Jerome Rothenberg

"Technicians of the Sacred presents 'primitive' and ancient poetries as the incantations they are, loaded with power and very full of the magic that invests all good poetry. The treatment is fascinating...the commentaries are a gold mine of responses to the material by a strong poet (the editor), and his selection of analogous writings from a broad range of contemporary poets."—David P. McAllester

A Range of Poetries from Africa, America, Asia, Europe and Oceania

Technicians of the Sacred

Jeffrey C. Robinson

Rothenberg and Robinson bring a radically new interpretation to the poetry of the 19th century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism.

The University of California Book of Romantic & Postromantic Poetry

Poems for the Millennium, Volume Three

Wide-ranging poetry anthology by one of America’s most distinguished literary translators.

Translations and Variations

Writing Through

Diane Rothenberg

A Range of Discourse Toward an Ethnopoetics

Symposium Of The Whole

New York Public Library

Steven Clay

Rodney Phillips

By Jerome Rothenberg. Contributions by Steven Clay, Rodney Phillips.

Adventures in Writing, 1960-1980 : a Sourcebook of Information

A Secret Location on the Lower East Side

Jerome Rothenberg's Poland /1931, a continuing series of ancestral poems, has been appearing in installments over the course of five years, published in limited edition by various small presses.

Poland/1931

Poetry. A CRUEL NIRVANA both is and is not a new Jerome Rothenberg collection. In other words, almost everything in this collection has been published before. Each of the three major sections (Narratives and Real Theater Pieces, The Notebooks, and Conversations) was originally published individually. A CRUEL NIRVANA brings together these long out-of-print smaller gatherings in a way that illuminates their important place in Rothenberg's crucial contribution to Twentieth- and Twenty-first Century poetics. Returning to these poems, properly contextualized, one finds them communicating in one field of immanence. If we feel exhausted by meaningless violence and marketing, A CRUEL NIRVANA shows us wellsprings of meaning and power we missed or just couldn't see in our exhaustion or disaffection.

A Cruel Nirvana

Pierre Joris

Jeffrey Cane Robinson

Habib Tengour

"Global anthology of twentieth-century poetry"--Back cover.

The University of California Book of North African Literature

Poems for the Millennium, Volume Four

Kurt Schwitters

A landmark anthology of Dada artist Kurt Schwitter's rejuvenating works: radical, humourous and explosively lyrical writings that embrace and undo every genre, prefiguring sound, concrete and abstract poetry, and laying the groundwork for performance art. Schwitter's passion was for juxtaposition, a breaking down of boundaries not for the sake of shock, but in the service of creative hilarity. Using visual nad verbal material drawn from teh debris of culture, Schwitters offers us a Gesamtkunstwerk for the common man.

Poems, Performance Pieces, Proses [sic], Plays, Poetics

As we come to the beginning of a new century, we find that the entire vista of modern poetry has dramatically changed. Poems for the Millennium captures the essence of that change, and unlike any anthology available today it reveals the revolutionary concepts at the very heart of contemporary poetry. International in its coverage, these volumes bring together the poets and poetry movements that radically altered the ways that art and language express the human condition. Volume 2 offers a dazzling chronicle of the second "great awakening" of experimental poetry in the twentieth century. Ranging from the period of World War II through the cold war to the onset of the twenty-first century, this volume presents two "galleries" of individual poets such as Holan, Olson, Rukeyser, Jabès, Celan, Mac Low, Pasolini, Bachmann, Finlay, Ginsberg, Adonis, Rich, U Tam'si, Baraka, Takahashi, Waldman, and Bei Dao. There are also samplings of local and international movements: the Beats, the Vienna Group, the Cobra poets and artists, the Arabic-language Tammuzi poets, the creators of a new "Concrete Poetry," the "postwar poets" of Japan, the Italian Novissimi and Avan-Guardia, the Chinese Misty Poets, and the North American Language Poets. In addition, an extended section is devoted to examples of the "art of the manifesto" and two smaller groupings of traditional "oral poets" and of experimenters with machine art and cyberpoetics. Poet-editors Jerome Rothenberg and Pierre Joris provide informative and irreverent commentaries throughout. They challenge old truths and propose alternative directions, in the tradition of the manifestos that have marked the art and poetry of the twentieth century. The result is both an essential resource for experiencing the full range of contemporary poetic possibilities and an arresting statement on the future of poetry in the millennium ahead.

The University of California Book of Modern and Postmodern Poetry Volume Two: From Postwar to Millennium

Poems for the Millennium

Bruce Smith

Bianca Stone

Bruce Bond

Carolyn Finney

Colum McCann

Philip Metres

Kazim Ali

Diana Whitney

Ru Freeman

Fred D'Aguiar

Jeff Talarigo

Sheryl St. Germain

William Heyen

Cynthia Hogue

Arthur Sze

Nin Andrews

Dominique Christina

Kristina Marie Darling

Remica Bingham-Risher

Shara McCallum

Shin Yu Pai

Mihaela Moscaliuc

Tanure Ojaide

Carol Moldaw

Michael Waters

Angelique Palmer

Rita Banerjee

Tim Seibles

Haleh Liza Gafori

Morowa Yejide

Christal Brown

Dante DiStefano

Claire Bateman

Nell-Lynn Perera

D. M. Aderibigbe

Christine Gelineau

H.L. Hix

Kaylynn Sullivan TwoTrees

Felice Belle

Alycia D. Jenkins

Diane Raptosh

Lynn Kozak

Steven Reese

Jeff Diteman

Damon Honeycutt

Rashidah Ismaili Abu-Baker

Sign & Breath is a new critical anthology that takes a different approach to exploring these questions: What is poetry? What defines voice? Featuring a range of contemporary artists, many of whom work across different mediums and genres, Sign & Breath introduces the reader to one page that sings in any genre – prose, fiction, poetry, spoken word, hybrid forms, and song – across diverse traditions. Rather than define poetry as a genre with conventions, traditions, codes, and modalities, this book features poetry as a faculty that thrums in all written and spoken art. Readers are introduced to a text followed by a discussion with the author about creating the piece, ties to creative lineage, and the definition of voice through their practice. This anthology contributes to the dialogue among genres which will reframe understanding of poetry as an aesthetic experience of language. With one page that sings in any genre, Sign & Breath presents a new, inclusive perspective on poetry while two questions remain: Do we have a clearer understanding of what defines poetry? Do we have a clearer understanding of voice?

Sign & Breath

In Yiddish, khurbn is the word for 'total destruction, ' the word for what the English-speaking world calls the Jewish 'Holocaust' of World War II. This is the author's precisely personal, horrifying, tender, and structurally astute masterpiece, it is the great middle-length poem of our times.

Khurbn & Other Poems

Poetry. Native American Studies. In a preface to this new edition of his fabled anthology of Native American poetry, Rothenberg suggests that the translations should work "by analogy to contemporary, limit- smashing experiments (as with concrete poetry, sound poetry, intermedia, happenings, etc.)" As a result, the stylistic range represented in SHAKING THE PUMPKIN reflects the variety of poetic practices that existed among Native American cultures--noting that before the exploration of North America by Europeans over 500 distinct native languages were in use. Rothenberg translates, or co- translates, a large portion of the material; however, other translators represented in the anthology include Anselm Hollo, W.S. Merwin, and Nathaniel Tarn. Along with a thoughtful introduction, SHAKING THE PUMPKIN includes a breakdown of the works by region and tribe, and a large section of commentaries, which offer background information about each poem, placing the works within a cultural context. Rothenberg also uses the commentaries to discuss American Indian tribal poetry, philosophy, and history.

Traditional Poetry of the Indian North Americas

Shaking the Pumpkin

Hiromi Itō

The Revival of the Art of Hunger

A Range of Poetries from Africa, America, Asia & Oceania

Poems deal with the Jewish Holocaust, ikons, nature, dreams, and religion.

John Bloomberg-Rissman

An Assemblage of Outside and Subterranean Poetry from Origins to Present - Poems for the Millennium

Barbaric Vast and Wild

New Young German Poets

"A Further Witness," for Anselm Hollo

The key book by the internationally celebrated poet with the only "Polish ghetto-Hassidic-cowboy and Indian American comic voice" (Robert Duncan) in history. "if only our eyes were wild enough to see them our hearts to know their terror" --Jerome Rothenberg For the last half of the twentieth century into the new millennium, no other American poet has been as deeply engaged in the opening of the poem (its boundaries and its possibilities) than Jerome Rothenberg. As editor, translator, essayist, performer, groundbreaking anthologist, one of the founding figures of enthnopoetics, and most significantly, as poet, Rothenberg has remapped the art against the grain of a single "great tradition." Reminiscent of H.D.'s "Trilogy, Triptych" assembles three long serial poems into one multilayered sacred text. Like Kafka's "Amerika," Calvino's "Euphemia," and Babel's "Odessa," Rothenberg's Poland in "Poland/1931," first published in 1974, is a "poland stuffed with poland / brought in the imagination." Fifteen years later, Poland materializes into "Khurbn" (a Yiddish word meaning destruction, holocaust, human disaster), a poem summoned from the author's visit to his ancestral town, Ostrow-Mazowiecka, and the confrontation with his family's annihilation--including an uncle who killed himself--during World War II. "Allowing my uncle's khurbn to speak through me..." the author writes, "the poems are the clearest message I have ever gotten about why I write poetry." And now in 2006, "The Burning Babe" rises out of the furnace of khurbn, "reaching through the ruins / for a place to soar.,.".

Triptych

Jerome Rothenberg

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