Ottessa Moshfegh

"Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility, what could be so terribly wrong?" -- from publisher's description.

My Year of Rest and Relaxation

Dreaming of life in the city while caring for her alcoholic father and working in a 1960s boys' prison, a disturbed young woman is manipulated into committing a psychologically charged crime during the holiday season.

Eileen

"From one of our most ceaselessly provocative literary talents, a novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds a cryptic note on a walk in the woods that ultimately makes her question everything about her new home While on her normal daily walk with her dog in the nearby forest woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with a frame of stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, having moved here from her longtime home after the death of her husband, and she knows very few people. And she's a little shaky even on her best days. Her brooding about this note quickly grows into a full-blown obsession, and she begins to devote herself to exploring the possibilities of her conjectures about who this woman was and how she met her fate. Her suppositions begin to find echoes in the real world, and with mounting excitement and dread, the fog of mystery starts to form into a concrete and menacing shape. But as we follow her in her investigation, strange dissonances start to accrue, and our faith in her grip on reality weakens, until finally, just as she seems to be facing some of the darkness in her own past with her late husband, we are forced to face the prospect that there is either a more innocent explanation for all this or a much more sinister one--one that strikes closer to home. A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both guide us closer to the truth and keep us at bay from it. Once again, we are in the hands of a narrator whose unreliability is well earned, only this time the stakes have never been higher"--

A Novel

Death in Her Hands

An electrifying first collection from one of the most exciting short story writers of our time Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

Stories

Homesick for Another World

In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot in a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh's most exciting leap yet

Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life's few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did for many of the village's children. 

Ina's gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina's home in the woods outside the village is a place to fear and to avoid, a godless place.

Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people's desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. 

But when fate brings Marek into violent proximity to the lord's family, new and occult forces upset the old order. By year's end, the veil between blindness and sight, life and death, the natural world and the spirit world will prove to be very thin indeed.

Lapvona

Darkly exquisite as drowning, McGlue inhabits the DTs of a dissolute man in the hold on a rough sea voyage.

McGlue

Disgust

The Weirdos

Bettering Myself

'"You think everyone hates you, Jerome. It might be the one thing you’re getting right." In Ottessa Moshfegh’s acerbic narrative, My New Novel, struggling writer Jerome Littlefield trades verbal blows with his mother; his therapist; and Stacey, a pregnant stripper who responds to his appeal for an "attentive individual to sit and listen. No speaking required." Matched with an artwork by Issy Wood, the publication inaugurates Gagosian’s Picture Books, an imprint conceived by author Emma Cline and dedicated to publishing fiction by leading authors alongside contributions by celebrated contemporary artists. Produced in response to Moshfegh’s writing, Wood’s painting The down payment (2021) portrays a weeping Jerome in the midst of what the artist calls "the most directly surreal part of the story." The pairing of writer and artist was an obvious one, says Cline. "Both Moshfegh and Wood share a gothic, spiky humor and an attunement to the darker currents of the world, the hidden realms where shame and desire intersect."'--Publisher description.

My New Novel

opowiadania

Tęsknota za innym światem

The Beach Boy

Slumming

An Honest Woman

Salem, Massachusetts. Im Jahr des Herrn 1851. Der Seemann McGlue ist schwerer Trinker und sitzt im Gefängnis. Ihm wird vorgeworfen, vor Sansibar seinen besten Freund Johnson ermordet zu haben. Nur kann er sich an nichts erinnern. Was daran liegt, dass sein Schädel gespalten ist, seitdem er vor Monaten aus einem fahrenden Zug gesprungen ist, um nicht als blinder Passagier entdeckt zu werden. McGlue will sich auch an nichts erinnern, er will nur trinken. In der Nähe von New Haven hatte Johnson ihn einst auf der Straße aufgelesen und so vor dem Erfrieren gerettet. Er war es, der nach seinem Sturz für ihn sorgte, der ihn zur Handelsmarine brachte und mit ihm um die Welt segelte. Warum also sollte McGlue ihn umgebracht haben? Ottessa Moshfegh erzählt die abgründige Geschichte eines Mannes, dessen Hass auf die Welt zu groß ist, als dass er unversehrt sein Dasein fristen kann. "McGlue" ist ein stimmgewaltiges, eindringliches Buch über das immerwährende Scheitern des Menschen, den eigenen Unzulänglichkeiten Herr zu werden. Denn zwischen Schuld und Gerechtigkeit steht immer das Leben.

Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life's few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did so many of the village's children. Ina's gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina's home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people's desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord's family, new and occult forces upset the old order. By year's end, the veil between blindness and sight, life and death, the natural world and the spirit world, will prove to be very thin indeed.

Sayaka Murata

Karolina Ramqvist

Saskia Vogel

Jeanette Winterson

Mark Doty

Marie Darrieussecq

Kristofer Folkhammar

Isabelle Ståhl

Henriikka Tavi

Martina Montelius

Erika Bernalt

Stefan Lindberg

Rachel Khong

Brian Joseph Davis

Sarah Gerard

Adam Sol

Mimi Lipson

Katie Chase

Sarah Dohrmann

Sam Shelstad

Heather Sappenfield

Tobias Carroll

Retro 4 is the latest collection of the best, the funniest, the strangest, and the most affecting stories from the award winning literary magazine, Joyland.

Ottessa Moshfegh

About

Books

Join the club