Marta Segarra

Alberto Mira

Fernando A. Blanco

Rafael M. Mérida Jiménez

Bradley S. Epps

Janett Reinstädler

Bernhard Chappuzeau

Estrella Díaz Fernández

Nina Lawrenz

Martha Zapata Galindo

Elena Madrigal

Guadalupe Maradei

Alfredo Martínez Expósito

Jorge Luis Peralta

José Luis Ramos Rebollo

Francisco A. Zurian

"This book proposes a critical look at peninsular and Hispanic American cultures / literatures under the influence of LGBTIQ activism at the end of the 20th century, when binary codes dissolve massively to make way for new reinterpretations of queer / gay genealogies and discovery of the subversive potential and the performative vigor of the "events of desire". At the same time, are the years of neoliberal globalization that is beginning to prevail, an era characterized by its fráxitos, term that Brad Epps proposes in his introduction to the volume to point to the apparent tension between the successes (emancipating, aesthetic, etc.). and failures (socio-political and others). The chapters approach the topic of dissident sexualities from different angles: from trans autobiography or queer children's story to LGTBIQ presence on Spanish television and "porno activism" at the Chilean post-dictatorship. They also analyze key personalities, such as Nazario, Mendicutti, Villordo or Cozarinsky, and decisive programs: the erotic turn, the lesbian visibility, the neoliberalism or the "post-dictatorship fictions". A complete balance of the state of the operative tendencies in the Hispanic queer studies at the turn of the millennium."--Translated from back cover.

sexualidades minoritarias en las culturas/literaturas de España y Latinoamérica a finales del siglo XX

Eventos del deseo

Entre 1995 et 2008, des romancières de grande qualité, relevant du Maghreb et de sa diaspora, ont émergé pour les unes et confirmé leur talent pour les autres. Si Kateb Yacine disait à l'époque, en parlant des écrivaines algériennes, que "[t]oute femme qui écrit vaut son pesant de poudre", trente ans plus tard, il est temps de soulignerr les aspects littéraires de leur oeuvre. Le présent essai se centre donc sur des questions qui touchent à la langue, à la représentation symbolique du monde et aux techniques narratives, c'est-à-dire à tout ce qui fait le caractère littéraire et poétique des ouvrages retenus. Un dernier chapitre est consacré au cinéma maghrébin, dans lequel on note une présence de plus en plus remarquable de réalisatrices. Pages de début Introduction 1. La construction d'un sujet-femme dans une perspective méditerranéenne 2. Altérations du pacte autobiographique : deux récits d'enfance marocaine 3. Au-delà des genres : Hélène Cixous, écrivain « indécidable » 4. Identité sexuelle et ambiguïté générique : Malika Mokeddem 5. Écrire le corps et le désir : Assia Djebar 6. Les mères contre les femmes ? 7. Orientalisme et réappropriation de l'Orient : Nina Bouraoui 8. Tradition, modernité et postmodernité 9. Le triomphe du regard féminin au cinéma Pagesde fin.

Nouvelles romancières francophones du Maghreb

Bruno Clément

autour d'Hélène Cixous

Rêver croire penser

Angels Carabí

Feminismo y crítica literaria

Recopilacin̤ de artc̕ulos presentados durante el primer y segundo ciclo de conferencias "Literatura hecha para mujeres" celebradas en la Universidad de Barcelona en 1990 y 1993, las que tena̕n como uno de los objetivos principales restituir la originalidad y validez de escritoras silenciadas. Los artc̕ulos que pretenden ser un primer paso para abordar una tradicin̤ literaria, tratan sobre escritoras de todos los tiempos, desde la Grecia antigua o las trobairitz, hasta la Premio Nobel Tony Morrison

Mujeres y literatura

Myriam Díaz-Diocaretz

Joyful Babel: Translating Hélène Cixous is a selection of critical essays on translation and the writing of Hélène Cixous, with contributions from translators of her texts into different languages and cultures. The present volume is unique in that it is the first collection of essays on the work of Cixous from the perspective of translation. It presents new explorations into translating as process, theory and practice, and new insights on Cixous's fictional and theoretical world. It is an international collection, open to readings of Cixous's writing, including the theoretical, fictional and dramatic discourses. The variety of intersecting subjects and perspectives provokes, interrogates and explores Cixous's theory and writing in ways that will contribute to a deeper understanding of her oeuvre, will motivate new debates as well as inspire new research. This book is addressed to a wide range of readers, from those who initiate themselves to translation or already practise it, to readers and critics of Cixous's work, linguists and translation theorists, scholars interested in gender and postcolonial issues, and critics of contemporary literature; thus, not only academics but also professional translators, as well as drama/theatre staging practitioners.

Translating Hélène Cixous

Joyful Babel

Marta Segarra

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