Massimo Introvigne

La stirpe di Dracula. Indagine sul vampirismo dall'antichità ai nostri giorni

A 17th-century French haberdasher invented the Black Mass. An 18th-century English Cabinet Minister administered the Eucharist to a baboon. High-ranking Catholic authorities in the 19th century believed that Satan appeared in Masonic lodges in the shape of a crocodile and played the piano there. A well-known scientist from the 20th century established a cult of the Antichrist and exploded in a laboratory experiment. Three Italian girls in 2000 sacrificed a nun to the Devil. A Black Metal band honored Satan in Krakow, Poland, in 2004 by exhibiting on stage 120 decapitated sheep heads. Some of these stories, as absurd as they might sound, were real. Others, which might appear to be equally well reported, are false. But even false stories have generated real societal reactions. For the first time, Massimo Introvigne proposes a general social history of Satanism and anti-Satanism, from the French Court of Louis XIV to the Satanic scares of the late 20th century, satanic themes in Black Metal music, the Church of Satan, and beyond.

A Social History

Satanism

Les Mormons

This is the first history of the Plymouth Brethren, a conservative, nonconformist evangelical Christian movement whose history can be traced to Dublin, Ireland in the late 1820s. The teachings of John Nelson Darby, an influential figure among the early Plymouth Brethren, have had a huge impact on modern evangelicalism. However, the credit for Darby's work went to some of the first generation of his students, and as evangelicalism has grown it has completely ignored its origins in Darby and the Brethren. In this book, Massimo Introvigne restores credit to John Nelson Darby and his movement, and places them in a contemporary sociological framework based on Introvigne's participant observation in Brethren communities. The modern-day Plymouth Brethren emphasize sola scriptura, the belief that the Bible is the supreme authority for church doctrine and practice. Brethren see themselves as a network of like-minded independent assemblies rather than as a church or a denomination. The movement has also refused to take any formal denominational name; the title "the Brethren" comes from the Biblical passage "one is your Master, even Christ; and all ye are brethren" (Matthew 23:8). The Plymouth Brethren offers a typology of differing branches of this reclusive movement, including a case study of the "exclusive" branch known as the Plymouth Brethren Christian Church, and reveals the various ways in which Brethren ideas have permeated the modern Christian world.

The Plymouth Brethren

Centro studi sulle nuove religioni

Enciclopedia delle religioni in Italia

la verdad en "Ángeles y demonios" y "El Código Da Vinci"

Los Illuminati y el priorato de Sión

Branded as "the new Falun Gong" by local authorities, The Church of Almighty God is the most persecuted religious movement in China today. Thousands of police officers are deployed full time to identify and arrest its members. Hundreds of thousands of its devotees are in jail. Authorities claim, perhaps hyperbolically, that it has some four million members and accuse the group of serious crimes. Yet, the movement continues to grow. In this ground-breaking study, Massimo Introvigne offers an inside look at this once-elusive movement, sharing interviews with hundreds of members and the Chinese police officers who hunt them down. The story of The Church of Almighty God is one of rapid growth, dramatic persecution, and the struggle of believers to seek asylum in countries around the world. In his telling of the story, Introvigne reconstructs the Church's idiosyncratic theology, centered in the belief that Jesus Christ has returned in our time in the shape of a Chinese woman, worshipped as Almighty God, to eradicate the sinful nature of humans, and that we have entered the third and final time period in the history of humanity: the Age of Kingdom. A major book from one of the world's leading scholars of new religious movements, Inside The Church of Almighty God is a critical addition to the scholarship of Chinese religion.

The Most Persecuted Religious Movement in China

Inside the Church of Almighty God

Il codice da Vinci di Dan Brown ha venduto nel mondo oltre venticinque milioni di copie. Angeli e demoni, dello stesso autore, ne ha confermato il successo. Molti pensano che si tratti solo di romanzi, ma lo scrittore americano insiste che la sostanza di quanto descrive è autentica. Nei due romanzi, Dan Brown mette in scena rispettivamente il Priorato di Sion e gli Illuminati, società iniziatiche detentrici di tremendi segreti e impegnate in un Grande Complotto. Il Priorato di Sion, in particolare, sarebbe in grado di dimostrare che Gesù avrebbe sposato la Maddalena e da lei avrebbe avuto dei figli.

la verità sulle due società segrete del Codice da Vinci e di Angeli e demoni

Gli illuminati e il priorato di Sion

La magie avait tendance à être considérée jusqu'à ces dernières années comme une entreprise individuelle et un phénomène résiduel sans avenir. Or, ce que l'on constate aujourd'hui, c'est non seulement un regain d'intérêt pour l'occultisme, le satanisme et la sorcellerie, mais aussi la formation de mouvement magiques organisés à l'échelle nationale et internationale, qui constituent un défi pour nos sociétés modernes, rationalistes et scientifiques. Au-delà du sensationnalisme et des polémiques, des universitaires et des acteurs dans le domaine religieux apportent dans ce volume des éclaircissements et des précisions sur plusieurs arguments controversés : le débat sur le satanisme criminel aux Etats-Unis et ailleurs ; le regain d'intérêt pour l'exorcisme constaté dans plusieurs Eglises chrétiennes ; la permanence de la sorcellerie populaire et les différences avec la néo-sorcellerie bourgeoise, dite " wica " ; les réactions des Eglises, de la presse, des tribunaux au retour de l'occulte ; les influences multiples du satanisme sur la littérature et sur l'art ; les rapprochements qui peuvent être établis dans l'interprétation du mal et dans la vision du diable entre certaines traditions religieuses (judéo-chrétienne, indienne, japonaise), ou entre les traditions religieuses et la psychanalyse ou la psychiatrie.

Le Défi magique: Satanisme, sorcellerie

" Da Vinci Code ", c'est le phénomène éditorial de ce début de siècle. La raison n'en est pas seulement littéraire. L'auteur continue ici et là, non sans ambiguïté, à afficher des prétentions à la vérité historique, nonobstant les démentis des universitaires. Pourquoi ? Massimo Introvigne passe en revue les masques et costumes qui animent le train fantôme de Dan Brown. Faisant défiler une savoureuse galerie littéraire d'Illuminés de Bavière et d'ailleurs, de Cagoulards, de porte-capes du Prieuré de Sion, d'agents des X-Files, d'extraterrestres, de prélats de préférence catholiques et de membres passés ou présents de l'establishment yankee... De quoi combler la vaste fratrie des conspirationnistes auxquels le dédale de l'internet a ouvert des voies d'exploration inespérées. Loin d'avoir renouvelé le genre, le " macrocomplot " de Dan Brown tient en un jeu d'ombres vieux comme le monde. Des phénomènes historiques marginaux sinon farfelus y deviennent des spectres monstrueux sur l'écran de notre crédulité. - Rien de neuf donc ? Tout de même, si. La nouveauté, c'est le succès sans précédent de cet ésotérisme forain. Après l'histoire romancée, voici venu le temps de la romance historicisée ! Sans sabir académique, Massimo Introvigne présente ici des perspectives inédites. Ce n'est pas l'évasion littéraire que la littérature ésotériste offre à un public assoiffé de " nouvelles croyances ", souligne-t-il, c'est avant tout une explication de l'histoire. Et de montrer comment le Grand Complot échafaudé pour fixer l'attention des masses peut recouvrir des campagnes psychologiques ciblées et très concrètes...

la réalité derrière les complots du "Da Vinci code" et de "Anges et démons" de Dan Brown : essai

Les illuminés et le prieuré de Sion

Mikhail Minakov

Paul Hockenos

Jerome Krase

Matthew Worley

Gavin Watson

Ross Haenfler

Phil Cohen

Douglas Kellner

Athina Karatzogianni

Steve Gennaro

Derek Ridgers

Simon McGregor-Wood

Bernardo Attias

Marco Andreacchio

Lucien Oulahbib

Liudmyla Fylypovych

Frederick Lawrence

Nick Ienatsch

Elizabeth Haas-Edersheim

Paul Rhoads

Sanjay Soekhoe

Maxim Lepskiy

Avi Nardia

Iryna Lopatiuk

Marco Trovato

Costantino Slobodyanyuk

Vitalii Lunov

Vladimir Skvorets

Federico Roso

Igor Kaprysin

Eduard Boyko

Maria Kulyk

Aimar Ventsel

Oleg Maltsev

Collected Papers of the International interdisciplinary conference “Sketch a subculture” Subcultures can be so tightly integrated into the contemporary person's daily life that they have become almost indispensable and ubiquitous. Family, job, agreements, responsibilities and negotiations are one thing, but, let us say, skydiving, or riding a bike in the company of motorcycle enthusiasts is a different thing—no less an important part of one's life. The current state of affairs is that almost everyone on this planet belongs to some subculture in one way or another. This another, natural part of one's lifestyle for pleasure is not always considered a "subculture," but the heart of the matter does not change because of this. To the point, a person might be a part of more than one subculture, and at the same time know nothing about what it may lead to; they may know nothing about the possible scenarios, goals and intentions of this environment. Even the most attractive and "mysteriously" formulated idea (for example, attaining Nirvana) remains something inconceivable, for what is "Nirvana," and how to understand that this state has been achieved is unknown. The idea has no explanations, no criteria and no parameters. And yet, this does not stop people from pursuing ideas as such. Many voluntarily strive for something they know practically nothing about. Why are subcultures so attractive? Why have they become magnets to researchers, professionals and business persons, among all others? These and many other questions require innovative approaches and an unbiased dialogue in an understandable scientific language. The International interdisciplinary conference “Sketch a subculture” united leading experts, scientists, researchers, practitioners, journalists, photographers and thinkers for this discussion on 6 different online panels, where the following questions were discussed: 1. Problems of choosing a research path in studying a subculture. 2. Plan of researching a subculture: from the idea to the completion of the research, from mythological and religious to scientific and philosophical worldviews. 3. From mythologemes to ideas as foundational elements of subculture formation. Approaches for researching mythologemes that underlie the philosophy of a subculture. 4. Approaches for studying the hierarchy of subcultures. Can we claim that the hierarchical structure of all subcultures is identical? 5. Ways to explore the attributes and symbols of subcultures. 6. The phenomenon of “Subculture in Subculture” and characteristics of its study. The synthesis of ideas in the subculture, reasons for the existence of subcultures, invisible internal mechanisms that maintain their continuance. 7. Frederick Lawrence’s drawing as the purpose of subculture research. 8. Can we consider a subculture as a machine that shapes a personality? The idea of death and different ways of implementing this idea by subcultures in daily life. 9. Frederick Lawrence’s drawing, the theory of subculture formation, application of prototype method to understand phenomena. 10. Is it true that one idea forms a whole subculture? The pathway in subculture: fatal and successful. 11. The difference between subculture and religion. What are specific elements that shape each institution? 12. Use of religion by other social institutions (business, politics, etc.) for their own purposes. Religion transformation: from divine transcendence to the universal society based on techno-ideological principles.

International interdisciplinary conference “Sketch a subculture”

For the first time, Massimo Introvigne proposes a general social history of Satanism and anti-Satanism, from the French Court of Louis XIV to the Satanic scares of the late 20th century, satanic themes in Black Metal music, the Church of Satan, and beyond.

Satanism: A Social History

Massimo Introvigne

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