Lucy Prebble

"Chichester Festival Theatre Production, HeadlongTheatre, and the Royal Court Theatre present."

Enron

The Effect is a clinical romance between wo young volunteers, Tristan and Connie, who have agreed to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course...

The Effect

THE STORY: THE SUGAR SYNDROME is a blackly comic and bravely provocative play that explores the relationship between a troubled teenage girl and a child abuser she meets over the Internet. Despite the dark subject matter, this is a wonderfully funn

The Sugar Syndrome

Lucy Prebble is one of Britain's foremost writers for the stage and screen. This eagerly anticipated play collection brings together her landmark plays for the first time, showcasing her work from 2003 to 2019. Beginning with her George Devine Award-winning play The Sugar Syndrome it continues through her explosive look at the biggest financial scandal in history, concluding with her pointed dramatization of the one of the most shocking news stories of the 2010s. The Sugar Syndrome (2003) Dani is on a mission. She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy. What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation. Enron (2009) One of the most infamous scandals in financial history became a theatrical epic in Enron, a dazzling exposition of the shadowy mechanisms of economic deceit. Mixing classical tragedy with savage comedy and surreal metaphor, Enron follows a group of flawed men and women in a narrative of greed and loss which reviews the tumultuous 1990s, and the financial chaos which has spilled over into the new century. The Effect (2012) a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off course, much to the frustration of the clinicians involved. A Very Expensive Poison (2019) A shocking assassination in the heart of London. In a bizarre mix of high-stakes global politics and radioactive villainy, a man pays with his life. At this time of global crises and a looming new Cold War, A Very Expensive Poison sends us careering through the shadowy world of international espionage from Moscow to Mayfair.

The Sugar Syndrome; Enron; The Effect; A Very Expensive Poison

Lucy Prebble Plays 1

Who I am Is not A side effect. Hearts and minds racing, Connie and Tristan are falling for each other fast. But is their sudden and intoxicating chemistry real, or a side effect of a new antidepressant? As two young volunteers in a clinical drug trial, their illicit romance poses startling dilemmas for the supervising doctors. Lucy Prebble's funny and intimate examination of love and ethics originally premiered in 2012, becoming an instant modern classic. This edition revised and updated edition is published to coincide with the production at the National Theatre, in August 2023.

I like the internet. I like that way of talking to people. It's honest. It's a place where people are free to say anything they like. And most of what they say is about sex. Dani's on a mission. She's just seventeen, hates her parents, skives college and prefers life in the chatrooms on-line. What she's looking for is someone who is honest and direct. Instead she finds a man twice her age, who thinks she is eleven and a boy.

I can tell the difference between who I am and a side effect. The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction. Following on from the critical and commercial success of Enron, The Effect offers a vibrant theatrical exploration into the human brain via the heart. It received its world premiere at the National Theatre's Cottesloe Theatre in November 2012, starring Billie Piper and Jonjo O'Neill. It is published here in the Modern Classics series alongside an introduction by Miriam Gillinson.

Theatre & Performance Biographical File].

Inua Ellams

Tanika Gupta

Vinay Patel

Philip Ridley

Simon Stephens

Tim Crouch

Alistair McDowall

Zoe Cooper

Frances Ya-Chu Cowhig

Chris Thorpe

Hannah Khalil

Edward Bond

James Graham

Sudha Bhuchar

Laura Wade

Christopher Shinn

Mojisola Adebayo

Anne Washburn

Gurpreet Kaur Bhatti

Morgan Lloyd Malcolm

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world's most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre's most prolific dramatists.

Lucy Prebble

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