Mark Sealy

Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition. With detailed analyses of photographs - included in an insert - by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence.

Photography in Racial Time

Decolonising the Camera

Race, Rights and Representation

Photography

Stuart Franklin

A rare glimpse of a fascinating aspect of life in Africa: the elite hotels which serve as an interface between the tribal, religious, social and cultural aspects of Africa and the global uniformity of international business culture. These are places where the unseen resources of Africa - diamonds, oil, minerals - are bartered away behind closed doors. But these are also places the local communities view as symbols of achievement, objects of desire: the dream venue for weddings. With photos by Magnum photographer Franklin and text by writer Sealy.

Hotel Afrique

Dana Popa

Emma Boyd

Not Natasha

Paul Gilroy

John Goto

Lovers' Rock is a series of portraits created in Lewisham, South London in 1977. At the time, John Goto taught evening classes in photography and film for two years at Lewisham Youth Centre, where this series was taken. Since then, the negatives have lain dormant in his studio.The unselfconscious engagement of the subjects in front of the camera can be, in part, explained by their familiarity with the photographer, who was not much older than the sitters.The series is entitled Lovers' Rock after a musical sub-genre that grew out of the South London reggae scene in the mid-1970s. In 1975, the singer Louisa Mark cut the first Lovers' Rock hit with Caught You in a Lie.

Mark Sealy

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