Raphael Samuel

The Lost World of British Communism is a vivid account of the Communist Party of Great Britain. Raphael Samuel, one of post-war Britain’s most notable historians, draws on novels of the period and childhood recollections of London’s East End, as well as memoirs and Party archives, to evoke the world of British Communism in the 1940s. Samuel conjures up the era when the movement was at the height of its political and theoretical power, brilliantly bringing to life an age in which the Communist Party enjoyed huge prestige as a bulwark for the struggles against fascism and colonialism.

The Lost World of British Communism

This work offers an overview of how the past has been manipulated in art, politicized and sold to the consumer, yet takes issue with those who claim this interest in heritage is merely obsessive nostalgia. The author covers a multitude of topics, such as the Festival of Britain and conservation.

Theatres of Memory: Past and present in contemporary culture

Industrial discipline in mining, quarrying, brickmaking and other classes of mineral work was very different to that in nineteenth-century factories and mills. First published in 1977, this book deals with mineral workers of every class and discusses the peculiarities and common features of their work. It offers three detailed local studies: pit life in County Durham, slate quarrying in North Wales, and saltworkers in Cheshire alongside an introductory section on mineral workers in general. The author is concerned with the family and community setting; the social relationships at the point of production itself; job control and trade unionism; and with material culture, wages and earnings.

Routledge Revivals: Miners, Quarrymen and Saltworkers (1977)

Island Stories looks at the multiplicity of myths that issue from the 4 nations that make up Great Britain. His perspective brings new meaning to the idea of history revealing how nations use their past to give meaning to their present and future.

Unravelling Britain

Island Stories

When Theatres of Memory was first published in 1994, it transformed the debate about what is to be considered history and questioned the role of “heritage” that lies at the heart of every Western nation’s obsession with the past. Today, in the age of Downton Abbey and Mad Men, we are once again conjuring historical fictions to make sense of our everyday lives. In this remarkable book, Samuel looks at the many different ways we use the “unofficial knowledge” of the past. Considering such varied areas as the fashion for “retrofitting,” the rise of family history, the joys of collecting old photographs, the allure of reenactment societies and televised adaptations of Dickens, Samuel transforms our understanding of the uses of history. He shows us that history is a living practice, something constantly being reassessed in the world around us.

Past and Present in Contemporary Culture

Theatres of Memory

Barbara Bloomfield

Guy Boanas

Pit Villages and the Miners' Strike of 1984-5

The Enemy Within

Paul Thompson

First published in 1990, The Myths We Live By explores how memory and tradition are continually reshaped and recycled to make sense of the past from the standpoint of the present. The book makes use of the rich material of recorded life stories, with examples stretching from the transient myths of contemporary Italian school children on strike, back to the family legends of classical Greece, and the traditional storytelling of Canadian Indians. The range of examples is international and together they advocate a transformed history, which actively relates subjective and objective, past and present, politics and poetry, and highlights history as a living force in the present. The Myths We Live By will appeal to anyone interested in oral history, memory, and myth.

The Myths We Live By

First published in 1986, this book challenges the notion that the miners’ strike of 1984-5 was ‘Scargill’s Strike’. It shows some of the ways in which the strike, though nominally directed from above, was determined from below by multitudinous and often contradictory pressures — the lodge, the village and the home. The focus is essentially logical and gives particular attention to family economy, kin networks and intergenerational solidarity. At the same time it is concerned with the mentality of the strike — its ruling fears and passions. The first-hand testimonies that comprise the book attest to the attachment to ‘traditional ways’ as well as the potency of the influences corroding them.

Routledge Revivals: The Enemy Within (1986)

Gareth Stedman Jones

First published in 1982, this book is inspired the ideas generated by Eric Hobsbawm, and has taken shape around a unifying preoccupation with the symbolic order and its relationship to political and religious belief. It explores some of the oldest question in Marxist historiography, for example the relationship of ‘base’ and ‘superstructure’, art and social life, and also some of the newest and most problematic questions, such as the relationship of dreams and fantasy to political action, or of past and present — historical consciousness — to the making of ideology. The essays, which range widely over period and place, are intended to break new ground and take on difficult questions.

Essays for Eric Hobsbawm

Culture, Ideology and Politics (Routledge Revivals)

Miners, Quarrymen, and Saltworkers

Wolfgang Suschitzky

Charing Cross Road in the Thirties

First published in 1981, this book examines the life of Arthur Harding, a well-known figure in the East End underworld during the first half of the twentieth century. The first five chapters survey his life in the ‘Jago’ slum between 1887 and 1896, offering a different view of an often vilified district. The subsequent phases of his life as a cabinet-maker, street trader and wardrobe dealer reflect the changing fortunes of the East End from hand-to-mouth conditions in the late-nineteenth century to comparative security in the 1930s. The reader is introduced to some of the major features of East End life — back-street enterprise, neighbourhood solidarity, politics and popular culture. Among the many themes that can be traced are the relationship between the underworld and the local working-class community; the collusive understanding established between villains and the police; the effects of the criminalisation of street betting; and the relationship between Jews, non-Jews and what the author terms ‘half-jews’ in a district of high immigration. Drawn from transcripts of recorded reminiscences, this book provides an important text for understanding the political economy of crime — extended by the authors extensive footnotes and a preface discussing the peculiar moral complexion of south-west Bethnal Green.

Chapters in the Life of Arthur Harding

Routledge Revivals: East End Underworld (1981)

A fascinating account of life as a member of the Communist Party of Great Britain The Lost World of British Communism is a vivid account of the Communist Party of Great Britain. Raphael Samuel, one of post-war Britain’s most notable historians, draws on novels of the period and childhood recollections of London’s East End, as well as memoirs and Party archives, to evoke the world of British Communism in the 1940s. Samuel conjures up the era when the movement was at the height of its political and theoretical power, brilliantly bringing to life an age in which the Communist Party enjoyed huge prestige as a bulwark for the struggles against fascism and colonialism.

L’obsessió pel patrimoni representa un símptoma de decadència nacional. L’autor exposa amb precisió que vivim en una cultura històrica en expansió, que últimament està atenta a tota evidència del visual i que, en general, és més plural que les versions anteriors del passat nacional. Els assajos es centren en la idea que la història és una forma de coneixement orgànic, caracteritzada per la diversitat d’unes fonts que no només es remunten a l’experiència de la vida real, sinó també a la memòria i al mite, a la fantasia i al desig; que a més del passat cronològicament arxivat provenen del passat atemporal de la “tradició”. Raphael Samuel respon a aquesta provocadora investigació sobre la naturalesa històrica de la cultura britànica d’avui dia, oferint una comprensió generosa i optimista del passat i de com afecta a la nostra societat.

Pasado y presente de la cultura contemporánea

Teatros de la memoria

First published in 1989, this is the second of three volumes exploring the changing notions of patriotism in British life from the thirteenth century to the late twentieth century and constitutes an attempt to come to terms with the power of the national idea through a historically informed critique. This volume examines how national identity has competed with alternative, more personal forms of belonging — such as Roman Catholicism, Judaism and Nonconformism — as well looking at femininity in relation to the state. Contemporary British society’s capacity to create outsiders is discussed and the introductory essay shows how this may shape our misunderstanding of earlier phases of national development.

Volume II: Minorities and Outsiders

Routledge Revivals: Patriotism: The Making and Unmaking of British National Identity (1989)

First published in 1981, this book brings together different types of work by numerous fragmented groups in the field of Marxist history and puts them in dialogue with each other. It takes stock of then recent work, explores the main new lines, and looks at the political and ideological circumstances shaping the direction of historical work, past and present. The scope of the book is international with contributions on African history, fascism and anti-fascism, French labour history, and the transition from feudalism to capitalism. It also incorporates feminist history and gives attention to some of the leading questions raised for social history by the women�s movement.

Raphael Samuel

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