Hazel Smith

Strategies for Innovative Creative Writing

The Writing Experiment

Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.

Difference, Homosexuality, Topography

Hyperscapes in the Poetry of Frank O'Hara

A text which evaluates the Sandinista rule and looks at Nicaraguan history in the light of the revolutionary process. The book assesses the election defeat of the revolutionary party, the FSLN, within the context of the sense of national dignity engendered via centuries of Nicaraguan history.

Self-determination and Survival

Nicaragua

This is a historically founded, empirical study of social and economic transformation wrought by 'marketisation from below' in North Korea.

North Korea

Roger Dean

First Published in 1997. The authors’ purpose in this book is to dissect developments in improvisation in the arts since 1945, with a particular emphasis on process and technique. The approach is analytical and theoretical but is also relevant to practitioners and their audience. Their key argument is that improvisation has been of great importance and value in the contemporary arts, particularly because of its potential to develop new forms (often by breaking definitions).

Improvisation Hypermedia and the Arts since 1945

Paul B. Stares

Diasporas can have a positive and a negative impact on international politics. Groups of exiles, refugees, migrants, and other forms of diaspora populations play a part in the processes and outcomes of international politics in both their native and adopted countries. Diasporas can secure tangible and intangible resources to fuel armed conflicts, and they can provide opaque institutional and network structures that enable the transfer of arms and money to terrorist groups. More positively, diasporascan give humanitarian assistance to victims of conflict and they also support post-war reconstruction efforts. They have the potential to make powerful contributions to peace and reconciliation. This book investigates the diverse roles of diasporas in different phases of conflict, including preconflict and escalatory phases, hot conflict, peacemaking, and peacebuilding. The contributors identify patterns of diaspora intervention in conflicts and focus on leverage points for constructive interventions by global policymakers. The book brings together globally authoritative voices in the study of diasporas from the diverse disciplines of political science, sociology, cultural studies, literary theory, feminist theory, and anthropology.

Peace-makers Or Peace-wreckers?

Diasporas in Conflict

Overcoming Humanitarian Dilemmas in the DPRK (North Korea)

This book explores the relationship between words and music in contemporary texts, examining, in particular, the way that new technologies are changing the literature-music relationship. It brings an eclectic and novel range of interdisciplinary theories to the area of musico-literary studies, drawing from the fields of semiotics, disability studies, musicology, psychoanalysis, music psychology, emotion and affect theory, new media, cosmopolitanism, globalization, ethnicity and biraciality. Chapters range from critical analyses of the representation of music and the musical profession in contemporary novels to examination of the forms and cultural meanings of contemporary intermedia and multimedia works. The book argues that conjunctions between words and music create emergent structures and meanings that can facilitate culturally transgressive and boundary- interrogating effects. In particular, it conceptualises ways in which word-music relationships can facilitate cross-cultural exchange as musico-literary miscegenation, using interracial sexual relationships as a metaphor. Smith also inspects the dynamics of improvisation and composition, and the different ways they intersect with performance. Furthermore, the book explores the huge changes that computer-based real-time algorithmic text and music generation are making to the literature-music nexus. This volume provides fascinating insight into the relationship between literature and music, and will be of interest to those fields as well as New Media and Performance Studies.

Intermedia, Voice, Technology, Cross-Cultural Exchange

The Contemporary Literature-Music Relationship

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Mark Rupert

Now that Soviet style socialism has collapsed upon itself and liberal capitalism offers itself as the natural, necessary and absolute condition of human social life on a worldwide scale, this book insists that the potentially emancipatory resources of a renewed, and perhaps reconstructed, historical materialism are more relevant in today's world than ever before. Rather than viewing global capitalism as an eluctable natural force, these essays seek to show how a dialectic of power and resistance is at work in the contemporary global political economy, producing and contesting new realities and creating conditions in which new forms of collective self determination become thinkable and materially possible. It will be vital, topical reading for anyone interested in international relations, international political economy, sociology and political theory.

Essays on Continuity and Change

Historical Materialism and Globalisation

This book seeks to satisfy a pedagogical need. It is designed for the new graduate student in England and elsewhere, although it may profitably be used by the enterprising final year undergraduate. Its aim is to introduce the modern student to readings of French Renaissance literature, drawing on the perspectives of contemporary literary theories. The volume is organised by paired readings of five major sixteenth-century French writers, with interpretations covering, among others, structuralism, semiotics, feminism and psychoanalysis. Linking these interpretations is a constant interest in problems such as the role of the reader, the nature of the text and the question of gender. The Introduction contextualises the encounter between literary theory and Renaissance texts by using the contributions as pivotal points in the development of critical thinking about this period in early modern literature. All foreign language quotations are translated into English, and the book is intended to be of practical interest to a wide range of readers, from modern linguists to those studying critical theory, comparative literature or cultural history.

Contemporary Readings of French Renaissance Literature

Distant Voices Still Heard

Flaneur, art curator, homosexual, and forerunner of postmodernist poetics, O'Hare was one of the most heralded poets of the twentieth century. In this book, Smith (English, U. of New South Wales) builds a new conceptual framework of poststructuralist, postmodern geography and queer theory, with which to analyze O'Hara's achievements and relevance. The book presents excerpts from interviews with O'Hara's friends, an analysis of his manuscripts and previously unpublished information about his collaborators. Distributed by ISBS. c. Book News Inc.

'A systematic and engaging approach to creative writing' - Carla Harryman, Wayne State University By suggesting that students who are not born poets can yet learn to become good ones, Smith performs a very important service.' - Professor Susan M. Schultz, University of Hawaii This is an impressive book, because it covers areas of creative writing practice and theory that have not been covered in published form It links radical practice with radical (but better-known) theory, and will appeal to anyone looking for a different approach ' - Robert Sheppard, Edge Hill College of Higher Education, UK The Writing Experiment demystifies the process of creative writing, showing that successful work does not arise from talent or inspiration alone. Hazel Smith breaks down writing into incremental stages, revealing processes that are often unconscious or unacknowledged, and shows how they can become part of a systematic writing strategy. The book encourages writers to take an explorative and experimental approach to their work. It relates practical strategies for writing to major twentieth century literary and cultural movements, including postmodernism. Suitable for both beginners and experienced writers, The Writing Experiment covers many genres including fiction, poetry, writing for performance and new media. Each chapter is illustrated with extensive examples of both student work and published writing, and challenging exercises offer writers at all levels opportunities to develop their skills.

Strategies for innovative creative writing

This book addresses one of the most exciting and innovative developments within higher education: the rise in prominence of the creative arts and the accelerating recognition that creative practice is a form of research. The book considers how creative practice can lead to research insights through what is often known as practice-led research. But unlike other books on practice-led research, it balances this with discussion of how research can impact positively on creative practice through research-led practice. The editors posit an iterative and web-like relationship between practice and research. Essays within the book cover a wide range of disciplines including creative writing, dance, music, theatre, film and new media, and the contributors are from the UK, US, Canada and Australia. The subject is approached from numerous angles: the authors discuss methodologies of practice-led research and research-led practice, their own creative work as a form of research, research training for creative practitioners, and the politics and histories of practice-led research and research-led practice within the university. The book will be invaluable for creative practitioners, researchers, students in the creative arts and university leaders. Key Features*The first book to document, conceptualise and analyse practice-led research in the creative arts and to balance it with research-led practice*Written by highly qualified academics and practitioners across the creative arts and sciences *Brings together empirical, cultural and creative approaches*Presents illuminating case histories of creative work and practice-led research

Practice-led Research, Research-led Practice in the Creative Arts

Chris Rhodes

Kevin Magill

Diana Pritchard

This book offers several perspectives on the contemporary position of North Korea. It examines, in the context of the post-Cold War order, US, European Union and British foreign policy to North Korea, and North Korean responses. It investigates the tensions that could develop in North Korean state and society as the country faces an increasingly market-oriented capitalist world and identifies the historical, political and ideological foundations of North Korean society and culture. The book is the work of a multidisciplinary team of scholars from Britain and the United States who work in the fields of anthropology, economics, history, international relations, social geography and sociology, most of whom have conducted first-hand research in North Korea. The book also contains contributions from policy-makers who have helped to form western policy towards North Korea.

North Korea in the New World Order

Frank O'Hara's poetry evokes a specific era and location: New York in the fifties and early sixties. This is a pre-computer age of typewritten manuscripts, small shops and lunch hours: it is also an age of gay repression, accelerating consumerism and race riots. Hazel Smith suggests that the location and dislocation of the cityscape creates 'hyperscapes' in the poetry of Frank O'Hara. The hyperscape is a postmodern site characterised by difference, breaking down unified concepts of text, city, subject and art, and remoulding them into new textual, subjective and political spaces. This book theorises the process of disruption and re-figuration which constitutes the hyperscape, and celebrates its radicality.

Smith describes the famine that devastated the country in the 1990s and the international rescue program that Pyongyang requested and received. Together, the famine and the humanitarian response have wrought subtle but profound changes in North Korea's economy, society, and security outlook. Smith argues that the regime has been prodded into accepting some international norms, allowed markets to develop, and has included some human security concerns alongside military-political interests in its negotiations with the West.

Hazel Smith

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