Massimo Vignelli

The famous Italian designer Massimo Vignelli allows us a glimpse of his understanding of good design in this book, its rules and criteria. He uses numerous examples to convey applications in practice - from product design via signaletics and graphic design to Corporate Design. By doing this he is making an important manual available to young designers that in its clarity both in terms of subject matter and visually is entirely committed to Vignelli's modern design.

The Vignelli Canon

Jesse Reed

Hamish Smyth

Bob Noorda

New York City Transit Authority

Vignelli Associates

Unimark International

NYCTA Graphics Standards Manual

Images Publishing

Lella Vignelli

Features design for corporate identity, packaging, post design, interior design, architectural graphics, book and magazine, furniture and product design.

Design is One

This superbly presented volume is a treasure trove of the thoughts of internationally acclaimed designers Lella and Massimo Vignelli. For the past ten years, Massimo Vignelli has taught a summer course at the School of Design and Architecture at Harvard on subjects that were initially alphabatized for convienence, but now

Vignelli

Beatriz Cifuentes

The definitive monograph on a master of modern design. The graphics, interiors, and products designed by Vignelli Associates are internationally recognized for their refined aesthetics, evolving modernity, and crisp execution. This landmark volume is devoted to Massimo and Lella Vignelli's influential work produced from their New York headquarters since the 1960s, as well as rarely seen early work produced in their native Italy. Design: Vignelli presents the brilliant multidisciplinary approach of the Vignellis, from designs for corporate identity programs including American Airlines, Bloomingdale's, and Benetton, to world-famous signage for the New York subway system. Their firm was also notable for its interior and furniture design, designs for magazines and newspapers, glassware and tableware, and an exhaustive collection of book designs. Many of these works have been cited as masterpieces of twentieth-century design and are included in the design collection of the Museum of Modern Art as well as in many other important museum collections.

Graphics, Packaging, Architecture, Interiors, Furniture, Products

Design: Vignelli

"First published in Australia by The Images Publishing Group Pty Ltd."

From A to Z

Design--Vignelli

Never seen before, ten of Vignelli's book designs are deconstructed showing his page grid, hand drawn sketches and the photography on the printed pages.

A Collection of Sketches for Book Design

Vignelli Drawings

Peter Laundy

Graphic Design for Non-profit Organizations

Marco Mulazzani

Because United Colors of Benetton’s core business is clothing, the contemporary culture of design plays an important role in the group’s activity, including its corporate architecture. Benetton’s international brand style―combining color, energy, and practicality―can be seen first in its buildings. In 1964, long before it was fashionable for designers to employ brand-name architects, Lucianno Benetton chose two very young and ambitious architects, Afra and Tobia Scarpa, to design his first textile factory. This project marked the beginning of a vision of architecture aimed at enhancing the workplace: an architecture where image and substance come together. This unique book, brilliantly designed by Massimo Vignelli, brings together all of the Benetton buildings, including plans, 500 color illustrations, superb photographs by Antonia Mulas, an interview with Luciano Benetton, and a chapter dedicated to Tadao Ando’s Fabrica building. This book is designed and published in collaboration with Fabrica, Benetton’s corporate communications research center designed by Japanese architect Tadao Ando. Tadao Ando states the true spirit of the Benetton style when describing his work on the Fabrica project: “The role of the new architecture is to bring out the charm and strength of the ancient villa and to give birth to a reciprocal, cathartic relationship between old and new in an in an atmosphere of complete harmony, transcending the limits of a specific period.

Architecture for Benetton

Based on a Presentation to the Second Studio Seminar for Federal Graphic Designers, November 10, 1976

Grids -- Their Meaning and Use for Federal Designers

Gary Hustwit

In 2013 filmmaker and photographer Gary Hustwit spent the day photographing Massimo and Lella Vignelli at their home studio in Manhattan. "I didn't have any idea what I'd do with the images. But I wanted to try to capture the feeling of being in that place, with the two of them, at that point in their lives." Vignelli passed away in 2014. Now Hustwit is publishing a selection of those images in Vignelli: Photographs, a small-format hardcover book. A portion of the proceeds from the sale of this book will benefit the Vignelli Center for Design Studies at the Rochester Institute of Technology.

Photographs

Tadao Andō

"Ando selected for inclusion the thirty-five projects that best embody his belief that the interplay with nature defines architecture and the passage of time molds architecture. All are shown in spectacular, specially commissioned color photography. Among the major recent works are the Modern Art Museum of Fort Worth in Texas; the Komyo-ji Temple in Saijo, Japan; the meditation space for UNESCO in Paris; the Pulitzer Foundation for the Arts in St. Louis; and the Armani/Teatro in Milan. Also included are some of Ando's most important and well-known earlier works, including the Church of the Water in Hokkaido, the Church of the Light in Ibaraki, and a series of houses throughout Japan."--BOOK JACKET.

Massimo Vignelli

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