Henri Michaux

He also began to take mescaline at regular intervals, recording his deeply disorienting, often traumatic experiences in a series of unflinching texts beginning with Miserable Miracle. Celebrated in France and around the world for his accomplishments as a writer and artist, Michaux remained averse to publicity and public honors throughout his life, and in 1965 refused the French Grand Prix National des Lettres. For many years the only photograph of himself that he allowed to circulate showed his right hand holding a pen over a sheet of paper on a chaotic writing desk." --BOOK JACKET.

Mescaline

Miserable Miracle

Henri Michaux defies common critical definition. Critics have compared his work to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. Allen Ginsberg called Michaux “genius,” and Jorge Luis Borges wrote that Michaux’s work “is without equal in the literature of our time.” This anthology contains substantial selections from almost all of Michaux’s major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a twentieth-century visionary.

An Henri Michaux Anthology, 1927-1984

Darkness Moves

Plume précédé de Lointain intérieur

journal de voyage

Ecuador

Poems and Lithographs

Meidosems

A collection from one of the great figures in modern French poetry.

Selected Writings of Henri Michaux

Gripa

Tent Posts

شب می‌‌جُنبد

ساحت جوانی

یک پلوم‌نامی

Stroke by Stroke

الرياضي في السرير

The Major Ordeals of the Mind, and the Countless Minor Ones

A bilingual edition of the most famous of Henri Michaux's poetry collections, now in a new translation from the French. The figure of Plume preoccupied the great Belgian poet Henri Michaux throughout his career. Plume, meaning feather or pen, is a character who drifts from one thing to another, losing shape, taking new forms, at perpetual risk from reality. He is a personification of the imagination as subject to innumerable pratfalls and disgraces, and yet indestructible for all that. In this new bilingual edition, with translations by Richard Sieburth, the entire Plume cycle appears for the first time in English in the form in which Michaux originally published it.

A Certain Plume

Michaux, A Barbarian in Asia. surreal and ironic impressions about Asia.

A Barbarian in Asia

Sihir Diyarinda

"Life in the Folds," originally published in French in 1949, is the Belgian-born author and artist Henri Michaux's (1899-1984) most direct exploration of the many forms of suffering, a laboratory of fantastical, destructive energies in which the poet presents his methods for dealing with the world around him. The first two sections offer such items as the Slapping Gun and the Man Sling (in the section "Freedom of Action") to the scenarios that call for defensive measures such as the "Constellation of Jabs" and the visceral "Blow of Fatigue" (in the section "Apparitions"). Also included is one of Michaux's more complex fantastical-anthropological travelogues, "Portrait of the Meidosems," an account of the ways and manners of a population of vague ectoplasmic figures, anguished filaments of sorts that struggle to exist but are never allowed to sit still. This volume charts a turning point in Michaux's life and in the world, where his earlier depictions of visualized psychology and suffering found representation in a traumatized Europe. Imbued by the war years, the Occupation and the horror of the concentration camps, "Life in the Folds" bears the scars of Michaux's own personal catastrophe--the loss of his wife, who had died of "atrocious burns" the previous year--and concludes with the autobiographical text, "Old Age of Pollagoras," a wearied testament uttered before a haunted "plain of death."

Life in the Folds

Ce volume contient Bras cassé, Relations avec les apparitions, Dans l'eau changeante des résonances, Survenue de la contemplation, Arrivée à Alicante et Moriturus.

Henri Michaux

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