Joachim Pissarro

Pepe Karmel

Conceptual Abstraction

Museum of Modern Art (New York, N.Y.)

Los Angeles County Museum of Art

Musée d'Orsay

Paul Cézanne

Catalog of an exhibition held at the Museum of Modern Art, June 26-Sept. 12, 2005, the Los Angeles County Museum of Art, Oct. 20, 2005-Jan. 16, 2006, and the Musée d'Orsay, Paris, Feb. 27-May 28, 2006.

Cézanne & Pissarro, 1865-1885

Pioneering Modern Painting

Paul Morley

Bill Bailey

Cliff Lauson

Martin Creed

To celebrate the opening of the artist's first large-scale retrospective, Hayward Publishing is releasing a special edition of 250 copies of its Martin Creed: What's the point of it? exhibition catalogue.Each copy will feature a new version of Creed's iconic torn paper piece, as well as a handwritten 'certificate' of authentication, written onto the pages of the book and individually signed by the artist.Embodying the artist's immediate and irreverent approach, the Martin Creed: What's the point of it? 'special Edition' represents a highly affordable opportunity to purchase a singular piece by this world-renowned artist.Published alongside an exhibition at the Hayward Gallery, London (29 January - 27 April 2014).

What's the Point of It?

Martin Creed Special Edition

Presents the paintings Monet executed on the Italian and French Rivieras in 1884 and 1888

Monet and the Mediterranean

NEW YORK, October 26, 2009-PaceWildenstein present a series of new oil on canvas paintings by Tim Eitel in his second solo exhibition at the gallery. This catalogue, with an essay by Joachim Pissarro, Bershad Professor of Art History and director of the Hunter College Art Galleries, accompanies the exhibition. In Tim Eitel's emotionally complex and stirring paintings, the artist conflates fragments of images and memories of everyday life with print and film media, as well as the history of art. The new works are based on pictorial elements isolated from photographs that Eitel takes on city streets as part of an ongoing investigation of the world surrounding him. Eitel uses ambiguous settings and distills out all reference to motion or change, allowing the works to become a lens into the viewer's own contextual references and associations. Eitel first gained recognition as a co-founder of the collective art gallery, Liga, in Berlin. He joined PaceWildenstein in 2006 and his first solo-exhibition at the gallery, Center of Gravity, was mounted the same year.

Invisible Forces

Tim Eitel

Critical Catalogue of Paintings

Pissarro

Camille Pissarro

Richard R. Brettell

"Examines the problematic serial nature of ... [Pissarro's] urban works"--Foreword.

Pissarro's Series Paintings

The Impressionist and the City

Wildenstein Institute

Claire Durand-Ruel Snollaerts

Camille Pissarro, 1830-1903

David Carrier

“Wild Art” refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of “taste,” one in which each expression is acknowledged as being different while deserving equal merit. Arguing that both the “art world” and “wild art” have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of “taste” in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of “wild art” in the present will radically transform our understanding of contemporary visual art in the future. Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of “kitsch” and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.

Wild Art Explained

Aesthetics of the Margins / The Margins of Aesthetics

Lauren Haynes

Based on an exhibition organized by Joachim Pissarro and curator of contemporary art at Crystal Bridges Museum of American Art, Lauren Haynes, Crystals in Art: Ancient to Today explores the complex and varied connections between crystal and art throughout the world. Included are both ancient artifacts--such as engraved gems, figurines, and vases--and works from contemporary artists around the world that explore the power of crystal in art by drawing on its form, properties, and mysterious qualities. Featuring more than sixty-five works from ancient Egypt and Greece, through to Rome, China, India, Japan, the Middle East, the Americas, and beyond, this book invites readers to discover how the power of crystal transcends the boundaries of time and space. Taken together, all of these objects illustrate how crystal has bridged the gap between things we can see and things we can't: science and art, fact and faith, medicine and magic--the visible and the invisible. Published in collaboration with Crystal Bridges Museum of American Art and University of Arkansas School of Art.

Ancient to Today

Crystals in Art

Vincent van Gogh

Chris Stolwijk

Sjraar van Heugten

Co-published by Museum of Modern Art and the Van Gogh Museum in conjunction with the first exhibition to focus on Vincent van Gogh's depictions of nocturnal and twilight scenes, Van Gogh and the Colors of the Night examines the artist's night landscapes, interior scenes, and representations of the effects of both gaslight and natural light on their surroundings. It features over one hundred illustrations, including details of Van Gogh's iconic paintings and works by other artist important to the development of his style.

Van Gogh and the Colors of the Night

Wild Art is an incredibly brash and current collection of over 300 extraordinary artworks that are too offbeat, outrageous, kitschy, quirky, or funky for the formal art world. From pimped cars, graffiti, flash mobs, and burlesque acts, to extreme body art, ice sculpture, light shows, and carnivals, the works featured here are variously moving, funny, or shocking - and guaranteed to elicit a reaction. Authors David Carrier and Joachim Pissarro have studied alternative and underground art cultures for years. Here, they've compiled the ultimate collection of creative works that celebrate the beauty and art in anything and everything, challenging the reader's perception of what is and what isn't art.

Wild Art

Bernard Ruiz-Picasso

Emilia Philippot

In light of a large selection of previously unpublished personal archives - documents, photographs and films - this title explores Picasso's 'Olga period' by contextualising his work during this period and by questioning the contrast between the subject and its portrayal. A favourite model since their meeting in 1917, Olga Khokhlova, a Russian ballet dancer who married Picasso in July 1918, is the most represented female figure in the artist's work of the late 1910s and 1920s. Picasso renders the ambiguity of his first wife, her beauty, her Ingres-like contours, and her deep, pensive, melancholy, in many of his most famous portraits. The exhibition that this book accompanies brings to light materials conserved by Olga's family until recently, including memorabilia of her life as a dancer, photos of Picasso, their son Paul, and their daily life together, and their travels to Barcelona, Naples, and Monte Carlo. AUTHORS: Emilia Philippot is curator for Picasso Museum of Paris. Joachim Pissarro is an art historian, curator and director of Hunter College art galleries. Bernard Ruiz-Picasso is co-founder of Foundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA). SELLING POINTS: * A thematic exploration of Picasso's work in the 1910s and 1920s * Includes previously unpublished material from the archives of the Fundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA) * An exhibition catalogue with 200 works and 80 archival images 200 colour and 8 b/w images

Olga Picasso

Joachim Pissarro

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