Haifa Zangana

Bagdati Düslemek

Richard Dawkins

John le Carré

Harold Pinter

Michael Faber

Brian Eno

Not One More Death

“With passion and commitment,” an exiled Iraqi woman recounts her time organizing resistance to Saddam Hussein and imprisonment in Abu Ghraib (Nawal El Saadawi, author of Zeina). In 1970s Iraq, the Ba’ath Party was at the height of its influence in the Middle East and popularity throughout the West. But a group of activists recognized the disastrous potential of the regime as its charismatic leader, Saddam Hussein, came to power. Haifa Zangana was among those who resisted Saddam’s rule, a small group of whom were captured and imprisoned at Abu Ghraib. Now, from a distance of time and place, Zangana writes about her incarceration, the agonizing loss of comrades to torture and death in prison, her safe yet haunted life so far away from friends, family, and her beloved country, and the ways memory conspires to make us forget. In this poetic, emotionally-tinged memoir, the author of Women on a Journey: Between Baghdad and London “drags politics down from the realm of the abstract into the mud, fear, and loneliness of personal experience and psychological ruin that is life under dictatorship” (Christian Parenti, author of The Freedom: Shadows and Hallucinations in Occupied Iraq).

Dreaming of Baghdad

زنكنة، هيفاء،

قصص وثرثرة

بيت النمل

"Exiled, displaced, tortured, and grieving - each of the five Iraqi women whose lives and losses come to us through Haifa Zangana's skillfully wrought novel is searching in her own way for peace with a past that continually threatens to swallow up the present. Majda, the widow of a former Ba'ath Party official who was killed by the government he served. Adiba, a political dissident tortured under Saddam Hussein's regime. Um Mohammed, a Kurdish refugee who fled her home for political asylum. Iqbal, a divorced mother whose family in Iraq is suffering under the effects of Western economic sanctions. And Sahira, the wife of a Communist politician, struggling with his disillusionment and her own isolation. Bound to one another by a common Iraqi identity and a common location in 1990s London, the women come together across differences in politics, ethnic and class background, age, and even language." "Weaving between the women's memories of Iraq and their lives as exiles in London, Zangana's novel gives voice to the richness and complexity of Iraqi women's experiences. Through their stories, the novel represents a powerful critique of the violence done to ordinary people by those who hold power both in Iraq and in the West."--Jacket.

Between Baghdad and London

Women on a Journey

This evocative memoir captures the loneliness of exile and the connection between memory and survival.

In City of Widows, Haifa Zangana tells the story of her country, from the early twentieth century through the US-UK invasion and the current occupation. She brings to light a sense of Iraq as a society mainly of secularists who have been denied, through years of sanctions, war, and occupation, a system within which to build the country according to their own values. She points to the long history of political activism and social participation of Iraqi women, and the fact that, before the recent invasion, they had been among the most liberated of their gender in the Middle East. Finally, she writes about Baghdad today as a city populated by bereaved women and children who have lost their loved ones and their land, but who are still emboldened by the native right to resist and liberate themselves to create an independent Iraq.

An Iraqi Woman's Account of War and Resistance

City of Widows

Michel Faber

Pinter, le Carré, Eno and others demand an end to war. "The justification for the invasion of Iraq was that Saddam Hussein possessed a highly dangerous body of weapons of mass destruction, some of which could be fired in 45 minutes, bringing about appalling devastation. We were assured that was true. It was not true. We were told that Iraq had a relationship with Al Qaeda and shared responsibility for the atrocity in New York of September 11, 2001. We were assured that this was true. It was not true. We were told that Iraq threatened the security of the world. We were assured it was true. It was not true."-Harold Pinter, Art, Truth and Politics Prominent musicians, playwrights, scientists and writers look at how public opinion is wilfully ignored, and "democracy" used as a figleaf for US imperial ambitions in the Middle East. Not One More Death examines the record of US and UK troops in Iraq, questions Bush and Blair's position under international law, and considers the responsibilities of artists, writers and the wider public in a time of war and occupation.

Haifa Zangana

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