John Donnelly

A magic realist novel set in Indonesia, where nothing is quite as it seems, and people are not whom they seem to be.

Magic Garage

Orgon is the man who has everything. Money, power, a beautiful family. But lately he's been questioning the point of it all. When he invites Tartuffe into his perfect household, he unleashes a whirlwind of deception and seduction that threatens everything. With Orgon under Tartuffe's spell, can his family outwit this charismatic trickster? Are Tartuffe's wild claims truth or fiction? This mysterious stranger may not be quite the villain he appears. John Donnelly's ferocious new version of Molière's comic masterpiece looks at the lengths we go to find meaning - and what happens when we find chaos instead. Tartuffe, the Imposter opened at the National Theatre, London, in February 2019.

Tartuffe

Three people. Stephen wants his ex to realise he's got what it takes. Helen wants her dead husband back. Jamie wants a girl to see him off to war. Three lives stripped bare in a modern world.Bone premièred at the Royal Court Theatre, London, in September 2004.

Bone

American Christians, veteran reporter John Donnelly has discovered, are an ever-increasing source of aid in Africa, with some experts estimating that U.S. churches supply more resources to Africa than USAID. In A Twist of Faith, he tells the unlikely story of how faith and determination compelled one such American Christian to travel to Africa and open a school for children orphaned by the AIDS epidemic. David Nixon, a carpenter from North Carolina who had lived through his share of trouble, knew nothing about the small, land-locked African country of Malawi. But after having a religious awakening and hearing about a preacher's efforts to aid its impoverished and beleaguered citizens, he raises money from his church and sets off to do what so many well-intentioned Americans of faith do in Africa: build an orphanage. But as his plans are beset with difficulties, Nixon slowly comes to realize that helping others requires listening to and learning from them. And that means changing his preconceived ideas of what the Malawians need and how he can best serve them. A Twist of Faith is the story of one man who, despite personal struggles, a profound cultural gap, the corruption of local officials, and the heartbreak of losing an orphan he comes to love, saves himself by saving others in a place nothing like home. Nixon's story is representative of a growing trend: the thousands of American Christians who are impassioned donors of time, money, and personal energy, devoted to helping African children.

An American Christian's Quest to Help Orphans in Africa

A Twist of Faith

In a high-end hotel room, rising football stars Jason and Ade are living the dream. Goals, girls and glory. Tomorrow they make their first-team debut. But the game starts before you've even walked out the tunnel. Twelve years. Three hotel rooms. One last gamble. An agile new story about sex, fame and how much you're willing to lose in order to win, The Pass premiered at the Royal Court Theatre, London, in January 2014.

The Pass

Gathers essays by Seneca, Thomas Aquinas, David Hume, Immanuel Kant, Joyce Carol Oates, Jack Kevorkian, and Thomas S. Szasz that deal with the history, nature, morality, and rationality of suicide

Right Or Wrong?

Suicide

Tartuffe, the Imposter

- I had a dream where every time I ever did anything or went anywhere or said anything, people would say: 'Someone else just did that, you're just copying them aren't you?' Turns out I never had a single original thought my whole life. How scary is that? - That's funny. I had that dream too. In the city, there is who we are and who we want to be. Five desperate people make life-changing decisions to rescue themselves - and each other - through random acts of kindness. An urban fairytale of house wine, home porn, maps, cats and heavy metal, Songs of Grace and Redemption premiered at Theatre 503, London, in October 2007 in a production by Liminal Theatre.

Songs of Grace and Redemption

Vivienne Franzmann

Andrew Muir

Alison Carr

Hattie Naylor

Mojisola Adebayo

Chris Bush

Frances Poet

Silva Semerciyan

Chris Thompson

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo This is a play about the British Isles, its past and its present. Set in a senior common room, in a prominent university, a group of 1st year undergraduates are troubled, not by the weight of their workload, but by a 'noisy' ghost. So they do what any group self-respecting and intelligent university students would do in such a situation – they get out the Ouija Board to confront their spiritual irritant and lay them to rest – only to be confronted by the full weight of Britain's colonial past – in all its gory glory. Fusing naturalism, with physical theatre, spoken-word, absurdism, poetry and direct address – this is event-theatre that whips along with the grace, pace and hypnotic magnetism of a hurricane. Tuesday by Alison Carr Tuesday is light, playful and nuanced in tone. And a little bit sci-fi. The play centres on an ordinary Tuesday that suddenly turns very weird indeed when a tear rips across the sky over the school yard. The play touches on themes of friendship, sibling love, family, identity, grief, bullying, loneliness and responsibility. And in the process we might just learn something about ourselves as well as some astronomical theories of the multiverse! A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly This satirical play is heightened in its naturalism, in its seriousness, in its parody and piercing in its interrogation of how our attempts to define ourselves in public are shaped by the fear of saying the wrong thing. Presented quite literally as a series of public apologies this play is spacious, flexible and welcoming of inventive and imaginative interpretation as each iteration spirals inevitably to its absurdist core. This is a play on words, on convention, on manners, on institutions, on order, online and on point. THE IT by Vivienne Franzmann THE IT is a play about a teenage girl who has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands in her body. It starts in her stomach, but quickly outgrows that, until eventually ittakes over the entirety of her insides. It has claws. She feels them. Presented in the style of a direct to camera documentary, this is a darkly comic state of the nation play exploring adolescent mental health and the rage within, written very specifically for today. The Marxist in Heaven by Hattie Naylor The Marxist in Heaven is a play that does exactly what its title page says it's going to do. The eponymous protagonist 'wakes up' in paradise and once they get over the shock of this fundamental contradiction of everything they believe in.....they get straight back to work....and continue their lifelong struggle for equality and fairness for all....even in death. Funny, playful, provocative, pertinent and jam-packed with discourse, disputes, deities and disco dancing by the bucketful, this upbeat buoyant allegory shines its holy light on globalization and asks the salient questions – who are we and what are we doing to ourselves?.....and what conditioner do you use on your hair? Look Up by Andrew Muir Look Up plunges us into a world free from adult intervention, supervision and protection. It's about seeking the truth for yourself and finding the space to find and be yourself. Nine young people are creating new rules for what they hope will be a new and brighter future full of hope in a world in which they can trust again. Each one of them is unique, original and defiantly individual, break into an abandoned building and set about claiming the space, because that is what they do. They have rituals, they have rules, together they are a tribe, they have faith in themselves....and nothing and no one else. They are the future, unless the real world catches up with them and then all they can hope for is that they don't crash and burn like the adults they ran away from in the first place. Crusaders by Frances Poet A group of teens gather to take their French exam but none of them will step into the exam hall. Because Kyle has had a vision and he'll use anything, even miracles, to ensure his classmates accompany him. Together they have just seven days to save themselves, save the world and be the future. And Kyle is not the only one who has had the dream. All across the globe, from Azerbaijan to Zambia, children are dreaming and urging their peers to follow them to the promised land. Who will follow? Who will lead? Who will make it? Witches Can't Be Burned by Silva Semerciyan St. Paul's have won the schools Playfest competition, three years in a row, by selecting recognised classics from the canon and producing them at an exceptionally high level, it's a tried and trusted formula. With straight A's student and drama freak, Anuka cast as Abigail Williams in The Crucible by Arthur Miller, the school seem to be well on course for another triumph, which would be a record. However, as rehearsals gain momentum, Anuka has an epiphany. An experience resulting in her asking searching questions surrounding the text, the depiction and perception of female characters, the meaning of loyalty, and the values and traditions underpinning the very foundations of the school. Thus, the scene is set for a confrontation of epic proportions as Anuka seeks to break with tradition, before tradition breaks her and all young women like her and reality begins to take on the ominous hue of Miller's fictionalized Salem. Dungeness by Chris Thompson . In a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace. The group must decide how they want to commemorate an attack that happened to LGBT+ people, in a country far away. How do you take to the streets and protest if you're not ready to tell the world who you are? If you're invisible, does your voice still count? A play about love, commemoration and protest.

John Donnelly

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