Harald Szeemann

Musée d'art moderne de la ville de Paris

Emma Kunz

Heiny Widmer

Thomas Ring

The Museum of Museums

Johan Van Geluwe

Cecilia Liveriero Lavelli

Lara Facco

Plateau Der Menschheit

Klaus Albrecht Schröder

Antonia Hoerschelmann

Austrian Painting and Drawing from 1900 to 1930 from the Leopold Collection, Vienna

Egon Schiele and His Contemporaries

Ulrich Wilmes

Okwui Enwezor

Johanna Adorján

Manuel J. Borja-Villel

Pamela Kort

Danièle Cohn

Ulf Valde Jensen

The first major exhibition catalog on Jörg Immendorff (1945-2007) since his death, this volume offers a thematic overview of more than four decades of the artist's work, with more than 120 iconic paintings. For All Beloved in the World offers a thematic overview of the work of this German artist, whose identity is deeply enshrined in his home country's history and characterized by a post-war background. More than 120 works do not follow a strict chronology of the works; instead they present the key element in the development of Immendorff's oeuvre in chapters. They give a nuanced view of the artist's life and work and include some of the rarest loans, bringing together more than four decades of the artist's work united with iconic paintings. It was not until the end of the 1970s that Immendorff decided to shift his threefold existence as a political activist, teacher and painter to the side of art. The year 1976 was key in some respects; Immendorff participated in the Venice Biennale with a flyer campaign that attacked the 'deprivation of personal liberty' in the GDR and called for international artistic co-operation as a vehicle to overcome it; this was followed in 1978 by the beginning of his Café Deutschland series, inspired by Renato Guttuso's Café Greco, which Immendorff had seen in an exhibition in Cologne. With his work on the Café Deutschland series, Immendorff's painting became more expressive through his bold use of colour and gesture, thereby also freeing him of ideologically imbued emblematics. The process of change introduced here, with its formal and substantive opening-up, developed into the artist's last work phase, a visual-linguistic 'clearing' in the sense of a new pictorial energy and lightness, which Immendorff once described as a 'liberation blow'.

Fur alle lieben in der welt

Jorg immendorf

Victor Hugo

Maison de Victor Hugo

rêveries au bord de Victor Hugo : Maison de Victor Hugo, 11 octobre 2002-19 janvier 2003

Aubes

Museum der Obsessionen

48th Esposizione Internationale D'arte

Harald Szeemann

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