James Kelman

Waking up after a two-day drinking binge, ex-convict and shoplifter Sammy gets in a fight, lands in jail, goes blind, loses his girlfriend, and becomes embroiled in the Glasgow welfare system. Reprint. Winner of the 1994 Booker Prize.

How Late it Was, how Late

A Disaffection

Living in a no-bedroomed tenement flat, coping with the cold and boredom of busconducting and the bloody-mindedness of Head Office, knowing that emigrating to Australia is only an impossible dream, Robert Hines finds life to be ¿a very perplexing kettle of coconuts¿. The compensations are a wife and child, and a gloriously anarchic imagination. The Busconductor Hines is a brilliantly executed, uncompromising slice of the Glasgow scene, a portrait of working-class life which is unheroic but humane.

The Busconductor Hines

In Scotland, the portrait of a petty crook who had one run-in with police too many. It is a series of reflections as he sits in jail, contemplating his fate. He had been in trouble before, but this time it's different, the latest brawl with police cost him his eyesight. Now in addition to all his other troubles he is blind.

How late it was, how late

"I had cousins at sea. One was in the Cadets. I was wanting to join. My maw did not want me to but my da said I could if I wanted, it was a good life and ye saved yer money, except if ye were daft and done silly things. He said it to me. I would just have to grow up first. " James Kelman's triumph in Kieron Smith, boy is to bring us completely inside the head of a child and remind us what strange and beautiful things happen in there. Here is the story of a boyhood in a large industrial city during a time of great social change. Kieron grows from age five to early adolescence amid the general trauma of everyday life--the death of a beloved grandparent, the move to a new home. A whole world is brilliantly realized: sectarian football matches; ferryboats on the river; the unfairness of being a younger brother; climbing drainpipes, trees, and roofs; dogs, cats, sex, and ghosts. This is a powerful, often hilarious, startlingly direct evocation of childhood.

Kieron Smith, Boy

Booker Prize winner James Kelman's new novel, Dirt Road, tells the story of a teenage boy who travels with his father from Scotland to Alabama to visit with relatives after the death of his mother. In the American South, he becomes swept up into the world of zydeco and blues. ""A powerful meditation on loss, life, death, and the bond between father and son. . . . Kelman has created a fully–realized, relatable voice that reveals a young man’s urgent need for connection in a time of grief." —Publishers Weekly (starred review) After his mother’s recent death, sixteen–year–old Murdo and his father travel from their home in rural Scotland to Alabama to be with his émigré uncle and American aunt. Stopping at a small town on their way from the airport, Murdo happens upon a family playing zydeco music and joins them, leaving with a gift of two CDs of Southern American songs. On this first visit to the States, Murdo notices racial tension, religious fundamentalism, the threat of severe weather, guns, and aggressive behavior, all unfamiliar to him. Yet his connection to the place strengthens by way of its musical culture. Murdo may be young but he is already a musician. While at their relatives’ home, the grieving father and son experience kindness and kinship but share few words of comfort with each other, Murdo losing himself in music and his reticent and protective dad in books. The aunt, “the very very best,” Murdo calls her, provides whatever solace he receives, until his father comes around in a scene of great emotional release. As James Wood has written of this brilliant writer’s previous work in The New Yorker, “The pleasure, as always in Kelman, is being allowed to inhabit mental meandering and half–finished thoughts, digressions and wayward jokes, so that we are present” with his characters. Dirt Road is a powerful story about the strength of family ties, the consolation of music, and one unforgettable journey from darkness to light.

A Novel

Dirt Road

Kieron Smith, boy

Forty-seven of Kelman's most exhilarating and eloquent stories set in the tenements and casinos of Glasgow, Manchester and London.

Greyhound for breakfast

Noam Chomsky

“The world is full of information. What do we do when we get the information, when we have digested the information, what do we do then? Is there a point where ye say, yes, stop, now I shall move on.” This exhilarating collection of essays, interviews, and correspondence—spanning the years 1988 through 2018, and reaching back a decade more—is about the simple concept that ideas matter. They mutate, inform, create fuel for thought, and inspire actions. As Kelman says, the State relies on our suffocation, that we cannot hope to learn “the truth. But whether we can or not is beside the point. We must grasp the nettle, we assume control and go forward.” Between Thought and Expression Lies a Lifetime is an impassioned, elucidating, and often humorous collaboration. Philosophical and intimate, it is a call to ponder, imagine, explore, and act.

Why Ideas Matter

Between Thought and Expression Lies a Lifetime

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor’s tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a "Banker-Prize-Winning-Author" reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

God's Teeth and Other Phenomena

Intimate new stories from the Booker Prize-winning James Kelman. He 'brings alive a human consciousness like no other writer can' ALAN WARNER

That Was a Shiver, and Other Stories

In this collection of essays, polemics and talks, Kelman directs his linguistic craftsmanship and scathing humor at targets ranging from private profit and public loss to the endemic racism, class bias and general elitism at the English end of the Anglo-American literary tradition.

Essays Cultural & Political

Some Recent Attacks

Jeremiah Brown is 34, Scottish and an inveterate gambler. He's lived in the US for several years, drifting from job to job and woman to woman. Then he meets a young singer, has a daughter and things look up. But before long, Jeremiah's life slips back into its familiar pattern.

You Have to be Careful in the Land of the Free

A collection of stories set in working-class Scotland and England mixes bleak comedy, everyday tragedy, and the vicissitudes of romance

Busted Scotch: Selected Stories

This novel is set in an unnamed country that appears to be under military rule. The language used is an atypical English form, but akin to the basic translation that might appear within a department of an overseas foreign office.

Translated Accounts

Alasdair Gray

Agnes Owens

James Kelman, Agnes Owens, Alasdair Gray

Lean Tales

Jeremiah Brown, a 34-year-old Scot, gambler and drifter, has lived in the USA for several years, fathering a child by a now defunct relationship. He is about to make his first trip home in years when he recalls a time with his ex-girlfriend, and the memories then keep rolling.

In the superbly crafted and critically acclaimed You Have to Be Careful in the Land of the Free, James Kelman has created an unforgettable character and a darkly comic portrait of a post-9/11 America. Jeremiah Brown, a Scottish immigrant in his early thirties, has lived in the United States for twelve years. He has moved as many times, from the East Coast to the West Coast and back again, all in the hope his luck would change. To add to his restlessness and indecision, he now has a nonrefundable ticket to Glasgow--by way of Seattle, Canada, Iceland, and England--to visit his mother. On his last night in the States, Jeremiah finds himself in a town south of Rapid City, moving from bar to bar, attracting and repelling strangers, losing count of the beers he has drunk. All the while he is haunted by memories and by an acute sense of foreboding.

You Have to Be Careful in the Land of the Free

Jeremiah Brown, a Scottish immigrant in his early thirties, has lived in the United States for twelve years. He has moved as many times, from the east coast to the west coast and back again, all in the hope his luck would change. To add to his restlessness and indecision, he now has a nonrefundable ticket to Glasgow to visit his mother for the first time in seven years. The question is, will the visit help him get over the pain of separation from a woman he met and loved in New York and with whom he had a little girl, or will it make it worse? In this rich, funny, superbly crafted novel, Kelman has once again created a memorable character-compulsive, obsessive, self-doubting, beer-loving, and utterly engaging-and a singular portrait of an immigrant's America

James Kelman

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