Lisa Yaszek

Space-opera heroines, gender-bending aliens, post-apocalyptic pregnancies, changeling children, interplanetary battles of the sexes, and much more: a groundbreaking new collection of classic American science fiction by women from the 1920s to the 1960s SF-expert Lisa Yaszek presents the biggest and best survey of the female tradition in American science fiction ever published, a thrilling collection of twenty-five classic tales. From Pulp Era pioneers to New Wave experimentalists, here are over two dozen brilliant writers ripe for discovery and rediscovery, including Leslie F. Stone, Judith Merril, Leigh Brackett, Kit Reed, Joanna Russ, James Tiptree Jr., and Ursula K. Le Guin. Imagining strange worlds and unexpected futures, looking into and beyond new technologies and scientific discoveries, in utopian fantasies and tales of cosmic horror, these women created and shaped speculative fiction as surely as their male counterparts. Their provocative, mind-blowing stories combine to form a thrilling multidimensional voyage of literary-feminist exploration and recovery. CONTENTS Introduction by LISA YASZEK CLARE WINGER HARRIS The Miracle of the Lily (1928) LESLIE F. STONE The Conquest of Gola (1931) C. L. MOORE The Black God’s Kiss (1934) LESLIE PERRI Space Episode (1941) JUDITH MERRIL That Only a Mother (1948) WILMAR H. SHIRAS In Hiding (1948) KATHERINE MACLEAN Contagion (1950) MARGARET ST. CLAIR The Inhabited Men (1951) ZENNA HENDERSON Ararat (1952) ANDREW NORTH All Cats Are Gray (1953) ALICE ELEANOR JONES Created He Them (1955) MILDRED CLINGERMAN Mr. Sakrison’s Halt (1956) LEIGH BRACKETT All the Colors of the Rainbow (1957) CAROL EMSHWILLER Pelt (1958) ROSEL GEORGE BROWN Car Pool (1959) ELISABETH MANN BORGESE For Sale, Reasonable (1959) DORIS PITKIN BUCK Birth of a Gardner (1961) ALICE GLASER The Tunnel Ahead (1961) KIT REED The New You (1962) JOHN JAY WELLS & MARION ZIMMER BRADLEY Another Rib (1963) SONYA DORMAN When I Was Miss Dow (1966) KATE WILHELM Baby, You Were Great (1967) JOANNA RUSS The Barbarian (1968) JAMES TIPTREE JR. The Last Flight of Dr. Ain (1969) URSULA K. LE GUIN Nine Lives (1969)

A Library of America Special Publication

The Future Is Female! 25 Classic Science Fiction Stories by Women, from Pulp Pioneers to Ursula K. Le Guin

Space-opera heroines, gender-bending aliens, post-apocalyptic pregnancies, changeling children, interplanetary battles of the sexes, and much more: a groundbreaking new collection of classic American science fiction by women from the 1920s to the 1960s SF-expert Lisa Yaszek presents the biggest and best survey of the female tradition in American science fiction ever published, a thrilling collection of twenty-five classic tales. From Pulp Era pioneers to New Wave experimentalists, here are over two dozen brilliant writers ripe for discovery and rediscovery, including Leslie F. Stone, Judith Merril, Leigh Brackett, Kit Reed, Joanna Russ, James Tiptree Jr., and Ursula K. Le Guin. Imagining strange worlds and unexpected futures, looking into and beyond new technologies and scientific discoveries, in utopian fantasies and tales of cosmic horror, these women created and shaped speculative fiction as surely as their male counterparts. Their provocative, mind-blowing stories combine to form a thrilling multidimensional voyage of literary-feminist exploration and recovery. CONTENTS Introduction by LISA YASZEK CLARE WINGER HARRIS The Miracle of the Lily (1928) LESLIE F. STONE The Conquest of Gola (1931) C. L. MOORE The Black God's Kiss (1934) LESLIE PERRI Space Episode (1941) JUDITH MERRIL That Only a Mother (1948) WILMAR H. SHIRAS In Hiding (1948) KATHERINE MACLEAN Contagion (1950) MARGARET ST. CLAIR The Inhabited Men (1951) ZENNA HENDERSON Ararat (1952) ANDREW NORTH All Cats Are Gray (1953) ALICE ELEANOR JONES Created He Them (1955) MILDRED CLINGERMAN Mr. Sakrison's Halt (1956) LEIGH BRACKETT All the Colors of the Rainbow (1957) CAROL EMSHWILLER Pelt (1958) ROSEL GEORGE BROWN Car Pool (1959) ELISABETH MANN BORGESE For Sale, Reasonable (1959) DORIS PITKIN BUCK Birth of a Gardner (1961) ALICE GLASER The Tunnel Ahead (1961) KIT REED The New You (1962) JOHN JAY WELLS & MARION ZIMMER BRADLEY Another Rib (1963) SONYA DORMAN When I Was Miss Dow (1966) KATE WILHELM Baby, You Were Great (1967) JOANNA RUSS The Barbarian (1968) JAMES TIPTREE JR. The Last Flight of Dr. Ain (1969) URSULA K. LE GUIN Nine Lives (1969)

25 Classic Science Fiction Stories by Women, from Pulp Pioneers to Ursula K. Le Guin

The Future Is Female!

The Future Is Female 2! 20 Classic Science Fiction Stories by Women Writers of the 1970s

Go back to The Future Is Female in this all new collection of wildly entertaining stories by the trailblazing feminist writers who transformed American science fiction in the 1970s In the 1970s, feminist authors created a new mode of science fiction in defiance of the “baboon patriarchy”—Ursula Le Guin’s words—that had long dominated the genre, imagining futures that are still visionary. In this sequel to her groundbreaking 2018 anthology The Future is Female!: 25 Classic Science Fiction Stories by Women from Pulp Pioneers to Ursula K. Le Guin, SF-expert Lisa Yaszek offers a time machine back to the decade when far-sighted rebels changed science fiction forever with stories that made female community, agency, and sexuality central to the American future. Here are twenty-three wild, witty, and wonderful classics that dramatize the liberating energies of the 1970s: Sonya Dorman, “Bitching It” (1971) Kate Wilhelm, “The Funeral” (1972) Joanna Russ, “When It Changed” (1972) NEBULA AWARD Miriam Allen deFord, “A Way Out”(1973) Vonda N. McIntyre, “Of Mist, and Grass, and Sand” (1973) NEBULA James Tiptree, Jr., “The Girl Who Was Plugged In” (1973) HUGO AWARD Kathleen Sky, “Lament of the Keeku Bird” (1973) Ursula K. Le Guin, “The Day Before the Revolution” (1974) NEBULA & LOCUS AWARD Eleanor Arnason, “The Warlord of Saturn’s Moons” (1974) Kathleen M. Sidney, “The Anthropologist” (1975) Marta Randall, “A Scarab in the City of Time” (1975) Elinor Busby, “A Time to Kill” (1977) Raccoona Sheldon, “The Screwfly Solution” (1977) NEBULA AWARD Pamela Sargent, “If Ever I Should Leave You” (1974) Joan D. Vinge, “View from a Height” (1978) M. Lucie Chin, “The Best Is Yet to Be” (1978) Lisa Tuttle, “Wives” (1979) Connie Willis, “Daisy, In the Sun” (1979)

The Future Is Female! Volume Two, The 1970s: More Classic Science Fiction Storie s by Women

Gary K. Wolfe

Sidney Perkowitz

Brooks Peck

Randall Frakes

Matt Singer

This companion to the AMC’s mini-series features the full interviews plus essays by sci-fi insiders and rare concept art from Cameron’s archives. For the show, James Cameron personally interviewed six of the biggest names in science fiction filmmaking—Guillermo del Toro, George Lucas, Christopher Nolan, Arnold Schwarzenegger, Ridley Scott, and Steven Spielberg—to get their perspectives on the importance of the genre. This book reproduces the interviews in full as the greatest minds in the genre discuss key topics including alien life, time travel, outer space, dark futures, monsters, and intelligent machines. An in-depth interview with Cameron is also featured, plus essays by experts in the science fiction field on the main themes covered in the show. Illustrated with rare and previously unseen concept art from Cameron’s personal archives, plus imagery from iconic sci-fi movies, TV shows, and books, James Cameron’s Story of Science Fiction offers a sweeping examination of a genre that continues to ask questions, push limits, and thrill audiences around the world.

James Cameron's Story of Science Fiction

Sonja Fritzsche

Wendy Gay Pearson

Keren Omry

The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-based politics with the increasing visibility of imagined futures for all; and show how SF stories about new kinds of gender relations inspire new models of artistic, technoscientific, and political practice. Their chapters are grouped into five conversations—about the history of gender and genre, theoretical frameworks, subjectivities, medias and transmedialities, and transtemporalities—that are central to discussions of gender and SF in the current moment. A range of both emerging and established names in media, literature, and cultural studies engage with a huge diversity of topics including eco-criticism, animal studies, cyborg and posthumanist theory, masculinity, critical race studies, Indigenous futurisms, Black girlhood, and gaming. This is an essential resource for students and scholars studying gender, sexuality, and/or science fiction.

The Routledge Companion to Gender and Science Fiction

In this groundbreaking cultural history, Lisa Yaszek recovers a lost tradition of women’s science fiction that flourished after 1945. This new kind of science fiction was set in a place called galactic suburbia, a literary frontier that was home to nearly 300 women writers. These authors explored how women’s lives, loves, and work were being transformed by new sciences and technologies, thus establishing women’s place in the American future imaginary. Yaszek shows how the authors of galactic suburbia rewrote midcentury culture’s assumptions about women’s domestic, political, and scientific lives. Her case studies of luminaries such as Judith Merril, Carol Emshwiller, and Anne McCaffrey and lesser-known authors such as Alice Eleanor Jones, Mildred Clingerman, and Doris Pitkin Buck demonstrate how galactic suburbia is the world’s first literary tradition to explore the changing relations of gender, science, and society. Galactic Suburbia challenges conventional literary histories that posit men as the progenitors of modern science fiction and women as followers who turned to the genre only after the advent of the women’s liberation movement. As Yaszek demonstrates, stories written by women about women in galactic suburbia anticipated the development of both feminist science fiction and domestic science fiction written by men.

Recovering Women's Science Fiction

Galactic Suburbia

Patrick B. Sharp

The First Women of Science Fiction

Sisters of Tomorrow

Winner of the Susan Koppelman Award (2017) For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about “boys and their toys,” pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp’s critical annotation and author biographies link women’s work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Technology and Subjectivity in Contemporary Narrative

The Self Wired

The main purpose of this book is to show how post-WW2 American artists represent new biomedical and information technologies and their effects on human identity and agency.

Pam Pollack

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