Peter Balakian

A critically acclaimed, poetic memoir traces the author's awakening to his family's Armenian heritage, overshadowed by Turkey's genocide against the Armenians in 1915, narrating the remarkable stories of his relatives. Reprint. $25,000 ad/promo. Tour.

A Memoir

Black Dog of Fate

A History of International Human Rights and Forgotten Heroes In this national bestseller, the critically acclaimed author Peter Balakian brings us a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history. Awarded the Raphael Lemkin Prize for the best scholarly book on genocide by the Institute for Genocide Studies at John Jay College of Criminal Justice/CUNY Graduate Center.

The Armenian Genocide and America's Response

The Burning Tigris

Henry Morgenthau

Originally published in 1918, this book is one of the most insightful and compelling accounts of what became a recurring horror during the 20th century: ethnic cleansing and genocide. While he served as the U.S. ambassador to the Ottoman Empire under Woodrow Wilson from 1913 to 1916, Henry Morgenthau witnessed the rise of a new nationalism in Turkey, one that declared "Turkey for the Turks." He grew alarmed as he received reports from missionaries and consuls in the interior of Turkey that described deportation and massacre of the Armenians. The ambassador beseeched the U.S. government to intervene, but it refrained, leaving Morgenthau without official leverage. His recourse was to appeal personally to the consciences of Ottoman rulers and their German allies; when that failed, he drew international media attention to the genocide and spearheaded private relief efforts.--Publisher.

Ambassador Morgenthau's Story

"A sequel of sorts to "Ziggurat," published in the Phoenix Poets series in 2010, the title poem from "Ozone Journal" recounts the memory of the speaker's excavating the bones of Armenian genocide victims in the Syrian desert with a TV journalist crew in 2009. The speaker "dreams back," as it were, to the 1980s, when, as a young man in his thirties and caring for a young daughter after a recent divorce, he is having to juggle both personal and cultural/historical complexities living as a single parent in Manhattan. The poems create a montage that has the feel of history as lived experience, with the speaker struggling with the nature of memory as the poems move constantly back and forth to the Syrian desert, the dissolution of his marriage, visits and conversations with a cousin dying of AIDS, and encounters with famous jazz producers at Columbia Records to discuss music. In this book, Peter Balakian aims at the bigger picture of humanity's history of atrocity and trauma, but through short vignettes grounded in everyday situations, and in particular times and places"--Publisher's info.

Ozone Journal

For three decades, Peter Balakian's poetry has been praised widely in the United States and abroad. Writing in the Boston Globe, Marcie Hershman called Sad Days of Light "a piercingly elegant volume," and John Naughton in World Literature Today praised Dyer's Thistle as "a remarkable and profoundly visionary work." Now the poet whom James Dickey called "an extraordinary talent" gives us June-tree: New and Selected Poems 1974-2000, a discriminating selection from his first four books, with a group of startling new poems. In book after book, Balakian has created a unique voice in American poetry -- one that is both personal and cosmopolitan. In sensuous, elliptical language, Balakian offers a textured poetry that is beautiful and haunting as it envelops an American grain, the reverberations of the Armenian Genocide, and the wired, discordant realities of contemporary life. In his explorations of history, Balakian often deals with the transmission of trauma across generations in ways that bring daily American life into play with the dark frequencies of the past. The evolution of Balakian's form from volume to volume encompasses an expansive imagination, one always able to engage reality in its starkness, difficulty, and moments of revelation. June-tree is a stunning body of work by an original poet.

New and Selected Poems, 1974-2000

June-tree

Bruce Smith

Jack Wheatcroft (1925–2016) had a transformative impact on five decades of Bucknell students. This collection of essays is a testimony to an extraordinary teacher, writer, and innovator and trailblazer in creating a community and infrastructure of literary culture at a distinguished liberal arts college.

Reflections on Jack Wheatcroft

A Slant of Light

In this critical study of Theodore Roethke's poetry, Peter Balakian treats the evolution of the poet's work from his first book, Open House (1941), to his last, The Far Field (1964). Balakian argues that Roethke was among the most innovative poets of his time and that The Lost Son and Other Poems (1948) brought America to a new frontier in the contemporary era. Balakian maintains that Roethke combined and furthered major traditions in English and American poetry -- the formal poetics and meditative sensibility of British metaphysical and Romantic poetry, the American visionary tradition, and the innovations of modernism.The early chapters of the book explore Roethke's intellectual, religious, nd psychological development and his development as a poet. Balakian discusses the influence of William Carlos Williams on Roethke's work and claims that the relationship between the two poets provided Roethke with a sense of the American grain. Later chapters treat the shift from self-absorption to union with otherness that marks Roethke's love poems, exploring the poet's development of mysticism and a poetic persona and examining the influences of Eliot and Whitman on his work. Balakian also discusses the metaphysical language necessary for Roethke's late poems and follows Roethke's spiritual progress as he prophetically faces his final work.In presenting the evolution of Roethke's career, Balakian offers fresh and original readings of the poetry. He avoids any monolithic approach to the body of Roethke's work, employing instead various approaches to Roethke's stages of poetic evolution. Balakian makes use of the psychology of C.G. Jung and Erich Neumann, the writings of the mystics, the aesthetics of William Carlos Williams, and the myth of the American frontier. With a literary historian's concern for Roethke's place in history and a critic's eye for the sources and structures of poetry, Balakian studies the resonances of language and the inner life of this poet's craft. Theodore Roethke's Far Fields places Roethke firmly in literary and intellectual history and asserts his place as a major poet.

Peter Balakian

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