Jeremy Tiang

Ho-Kei Chan

A propulsive crime drama featuring a legendary Hong Kong detective on a decades-long quest to expose the city’s dark underbelly.

Covering six cases that span Kwan Chun-dok’s impressive fifty-year career, The Borrowed takes readers on a tour of Hong Kong history from the Leftist Riot in 1967; the conflict between the HK Police and ICAC (Independent Commission Against Corruption) in 1977; the Tiananmen Square Massacre in 1989; the Handover in 1997; to the present day of 2013, when Kwan is called on to solve his final case, the murder of a local billionaire, while Hong Kong increasingly resembles a police state. Along the way we meet Communist rioters, ultraviolent gangsters, stallholders at the city’s many covered markets, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing.

A gripping and brilliantly constructed novel from a talented new voice in crime fiction, The Borrowed paints a dynamic portrait of Hong Kong and reveals just how closely the past and present are connected in this fascinating city.

The Borrowed

A Novel

State of Emergency

Zechen Xu

Eric Abrahamsen

Beijing Sprawl

Stories

It Never Rains on National Day

Jingzhi Zou

Ninth Building

Geling Yan

Secret Talker

Siew Li leaves her husband and children in Tiong Bahru to fight for freedom in the jungles of Malaya. Decades later, a Malaysian journalist returns to her homeland to uncover the truth of a massacre committed during the Emergency. And in Singapore, Siew Li's niece Stella finds herself accused of being a Marxist conspirator. Jeremy Tiang's debut novel dives into the tumultuous days of leftist movements and political detentions in Singapore and Malaysia. It follows an extended family from the 1940s to the present day as they navigate the choppy political currents of the region. What happens when the things that divide us also bind us together? Winner of Singapore Literature Prize 2018, Fiction Shortlisted for Singapore Book Awards 2018, Best Fiction Title Finalist for the Epigram Books Fiction Prize 2016

State of Emergency: A Novel

O Thiam Chin

Amanda Lee Koe

Cyril Wong

Alvin Pang

Yu-Mei Balasingamchow

Dave Chua

Jason Erik Lundberg

Felix Cheong

Ann Ang

Verena Tay

Ng Yi-Sheng

Stephanie Ye

Justin Ker

Vinita Ramani Mohan

Karen Kwek

Koh Choon Hwee

Eleanor Neo

Wei Fen Lee

Phan Ming Yen

Alfian Sa’at

In recent years, Singaporean literature has begun experiencing a sea change, with the short story form enjoying a renaissance. As a result, an explosion of short fiction with a Singaporean flavour has been produced to incredible effect, both by emerging and established writers. For the prose enthusiast, it is a very exciting time. The Epigram Books Collection of Best New Singaporean Short Stories: Volume One curates the finest short fiction from Singaporean writers published in 2011 and 2012. This ground-breaking and unique anthology showcases stories that examine various facets of the human condition and the truths that we tell ourselves in order to exist in the everyday. The styles are as varied as the authors, and no two pieces are alike. Here are twenty unique and breathtaking literary insights into the Singaporean psyche, which examine what it means to live in this particular part of the world in this particular time.

Volume One

The Epigram Books Collection of Best New Singaporean Short Stories

Joel Tan

Yang Mai Ooi

Daniel York Loh

Stephen Hoo

Amy Ng

Lucy Chai Lai-Tuen

First collection of full-length plays from British East Asian playwrights Playwrights: Yang Mai Ooi, Jeremy Tiang, Lucy Chai Lai-Tuen, Amy Ng, Stephen Hoo, Joel Tan and Daniel York Loh. Selected and Edited: Cheryl Robson, Dr Amanda Rogers and Dr Ashley Thorpe. With an introduction: Dr Amanda Rogers and Dr Ashley Thorpe A landmark collection of contemporary full-length plays by British East Asian writers. Exploring subjects such as cultural identity, the fragmentation of communities, tradition, invisibility and discrimination, these plays are ideal to perform. With an introduction by academics Dr Amanda Rogers and Dr Ashley Thorpe which sets the plays into context and explores the hidden history of theatre from BEA theatre-makers. This is a timely collection, being published within months of the opening of three plays by British East Asian playwrights in the UK, and a growing awareness in the mainstream press that that East Asians in British theatre are under-represented. As Daniel York Loh writes: “British East Asians were effectively side-lined in any debate on diversity in theatre where the general establishment view tends towards a binary black/white... which seems to exclude large swathes of the Asian continent.” As Kumiko Mendl of Yellow Earth theatre writes: "There is an abundance of talent and experience to be found in the UK, and it's time that the rest of Britain woke up to the diversity of artists and practitioners around them – those that know their Kuan Han-ching as well as their Shakespeare." The seven plays in the anthology are: Bound Feet Blues by Yang Mai Ooi The Last Days of Limehouse by Jeremy Tiang Conversations with my Unknown Mother by Lucy Chai Lai-Tuen Special Occasions by Amy Ng Jamaica Boy by Stephen Hoo Tango by Joel Tan The Fu Manchu Complex by Daniel York Loh "Ooi has some unsettling examples of how, even today in the West, daintiness in a woman is often celebrated and a `beauty is pain' culture still exists." --The Stage "The Last Days of Limehouse is a finely balanced, well-written and superbly acted play that's well worth seeing." **** - --everything theatre "...a devilishly ironic spin on Sax Rohmer's classic novel that will leave you in hysterics...wildly satirical and steeped in sexual innuendo... the atmosphere created on stage is alluring." - --The Upcoming

British East Asian Plays

Jeremy Tiang

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