Oxford University Museum of Natural History

Jones's Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. With Iconotypes Jones's seminal work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing the location of each species. Jones painted the species between the early 1780s and 1800, drawing from his own collection and the collections of Joseph Banks, Dru Drury, Sir James Edward Smith, John Francillon, the British Museum and the Linnean Society. For every specimen painting he provided a species name, the collection from which it was taken and the geographical location in which it was found. In 1787, during a visit to London, the Danish scientist Johann Christian Fabricius studied Jones's paintings and based 231 species of butterfly and moths on them. In this enhanced facsimile, Jones's references to historic references are clarified and modern taxonomic names are provided, together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones's life and his motivation for collecting butterflies and creating the Icones, and evaluates the significance of his work. Interspersed at intervals between the pages of Jones's paintings are modern maps showing the location of each species painted, and expert essays on the development of lepidoptery and taxonomy after Linneaus, and the roles of collectors and natural history artists from the late 1700s to mid-1800s. With 1600 illustrations in colour In partnership with Oxford University Museum of Natural History

A Compendium of Butterflies and Moths. Jones's Icones Complete

Iconotypes

"The story starts with William Smith's early years, from apprentice to surveyor for hire, and from publication of his groundbreaking 1815 geological strata map to imprisonment for debt. Smith's 1799 geological map of Bath and table of strata, his first strata map of England and Wales, published in 1801, and photographs of some of Smith's collection of 2,000 fossils illustrate the tale. The remainder of the book is organized into four parts, each beginning with four sheets from Smith's hand-colored, 1815 strata map, accompanied by related geological cross sections and county maps (1819-24), and followed by sections of Sowerby's fossil illustrations (1816-19), organized by strata. Interleaved between the sections are essays by scholars that focus on the people and industries that benefited from the knowledge imparted by Smith's work. Concluding the volume are reflections on Smith's later years as an itinerant geologist and surveyor, plagiarism by a rival, receipt of the first Wollaston Medal in recognition of his achievements, and the influence of his geological mapping and biostratigraphical theories on the sciences, which culminated in the establishment of the modern geological timescale"--

William Smith's Geological Maps

Strata

Richard I. Vane-Wright

The first publication of Jones's Icones, a strikingly beautiful and significant achievement in natural history. William Jones's Icones is one of the most scientifically important and visually stunning works on butterflies and moths ever created. Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. Yet until now, it has never been published--the only existing manuscript copy is housed in the archives of the Oxford University Museum of Natural History. With Iconotypes, Jones's work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing where each specimen was discovered. Between the early 1780s and 1810, Jones, a wine merchant, painted in painstaking detail hundreds of species of Lepidoptera, drawing from his own collection and the collections of prominent amateur naturalists. For every specimen, Jones included the known species name, the collection, and the geographical location in which it was found. In this enhanced facsimile, entomologist Dick Vane-Wright provides context for the historical references in the original, updates the taxonomic and common names, and includes information about species that have since gone extinct. Vane-Wright also provides an account of Jones's life and his motivation for collecting butterflies, evaluating the significance of Jones's work. This lavish volume intersperses contemporary maps showing the locations of each specimen, expert essays on the study of lepidoptery since Ancient Egyptian times, the development of taxonomy after Linnaeus, the roles of collectors and natural history artists during the late 1700s to mid-1800s, and the steep decline of butterflies and moths over the last fifty years. Iconotypes is a beautiful collector's object for fans of natural history and illustrations of butterflies and moths, as well as artists, designers, and bibliophiles.

Oxford University Museum of Natural History

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