Gary Barwin

"Set in the years around 1492, Yiddish for Pirates recounts the compelling story of Moishe, a Bar Mitzvah boy who leaves home to join a ship's crew, where he meets Aaron, the polyglot parrot who becomes his near-constant companion. From a present-day Florida nursing home, this wisecracking yet poetic bird guides us through a world of pirate ships, Yiddish jokes and treasure maps. But Inquisition Spain is a dangerous time to be Jewish and Moishe joins a band of hidden Jews trying to preserve some forbidden books. He falls in love with a young woman, Sarah; though they are separated by circumstance, Moishe's wanderings are motivated as much by their connection as by his quest for loot and freedom. When all Jews are expelled from Spain, Moishe travels to the Caribbean with the ambitious Christopher Columbus, a self-made man who loves his creator. Moishe eventually becomes a pirate and seeks revenge on the Spanish while seeking the ultimate booty: the Fountain of Youth."--Publisher.

Yiddish for Pirates

With uncanny wit, inventive beauty, and numinous surprise, The Most Charming Creatures explores the contemporary and its language, considering our wonder, sorrow, bewilderment, anxiety, and tenderness. While these poems energize and connect and "turn the paren- / theses inside out so that / we mean everything," they are also alive to the alluring complicity of language and its duplicity and deceptions. "This is the way the world ends / Not with a bang but / while we watch." A follow-up to the award-winning author's acclaimed selected poems, this new collection continues Barwin's examination of the possibilities of the poem: a celebration, a story, an investigation, a riff, a word machine, a parable, a transformation. But what are the "most charming creatures" of the title? In 1862, scientific illustrator Ernst Haeckel termed radiolarians (ancient single-celled organisms with mineral skeletons) "the most charming creatures," but here Barwin turns the microscope around to consider something just as strange and mysterious: language, our culture, and the self. From microorganisms, onion rings, grief, and Gerard Manley Hopkins to beetles, neoliberalism, sandwiches, Martin Luther, and stand-up comedy, he offers: "it's a miracle that we've survived / it's a miracle that we've survived at all."

Poems

The Most Charming Creatures

The Ballad of Motl the Cowboy

Nothing the Same, Everything Haunted

"As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins...With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake "Indians" and real ones"--

Hugh Thomas

Craig Conley

Franzlations takes the parables and aphorisms of Kafka as a starting point, and steps a few places to the left in order to reinvent them. Sometimes this means walking off a cliff and into the empty air. (Don't look down!) Sometimes this means keeping the cage and replacing the bird. For of course, Kafka's writing is a rich source of ideas, play, structure, and wit. It looks like the real world, but in the way the bootstrap that one pulls oneself up with looks like a real bootstrap. It is said that if Kafka had not existed, Kafka would have had to invent him. But since he did exist, Franzlations has invented an imaginary Kafka so that he could help create the Kafka that was already there. Perhaps it was that. Kafka who helped create these imaginary parables. This, itself, is a parable. A man once said, "If you only followed the parables, you yourselves would become parables and with that rid yourself of all your daily cares." Another replied, "I bet that is also a parable." The first said: "You have won." The second said: "But unfortunately only in parable." The first said: "No, in reality: in parable you have lost." –Franz Kafka

The Imaginary Kafka Parables

Franzlations

In these short fictions, Gary Barwin works his surreal magic again: a businessman’s heart phones him from the twentieth floor; a man sleeps with the tooth fairy; someone orders an inflatable T.S. Eliot from an infomercial. This is Barwin at his best— funny, elegant, and scintillating: a chicken suit for the soul.

Fiction

Big Red Baby

Tom Prime

Written with four hands, by Tom Prime and the Giller Prize and Governor General's Award shortlisted Gary Barwin, Bird Arsonist is avant-garde, tragicomic poetry at its most arresting. They say the language of birds is the closest to that of the divine. They also say poetry is the unacknowledged legislator of the world. In Bird Arsonist, Tom Prime and Gary Barwin -- like all good avant-gardists -- flip these commonplaces on their heads, showing that poetry sets alight any transparent, easy, lawful language, or is precisely what language spits out as it turns to ash. Compressed to the point of implosion, the poems that make up this volume are contorted descendants of Dadaism, Surrealism, and every other -ism. Prime and Barwin confront poetry's contemporary preference for confession and today's digitization of reality not only by -- as they are two -- using a doubled "I," but also by letting language elide the human-all-too-human hand of authorship tout court. The author of Bird Arsonist is language itself, sonorous and fragmentary. Prime and Barwin have merely done the job of giving it the room to speak, of keeping it infected, of making visible the outline of its splinters and its cuts. Shake gently!

Bird Arsonist

ATOB

In the pages of Gary Barwin's latest collection of poetry, No TV for Woodpeckers, the lines between haunting and hilarious, wondrous and weird, beautiful and beastly, are blurred in the most satisfying ways. No stranger to poetic experimentation, Barwin employs a range of techniques from the lyrical to the conceptual in order to explore loss, mortality, family, the self and our relationship to the natural world. Many of these poems reveal a submerged reality full of forgotten, unknown or invisible life forms that surround us'that are us. Within this reality, Barwin explores the connection between bodies, language, culture and the environment. He reveals how we construct both self and reality through these relationships and also considers the human in relation to the concepts of "nature" and "the animal." As philosophical as it is entertaining'weaving together threads of surrealism, ecopoetics, Dada and more?No TV for Woodpeckers is a complex and multi-layered work that offers an unexpected range of pleasures.

No TV for Woodpeckers

Alex leaves his mother, a telephone psychic who has never gotten out of bed since his father disappeared twelve years before, to seek his missing parent on a journey across Canada which seems tied to the crash of a home-made airplane.

Seeing Stars

In Outside the Hat lies a landscape of CanaDada and SurRielism, populated by dancing medieval woodcuts, Franglais--speaking dogs, sadistic provincial politicians and melodious bison. Including work culled from a plethora of micro-press chapbooks such as Mike Harris Made Me Eat My Dog, The Irridescent Phlegm of Bagpipers Glorious with Flu and The Stars Are a Pale Pox on the Sky's Dark Chicken, this is the definitive Gary Barwin collection: stranger than you (can) think.

Outside the Hat

A middle-aged Jewish man who fantasizes about being a cowboy goes on an eccentric quest across Europe after the 1941 Nazi invasion of Lithuania in this wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates, shortlisted for the Scotiabank Giller Prize. Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May--novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl. In his dreams, Motl is a fast-talking, rugged, expert gunslinger capable of dealing with the Nazi threat. But only in his dreams. As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins. But they immediately risk everything to try rescue relatives they hope are still alive. With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. In order to achieve this, though, he must relocate those most crucial pieces of his anatomy lost to him in a glacier in the Swiss Alps in the previous war. It's an absurd yet life-affirming mission, made even more urgent when he's separated from his mother, and isn't sure whether she's alive or dead. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake "Indians" and real ones. Motl at last figures out that he has more connection to the Indigenous characters in western novels than the cowboys. An imaginative and deeply felt exploration of genocide, persecution, colonialism and masculinity--saturated in Gary Barwin's sharp wit and perfect pun-play--Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy is a one-of-a-kind novel of sheer genius.

Gary Barwin

About

Books

Join the club