Paul Berry

Winifred Holtby

Marion Shaw

This selection of Winifred Holtby's short stories is drawn from her two published volumes, TRUTH IS NOT SOBER and PAVEMENTS OF ANDERBY, which were published posthumously by her two friends, Vera Brittain and Hilda Reid and have been collected here in one volume for the first time. Brightly written, in an unselfconscious, matter-of-fact style, these stories are irreverent and entertaining, fulfilling what she saw as the short story's purpose in a reader's life: 'nice for chance guests - easy to pick up and more tantalising for one's bedside than a novel'. Many of these stories are autobiographically based, and feature the Yorkshire farming community in Rudston where she was brought up. This was the setting for her most famous novel, SOUTH RIDING, also published posthumously. Some of the stories relate to the last years of her life when she was contending with the incessant headaches and nausea of Bright's disease.

The Selected Stories of Winifred Holtby

Remember, Remember!

A lavishly illustrated guide to Star Wars action figures, comic books and all other kinds of memorabilia.

An Unofficial Guide to Star Wars Collectables

Star Wars Memorabilia

Michiyo Morioka

Published in conjunction with the exhibition held at the Honolulu Academy of Arts, Sept. 11-Nov. 16, 2008.

The Terry Welch Collection at the Honolulu Academy of Arts

Literati Modern, Bunjinga from Late Edo to Twentieth-century Japan

Los Angeles County Museum of Art

Seattle Asian Art Museum

"Modern Masters of Kyoto presents more than eighty examples of Kyoto nihonga - hanging scrolls, screens, and an album - dating from the 1860s to the 1940s. Featuring two exceptionally original artists, Tsuji Kako (1870-1931) and his pupil Tomita Keisen (1879-1936), the volume includes works by their predecessors, their contemporaries, and their successors. Collectively their works demonstrate the evolution of Kyoto nihonga in the late nineteenth and early twentieth centuries. The book introduces Western readers to a range of Kyoto artists from the most famous to the talented but relatively unknown. Their often visually stunning paintings provide a window from which to glimpse both the past and the modern in Japanese art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Transformation of Japanese Painting Traditions, Nihonga from the Griffith and Patricia Way Collection

Modern Masters of Kyoto

A Bequest of Fire

An Introduction to Literature

The Essential Self

A Biography of Mary Ann Clarke, Mistress of the Duke of York

By Royal Appointment

Renée Huggett

The Story of Eight Women Executed Since Edith Thompson in 1923

Daughters of Cain

Mark Bostridge

Vera Brittain is most widely known as the woman who immortalized a lost generation in her haunting autobiography of the Great War, TESTAMENT OF YOUTH. Writer, pacifist and feminist, she condemned her provincial background but remained acutely conscious of the conventional elements in her own character; she revealed a richly emotional life in her writing but was outwardly sober and reserved; she possessed a fierce desire for fame and recognition but was ready to sacrifice both on matters of principle. This biography - comprehensive, authoritative and immensely readable - confirms Vera Brittain's stature as one of the most remarkable women of our time.

Vera Brittain: A Life

Brahms Among Friends identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny.

Listening, Performance, and the Rhetoric of Allusion

Brahms Among Friends

The Life & Times of Francis William Damon

All Men are Brothers

Paul Berry

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