Mary Rodgers

Annabel thinks her mom has the best life. If she were a grown-up, she could do whatever she wanted! Then one morning she wakes up to find she's turned into her mother . . . and she soon discovers it's not as easy as it looks! Disney brings this popular and funny favorite to the silver screen in a new, totally modern story, starring Jamie Lee Curtis and Lindsay Lohan.

Freaky Friday

When they discover an old TV that plays tomorrow's programs, fourteen-year-old Annabel and her fifteen-year-old friend Boris try to use it to help mankind and earn money to renovate Boris' eccentric mother.

A Billion for Boris

Jesse Green

The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming talent, to become not just a theater star but also a renowned author of books for young people (including the classic Freaky Friday) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from her coauthor, Jesse Green, the chief theater critic of The New York Times—Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Both an eyewitness report from the Golden Age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

The Alarmingly Outspoken Memoirs of Mary Rodgers

"No us ho creureu, ningú que tingui una mica de seny no s'ho podria creure, però és del tot cert, absolutament cert! Aquest matí, quan m'he despertat, m'he trobat que m'havia convertit en ma mare." L'Annabel té tretze anys, és desordenada i malparlada, no es pentina mai, es menja les ungles i porta ferros, té un germà petit insuportable i una mare més estricta que les altres. L'endemà d'una discussió, l'Annabel es desperta i s'adona que s'ha convertit en la seva mare. ¿Serà la seva oportunitat per fer tot el que li doni la gana?

Quin dia tan bèstia!

Que sexta-feira mais pirada!

Mr. Andrews and his twelve-year-old son, Ape Face Andrews, suddenly find themselves in each other's bodies, and all kinds of unusual, and hilarious, problems ensue.

Summer Switch

A boy and his father literally find themselves in each other's shoes.

'Mary careens across these pages with her usual wit, wisdom and honesty' - Julie Andrews 'Having had the pleasure of meeting Mary Rodgers personally its so wonderful to read her story in her own words . . . I couldn't put it down' - Elaine Page '[A] thoughtful chronicle of one woman's journey through experience to understanding - and a lot of fun to read' - The Washington Post 'Pure pleasure . . . jaw-droppingly shocking' - Daniel Okrent, The New York Times 'Mary Rodgers's book has a humour and honesty that is very rare in entertainment memoirs'. - Sir Tim Rice The wonderfully funny, candid and outrageous NYT bestselling memoirs of Mary Rodgers - writer, composer, Broadway royalty, and 'a woman who tried everything.' Mary Rodgers was the daughter of Richard Rodgers, who, with Oscar Hammerstein, wrote some of the biggest musicals of the 20th century-from Oklahoma! and Carousel to South Pacific and The King and I. Shy is the story of how Mary went from angry child, constrained by a self-absorbed mother and her father's overwhelming gift, to finally living life on her own terms-falling in love, often unwisely, marrying twice, having six children, and forging a career of her own. Through her long and rich life Mary grabbed every chance possible-and then some. Her musical Once Upon A Mattress remains one of the rare revivable Broadway hits written by a woman. She was the renowned author of the much-loved Freaky Friday books, as well as a close friend and collaborator of Stephen Sondheim, falling in love with him at 13 over a game of chess. She also dated producer Hal Prince and worked alongside composer and conductor Leonard Bernstein. With copious annotations, contradictions, and interruptions from Mary's collaborator Jesse Green, the chief theatre critic of The New York Times, the result is laugh-out-loud funny and frequently moving. Above all, Shy is a chance to sit at the feet of the kind of woman they don't make any more. They make themselves.

Heather Hach

Hadley is pretty much the model student: straight As, perfect attendance, front row in class. So what if she's overstressed and overscheduled: She's got school covered. (Life—not so much.) Ms. Pitt is the kind of teacher who wants you to call her by her first name and puts all the chairs in a circle and tells her students to feel their book reports. Hadley wishes Ms. Pitt would stick to her lesson plan. Ms. Pitt wishes Hadley would lighten up. So when Hadley and Ms. Pitt find themselves switched into each other's bodies, the first thing they want to do is switch right back. It takes a family crisis, a baffled principal, and a (double) first kiss to help them figure out that change can be pretty enlightening. Even if it is a little freaky!

Freaky Monday

Marshall Barer

(Vocal Score). The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

Once Upon a Mattress

Vocal Selection

The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming talent, to become not just a theater star but also a renowned author of books for young people (including the classic Freaky Friday) and, in a final grand turn, a doyenne of philanthropy and the Chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from her coauthor, Jesse Green, the chief theater critic of The New York Times—Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Both an eyewitness report from the Golden Age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

Dorothy F. Rodgers

Two generations worth of practical and imaginative ideas about the house, decorating, entertaining, living with children, husbands--and oneself.

Mary Rodgers

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