, merely adds to the local color. It’s all nothing more than a spooky game, until the woman’s sister is strangled while Clara dozes in a chair by her bed. The only clue: Clara’s panicked memory of a woman in a sunbonnet standing at the door. Happily, Henry Gamadge arrives in time to calm his wife and solve the mystery (though not without some stellar help from Clara!). “Ingenious . . . most readers will be completely fooled.” —New York Times

Evidence of Things Seen

From Agatha Christie’s favorite American author—an amateur detective examines the mysterious reappearance of a woman who vanished 100 years ago. One hundred years earlier, a beautiful guest had disappeared from the wealthy Vauregard household, along with the second volume in a set of the collected works of Byron. Improbably enough, both guest and book seem to have reappeared, with neither having aged a day. The elderly Mr. Vauregard is inclined to believe the young woman’s story of having vacationed on an astral plane. But his dubious niece calls in Henry Gamadge, gentleman-sleuth, expert in rare books, and sufficiently well-bred to avoid distressing the Vauregard sensibilities. As Gamadge soon discovers, the household includes an aging actress with ties to a spiritualist sect and a shy beauty with a shady (if crippled) fiancé. As always in this delightful series, Gamadge comes up trumps, but only after careful study of the other players’ cards. “Delightfully original and suavely written.” —New York Times

Murders in Volume 2

Deadly Nightshade

"An etching in the Ashbury mansion has suddenly acquired an inscription dated 1793. Miss Julia Paxton knows there was never anything written on that portrait until the visit of professional medium Iris Vance. Are the dead sending messages? And will Henry Gamadge, who is pretty certain the answer does not lie in the supernatural realm, solve the mystery before a murder occurs?"--from Amazon.com.

The Wrong Way Down

A copy of Shakespeare’s The Tempest pulls a bookseller into a murder case in this mystery by Agatha Christie’s favorite American author. The hospital sees nothing to question about the death of the reclusive Mr. Crenshaw, and it’s not as though he had any friends to press the issue. He did, though, have one casual acquaintance, who happens to pick up Mr. Crenshaw’s battered old edition of The Tempest—and happens to pass that book on to Henry Gamadge. Gamadge, of course, is not only an expert in solving pesky problems but also an expert in rare books, and his two sets of expertise combine to uncover the extraordinary puzzle of Mr. Crenshaw, which began in California and ended on the other side of the country, at a chilly New England rendezvous. “An absorbing yarn that holds up to the end.” —New York Times “Beautifully plotted, with believable characters and ample thrills” —Saturday Review of Books

The Book of the Dead

The wrong way down

With war looming, Henry Gamadge is back in Maine, assisting Detective Mitchell on a new cast involving several young children, who have been poisoned with deadly nightshade. Mitchell is stumped and can find no links between the kids, beyond their being about the same age and from the same small community. Could the Gypsies, who are camped nearby, be responsible? And then there is the death of a state trooper at almost the same time...can this be a coincidence? Gamadge and Mitchell must connect the cases and solve the crime in this classic Golden Age mystery.

From Agatha Christie’s favorite American author—creepy correspondence from a Manhattan mansion puts an amateur sleuth on the trail of a killer. Take one grand house, stuff it with staff, and make it home to several generations. If they send their sons to Oxford and occasionally knock each other off, you’ve got a country-house murder mystery, the delight of classic English crime fiction. But if the boys are at Yale, odds are that you’re reading its American counterpart, the New York mansion mystery—a genre largely invented by Elizabeth Daly. In Arrow Pointing Nowhere, Daly is back on the Upper East Side, where antiquarian book dealer Gamadge has been receiving missives suggesting that all is not right at the elegant Fenway mansion. But first he must find out who the messages are from . . . “Highly recommended.” —New Republic “Told with all the skill that Miss Daly has at her command, and she has plenty.” —New York Times

Arrow Pointing Nowhere

Ulf Brefeld

Edward Curry

Brian MacNamee

Alice Marascu

Fabio Pinelli

Michele Berlingerio

Neil Hurley

The three volume proceedings LNAI 11051 – 11053 constitutes the refereed proceedings of the European Conference on Machine Learning and Knowledge Discovery in Databases, ECML PKDD 2018, held in Dublin, Ireland, in September 2018. The total of 131 regular papers presented in part I and part II was carefully reviewed and selected from 535 submissions; there are 52 papers in the applied data science, nectar and demo track. The contributions were organized in topical sections named as follows: Part I: adversarial learning; anomaly and outlier detection; applications; classification; clustering and unsupervised learning; deep learning; ensemble methods; and evaluation. Part II: graphs; kernel methods; learning paradigms; matrix and tensor analysis; online and active learning; pattern and sequence mining; probabilistic models and statistical methods; recommender systems; and transfer learning. Part III: ADS data science applications; ADS e-commerce; ADS engineering and design; ADS financial and security; ADS health; ADS sensing and positioning; nectar track; and demo track.

European Conference, ECML PKDD 2018, Dublin, Ireland, September 10–14, 2018, Proceedings, Part III

Machine Learning and Knowledge Discovery in Databases

New York handwriting and rare book expert—and a gentleman sleuth—Henry Gamadge is vacationing in coastal Maine when the police there need his help. It’s a strange case involving a seemingly natural death, a large inheritance, a mysterious nighttime rendezvous, and a troupe of summer stock actors who start dying off. Something is clearly afoot, but nothing quite seems to fit. With an eye for frauds, Gamadge is just what the local detective needs to throw the book at a killer...

In this mystery by Agatha Christie’s favorite American author, an amateur sleuth deals with sinister spirits and murder at a New York country mansion. It’s mid-1943, and Henry Gamadge is up to his elbows in war work and longing for a quiet weekend. But when a half-forgotten classmate requests assistance, Gamadge is unable to refuse the tug of an old school tie. Sylvanus Hutter is concerned about his Aunt Florence, a giddy socialite terrified of Nazi bombs. Florence has moved her extensive household of hangers-on to the family mansion in upstate New York. But menace seems to have followed them, in the form of threatening messages inserted into the manuscript of Florence’s painfully bad novel in progress. Several members of the household are convinced the messages are emanating from Another World, but the politely pragmatic Gamadge suspects a culprit rather closer to home. “Deliciously gossipy, back-biting characters, an imposing mansion in upstate New York . . . altogether a pleasure.” —The New Yorker

Nothing Can Rescue Me

A strange tome and a terrified wife draw a 1950s antiquarian book dealer into a murder case in this mystery by Agatha Christie’s favorite American author. Young Rena Austen, newly wed, is afraid she’s made a terrible mistake. Her husband, once a dashingly romantic figure of a wounded war hero, has become a moody lay-about, and they are sharing a gloomy house on the Upper East Side of New York with his unpleasant, always-there family. When her husband reacts in a frighteningly angry way to Rena pulling a particular volume off the library shelf, she has had enough, and flees her home in fear for her life. Thankfully, Henry Gamadge is on hand to solve the mystery of the book—and the dead body that inevitably turns up. “Henry Gamadge will be well remembered as one of the most civilized detectives in fiction, investigating some of the most subtly conceived of criminal cases.” —New York Times

Elizabeth Daly

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