Geert Lovink

We?re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you?re too fried to log out of Facebook? We?re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump.00Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019).

Reclaiming the Internet

Stuck on the Platform

We live in a time of engineered intimacy, toxic memes and online addiction. Can we ever break free?

On Platform Nihilism

Sad by Design

Mieke Gerritzen

When everything is destined to be designed, design disappears into the everyday. We simply do not see it anymore because it is everywhere. This is the vanishing act of design. At this moment, design registers its redundancy: our products, environments and services have been comprehensively improved. Everything has been designed to perfection and is under a permanent upgrade regime.Within such a paradigm, design is taken over by the capitalist logic of reproduction. But this does not come without conflicts, struggles and tensions. The most obvious of these, is that design is constantly being replaced. Our dispense culture prompts a yearning for longevity. The compulsion to delete brings alive a desire to retrieve objects, ideas and experiences that refuse to become obsolete. Society is growing more aware of sustainability and alert to the depletion of this world. For the ambitious designer, it is time to take the next step: designing the future with a more holistic consideration and approach. The book is a critical look at the design world with its various design disciplines and how these have developed in the past 10 years. Made in China, Designed in California, Criticised in Europeis for professional designers that care about design, the environment and how we live.

Design Manifesto

Made in China, Designed in California, Criticised in Europe

Blogging and Critical Internet Culture

Zero Comments

Minke Kampman

exploring new information cultures

I read where I am

Sabine Niederer

"The video vortex reader is the first collection of critical texts to deal with the rapidly emerging world of online video-from its exlosive rise in 2005 with YouTube, to its future as a significant form of personal media." -- Back cover.

Video Vortex Reader Responses to YouTube

Le paludi della piattaforma. Riprendiamoci internet

Ned Rossiter

This booklet contains ideas, tips, visions and critical notes to boost the economy of the west.

Creativity for All

Tristes por diseño ofrece un análisis crítico de las crecientes controversias en torno a las redes sociales, tales como las fake news, los memes virales tóxicos y la adicción en línea. La fracasada búsqueda de un gran diseño ha dado como resultado la despolitización de los estudios sobre Internet, los cuales son incapaces de generar ya sea una crítica radical o una búsqueda de alternativas .Geert Lovink nos llama a abrazar la intimidad dirigida de las redes sociales, las aplicaciones de mensajería y las selfies, porque el aburrimiento es la primera etapa para superar el “nihilismo de plataformas”. Luego, tras la bruma, podremos organizarnos para interrumpir las industrias de extracción de datos en su núcleo mismo.

las redes sociales como ideología

Tristes por diseño

With the vast majority of Facebook users caught in a frenzy of ‘friending’, ‘liking’ and ‘commenting’, at what point do we pause to grasp the consequences of our info-saturated lives? What compels us to engage so diligently with social networking systems? Networks Without a Cause examines our collective obsession with identity and self-management coupled with the fragmentation and information overload endemic to contemporary online culture. With a dearth of theory on the social and cultural ramifications of hugely popular online services, Lovink provides a path-breaking critical analysis of our over-hyped, networked world with case studies on search engines, online video, blogging, digital radio, media activism and the Wikileaks saga. This book offers a powerful message to media practitioners and theorists: let us collectively unleash our critical capacities to influence technology design and workspaces, otherwise we will disappear into the cloud. Probing but never pessimistic, Lovink draws from his long history in media research to offer a critique of the political structures and conceptual powers embedded in the technologies that shape our daily lives.

A Critique of Social Media

Networks Without a Cause

Con la grande maggioranza degli utenti di Facebook presa dalla smania di aggiungere amici, scrivere «mi piace», lasciare commenti, sarebbe forse il caso di fermarci e riflettere sugli effetti che i social network hanno sulle nostre vite oramai sature di informazioni. Che cosa ci spinge, quasi fosse un obbligo, a impegnarci tanto diligentemente con i diversi network? Il libro esamina la nostra ossessione collettiva per l’identità e il management di sé stessi coniugati con la frammentazione e il sovraccarico di informazione della cultura online. Lovink traccia un percorso innovativo, analizzando criticamente motori di ricerca, video online, blog, radio digitale, mediattivismo e Wikileaks. Questo libro lancia un forte messaggio rivolto a tutti gli utenti della Rete: liberiamo le nostre capacità critiche e cerchiamo di influenzare tecnologia e spazi di lavoro, o saremo destinati a sparire nella Rete. Pungente e acuto, senza essere pessimista, Lovink offre una critica delle strutture politiche e del potere incorporati nelle tecnologie che modellano la nostra vita quotidiana.

Critica del social media

Ossessioni collettive

Moving Images Beyond YouTube

Video Vortex Reader II

Jodi Dean

Jon W. Anderson

This book examines the ways in which new information and communication technologies (ICTs) are being used by civil society organizations (CSOs) to achieve their aims through activities and networks that cross national borders. These new ICTs (the internet, mobile phones, satellite radio and television) have allowed these civil society organizations to form extensive networks linking the local and the global in new ways and to flourish internationally in ways that were not possible without them. Reformatting Politics consists of four sections containing essays by some of the top scholars and activists working at the intersections of networked societies, civil society organizations, and information technology. The book also includes a section that takes a critical look at the UN World Summit of Information Society and the role that global governance has played and will play in the use and dissemination of these new technologies. Finally, the contributors aim to influence this important and emerging field of inquiry by posing a set of questions and directions for future research. In sum, Reformatting Politics is a fresh look at the way critical network practice through the use of information technology is reformatting the terms and terrains of global politics.

Information Technology and Global Civil Society

Reformatting Politics

Trebor Scholz

Based on the Free Cooperation Conference held at the State University of New York at Buffalo in 2004--Acknowledgements. Includes a DVD with feature-length film collage narrated by Tony Conrad--page 4 of cover. Folded sheet title: Technologies of cooperation

The Art of Free Cooperation

Inte Gloerich

Patrick de Vries

MoneyLab Reader 2. Overcoming the Hype

I read where I am compiles 82 reflections on future forms of reading.

Exploring New Information Cultures

I Read where I Am

This study examines the dynamics of critical Internet culture after the medium opened to a broader audience in the mid 1990s. It is Geert Lovink's PhD thesis, submitted late 2002, written in between his two books on the same topic: Dark Fiber (2002) and My First Recession (2003). The core of the research consists of four case studies of non-profit networks: the Amsterdam community provider, The Digital City (DDS); the early years of the nettime mailinglist community; a history of the European new media arts network Syndicate; and an analysis of the streaming media network Xchange. The research describes the search for sustainable community network models in a climate of hyper growth and increased tensions and conflict concerning moderation and ownership of online communities.

Dynamics of Critical Internet Culture (1994-2001)

L'abisso dei social media. Nuove reti oltre l'economia dei like

Peter Sarram

Donatella Ratta

Teresa Numerico

This volume investigates our dissonant and exuberant existences online. As social media users we know we’re under surveillance, yet we continue to click, like, love and share ourselves online as if nothing was. So, how do we overcome the current online identity regime? Can we overthrow the rule of Narcissus and destroy the planetary middle class subject? In this catalogue of strategies, the reader will find stories on hacker groups, gaming platforms in the occupied territories, art objects, selfies, augmented reality, Gen Z autoethnographies, love and life. The authors of this anthology believe we cannot simply put vanity aside and a rational analysis of platform capitalism is not going to convince the youngs on TikTok nor liberate us from Zuckerbergian indentured servitude. Do we really need to wade through the subjective mud and ‘learn more’ about online aesthetics? The answer is yes.

Geert Lovink

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