Fred Lewis Pattee

Fred Lewis Pattee, long regarded as the father of American literary study, also wrote fiction. Originally published in 1905 by Henry Holt, The House of the Black Ring was Pattee’s second novel—a local-color romance set in the mountains of Central Pennsylvania. The book’s plot is driven by family feud, forbidden love, and a touch of the supernatural. This new edition makes this novel accessible to new generations of modern-day readers. General readers will find in The House of the Black Ring a thriller that preserves details of rural life and language during the late nineteenth century. Scholars will read it as an expression of cultural anxiety and change in the decades after the Civil War. An introduction by poet and essayist Julia Spicher Kasdorf situates the novel within the context of social and literary history, as well as Pattee’s own biography, and provides a compelling argument for its importance, not only as a literary artifact or record of local customs, but also as a reflection of Pattee’s own story intertwined with the history of Penn State at the turn of the twentieth century. Joshua Brown draws on his expertise in Pennsylvania German ethno-linguistics to interpret the dialect writing and to give readers a clearer view of the customs and regionalisms depicted in the book.

A Romance of the Seven Mountains

The House of the Black Ring

Joshua Brown

Julia Kasdorf

"A reprint of a 1904 novel by Pennsylvania State College (now University) professor of English Fred Lewis Pattee, set in the 1890s in central Pennsylvania. Includes a preface by poet and essayist Julia Spicher Kasdorf and endnotes by Joshua R. Brown" --Provided by publisher.

Century Readings in the American Short Story

Century Readings for a Course in American Literature

A Novel

The Breaking-point

Fred Lewis Pattee was a literary critic and the first-ever professor of American literature. In this work, published in 1915, he gives an account of the developments in American literature in the 70s, 80s, and the beginning of the 90s years of the 19th century.

A History of American Literature Since 1870

Highlights the writers who have contributed to the development of the American short story ranging from Washington Irving to O. Henry. Bibliogs

An Historical Survey

Development of the American Short Story

A History of American Literature Since 1870 It has been our object to determine this new period and to study its distinguishing characteristics. We have divided the literary history of the century into three periods, denominating them as the Knickerbocker Period, the New England Period, and the National Period, and we have made the last to begin shortly after the close of the Civil War with those new forces and new ideals and broadened views that grew out of that mighty struggle. The field is a new one: no other book and no chapter of a book has ever attempted to handle it as a unit. It is an important one: it is our first really national period, all-American, autochthonic. It was not until after the war that our writers ceased to imitate and looked to their own land for material and inspiration. The amount of its literary product has been amazing. There have been single years in which have been turned out more volumes than were produced during all of the Knickerbocker Period. The quality of this output has been uniformly high. In 1902 a writer in Harper's Weekly while reviewing a book by Stockton dared even to say: "He belonged to that great period between 1870 and 1890 which is as yet the greatest in our literary history, whatever the greatness of any future time may be." The statement is strong, but it is true. Despite Lowell's statement, it was not until after the Civil War that America achieved in any degree her literary independence. One can say of the period what one may not say of earlier periods, that the great mass of its writings could have been produced nowhere else but in the United States. They are redolent of the new spirit of America: they are American literature. In our study of this new national period we have considered only those authors who did their first distinctive work before 1892. Of that large group of writers born after the beginning of the period and borne into their work by forces that had little connection with the great primal impulses that came from the Civil War and the expansion period that followed, we have said nothing. We have given the names of a few of them at the close of chapter 17, but their work does not concern our study. We have limited ourselves also by centering our attention upon the three literary forms, poetry, fiction, and the essay. History we have neglected largely for the reasons given at the opening of chapter 18, and the drama for the reason that before 1892 there was produced no American drama of any literary value.

We are beginning to realize that the Civil War marks a dividing line in American history as sharp and definitive as that burned across French history by the Revolution. That the South had been vastly affected by the war was manifest from the first. The widespread destruction of property, the collapse of the labor system, and the fall of the social régime founded on negro slavery, had been so dramatic and so revolutionary in their results that they had created everywhere a feeling that the ultimate effects of the war were confined to the conquered territory. Grady's phrase, "the new South," and later the phrase, "the end of an era," passing everywhere current, served to strengthen the impression. That the North had been equally affected, that there also an old régime had perished and a new era been inaugurated, was not so quickly realized. The change there had been undramatic; it had been devoid of all those picturesque accompaniments that had been so romantic and even sensational in the South; but with the perspective of half a century we can see now that it had been no less thoroughgoing and revolutionary. The first effect of the war had come from the sudden shifting of vast numbers of the population from a position of productiveness to one of dependence. A people who knew only peace and who were totally untrained even in the idea of war were called upon suddenly to furnish one of the largest armies of modern times and to fight to an end the most bitterly contested conflict of a century. First and last, upwards of two millions of men, the most of them citizen volunteers, drawn all of them from the most efficient productive class, were mustered into the federal service alone. It changed in a moment the entire equilibrium of American industrial life. This great unproductive army had to be fed and clothed and armed and kept in an enormously wasteful occupation. But the farms and the mills and the great transportation systems had been drained of laborers to supply men for the regiments. The wheatfields had no harvesters; the Mississippi the great commercial outlet of the West, had been closed by the war, and the railroads were insufficient to handle the burden.

Fred Lewis Pattee

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