Henry Maguire

Derya Önder

Bizans saray kültürü 829-1204

Robert S. Nelson

Henry Maguire, emeritus professor of art history at Johns Hopkins University, works on Byzantine and related cultures. He has written extensively on Venetian art and the church of San Marco.

San Marco, Byzantium, and the Myths of Venice

In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453. Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices—description, antithesis, hyperbole, and lament—had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ's Passion, and the Dormition of the Virgin. Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many. Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Art and Eloquence in Byzantium

This is an examination of rhetoric, nature and magic in Byzantine art. The text explores artistic conventions and descriptions of works of art from early Christian and Byzantine art, and middle and late Byzantine art.

Rhetoric, Nature and Magic in Byzantine Art

Nature and Illusion is the first extended study of the portrayal of nature in Byzantine art and literature. It provides a new view of Byzantine art in relation to the medieval art of Western Europe.

Nature in Byzantine Art and Literature

Nectar and Illusion

Dumbarton Oaks

Angeliki E. Láiou

Angeliki E. Laiou

Dumbarton Oaks Professor of Byzantine History Angeliki E Laiou

These seven chapters, originally given as lectures honoring the fiftieth anniversary of Dumbarton Oaks, cover a wide range of topics, from the relationship of Byzantium with its Islamic, Slavic, and Western European neighbors to the modern reception of Byzantine art.

Byzantium, a World Civilization

The Byzantines surrounded themselves with their saints, invisible but constant companions, who were made visible by dreams, visions, and art. The composition and presentation of this imagined gallery followed a logical structure, a construct that was itself a collective work of art created by Byzantine society. The purpose of this book is to analyze the logic of the saint's image in Byzantium, both in portraits and in narrative scenes. Here Henry Maguire argues that the Byzantines gave to their images differing formal characteristics of movement, modeling, depth, and differentiation, according to the tasks that the icons were called upon to perform in the all-important business of communication between the visible and the invisible worlds. The book draws extensively on sources that have been relatively little utilized by art historians. It considers both domestic and ecclesiastical artifacts, showing how the former raised the problem of access by lay men and women to the supernatural and fueled the debates concerning the role of images in the Christian cult. Special attention is paid to the poems inscribed by the Byzantines upon their icons, and to the written lives of their saints, texts that offer the most direct and vivid insight into the everyday experience of art in Byzantium. The overall purpose of the book is to provide a new view of Byzantine art, one that integrates formal analysis with both theology and social history.

Saints and Their Images in Byzantium

The Icons of Their Bodies

The imperial court in Constantinople is central to the outsider's vision of Byzantium. However, in spite of its fame in literature and scholarship, there have been few attempts to analyze the court in its entirety as a phenomenon. These studies provide a unified composition by presenting Byzantine courtly life in all its interconnected facets.

Henry Maguire

About

Books

Join the club