Minoli Salgado

Stories

Broken Jaw

It is the late 1980s in southern Sri Lanka and Bradley Sirisena's father is abducted and tortured during the violent struggle for power between the state and local insurgents. Savi, a Sri Lankan research student long settled in the UK, has lost her way in both her thesis and her life, when she receives a wedding invitation from the uncle she would rather ignore. Meanwhile in a coastal fort in Sri Lanka, her cousin Renu continues to try to uncover the secret of Bradley's father's disappearance as she works with the wives and widows of the disappeared. Reunited on Savi's return to Sri Lanka, the cousins are compelled to confront truths that put them into direct conflict in their understanding of both the past and themselves. As the story draws to its inevitable end, a tsunami strikes and carries them all into a future that promises to be even more disturbing than the past. The novel is a haunting evocation of intersecting lives and parallel times that draws upon real historical events. Linking the personal with the political, it carries readers into the shifting landscape of memory where competing versions of the truth coexist. In this richly textured book, myth and magic merge, as the bustle of a seaside city in England gives way to the unreal calm of coastal communities in southern Sri Lanka where thousands disappeared without trace.

A Little Dust on the Eyes

Twelve Cries from Home speaks out against Sri Lanka’s official silencing of war crimes, reclaiming the stories of survivors who insist on being heard. Since August 2020, the intimidation of witnesses and journalists has surged in Sri Lanka. Twelve Cries from Home navigates the memories and stories of twelve war survivors, mostly women and relatives of the disappeared, who wished to have their stories retold so that a permanent record might be made, and so that those outside the country might understand their experiences. The outcome of a journey across the island in late 2018 by writer and Professor of Literature Minoli Salgado, who was revisiting her ancestral home, Twelve Cries from Home is deeply-layered and localised work of travelling witness. It returns to the concept of home as a place of belonging and security, which is a lost ideal for most, and uses a Sri Lankan measure of distance – the call, or hoowa – to ask how we might attend to stories that are difficult to tell and to hear. Exploring the bitter complexity of war by presenting stories from four regions of Sri Lanka, it reveals the complex network of relationships between the agents of conflict and their victims, as well as the blurred boundary between victims and perpetrators, the role of informers and the process of ethical repair after traumatic experience. Twelve Cries from Home offers a rare glimpse into a country subject to enforced self-censorship, allowing us to take stock of social and political developments in Sri Lanka and what has and has not been achieved in light of the transitional justice mechanisms promised to the UN.

In Search of Sri Lanka's Disappeared

Twelve Cries from Home

Doris Sommer

On Readerly Competence and "minority" Literature

Textual Conquests

Focusing on ways in which cultural nationalism has influenced both the production and critical reception of texts, Salgado presents a detailed analysis of eight leading Sri Lankan writers - Michael Ondaatje, Romesh Gunasekera, Shyam Selvadurai, A. Sivanandan, Jean Arasanayagam, Carl Muller, James Goonewardene and Punyakante Wijenaike – to rigorously challenge the theoretical, cultural and political assumptions that pit ‘insider’ against ‘outsider’, ‘resident’ against ‘migrant’ and the ‘authentic’ against the ‘alien’. By interrogating the discourses of territoriality and boundary marking that have come into prominence since the start of the civil war, Salgado works to define a more nuanced and sensitive critical framework that actively reclaims marginalized voices and draws upon recent studies in migration and the diaspora to reconfigure the Sri Lankan critical terrain.

Minoli Salgado

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