Richard Meier

Misadventure

Richard Meier’s first collection of poetry won many admirers for its wry, wise and sharp-eyed insight into the minutiae of daily life, and for the poet’s remarkable ability to uncover the little abysses that lurk just below the domestic familiar. As the title indicates, his second, Search Party, casts its net more widely – and looks at our experiences of being lost to others, as well as lost from ourselves. Many of the poems in this collection explore attempts to repair severed connections, or to forge links never properly established: from a father’s desperate search for his son missing at sea, to a child’s reaction to being denied a responsive gaze, and a footballer’s sublime (if optimistic) pass to a teammate – these poems address the nature of the distances between us. Most importantly, they also show the lengths to which we will go to ensure that these distances are closed, and that the most basic of our needs are met: to be seen, to be recognized – and ultimately, sought out and found by one another.

Search Party

Dives in Misericordia Church, Rome, Project

Stan Allen

Accompanying a major exhibition organized by the Museum of Contemporary Art, Los Angeles (and traveling throughout the world), this exquisitely designed and produced catalog explores the formal aspects of Richard Meier's architecture. Over his thirty-five-year career, Meier has produced a body of work that is recognized for its unceasing pursuit of the ideals of modernism and its sensitive handling of urban contexts. This volume, illustrated with exceptional duotone photographs and Meier's own drawings, is the first to cover his entire career. Included are twenty-four of the architect's masterworks, including the Smith House in Darien, Connecticut; the Douglas House, on the shores of Lake Michigan; the Museum for Decorative Arts in Frankfurt; the Canal+ Headquarters in Paris; the Museum of Contemporary Art in Barcelona; and the Getty Center in Los Angeles. Current projects -- the Federal Courthouse in Phoenix, Arizona, and the Church of the Year 2000 in Rome -- are also presented. Dozens of Meier's original sketches -- most never before published -- illustrate all of the designs. Essays by noted historians and scholars offer readings of the work focused on themes of abstraction, light, and space, and a fully illustrated chronology completes the comprehensive presentation of Meier's buildings and projects.

Richard Meier, Architect

Hans Neth

Richemont Craft School

Hansueli Kriemler

Pralines, Chocolate Specialities, Ices, Buffet Articles, Torten Decoration

Swiss Confiserie

Misadventure won the inaugural Picador Poetry Prize, and is Richard Meier’s first collection. Misadventure is a book about what we learn, and what we refuse to learn: although Meier’s poems are often deceptively quiet in their address, the reader will soon discover a poet capable of illuminating the darkest corners of our lives by the very lightest of touches, and an ear simultaneously attuned to the lyric poem and the cadence of real speech. The collection also contains some disarmingly tender poetry on the experience of fatherhood. Misadventure is about all the hope and hopelessness lurking just below the surface of things, in our rooms, tables, coats and gardens – and leaves them enriched and strange, under the transforming eye of a fine new talent.

This book provides a fascinating history of the planning, design, and construction of the six-building Getty Center in Los Angeles, one of the great cultural complexes to be built in our time. Writing with wit and passion, Richard Meier takes us behind the scenes of the thirteen-year-long, one-billion-dollar project.

Building the Getty

Misadventure won the inaugural Picador Poetry Prize, and is Richard Meier's first collection. Misadventure is a book about what we learn, and what we refuse to learn: although Meier's poems are often deceptively quiet in their address, the reader will soon discover a poet capable of illuminating the darkest corners of our lives by the very lightest of touches, and an ear simultaneously attuned to the lyric poem and the cadence of real speech. The collection also contains some disarmingly tender poetry on the experience of fatherhood. Misadventure is about all the hope and hopelessness lurking just below the surface of things, in our rooms, tables, coats and gardens – and leaves them enriched and strange, under the transforming eye of a fine new talent.

Glenn Adamson

Sheila Hicks

David Watkins

Joseph Giovanni

Jack Lenor Larsen

- The Grotta House was designed by star architect Richard Meier- Excellent private collection of ceramics, jewelry, wood and fiber- An ambitious project fusing art and architectureA 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewelry and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.

A Marriage of Architecture and Craft

The Grotta Home by Richard Meier

Kenneth Frampton

This new title in the Modern Masters series is dedicated to the distinguished American architect and includes an introductory essay by Kenneth Frampton, one of the most prestigious names in the field of architecture history. This complete monograph presents 89 of Meier's buildings, documenting the principal stages of Meier's career in chronological order, from his early private homes and residential buildings - such as the two large complexes of Twin Parks, Bronx, New York and the Bronx Development Center - to recent major projects in the United States and in several European countries, including Italy. Among the well-known works in this volume are the Getty Center in Los Angeles, the Barcelona Museum of Contemporary Art and the church of Dives in Misericordia, Rome. In the early 1970s, Meier was one of the "New York Five," an informal group of East Coast architects who shared a preference for new and original contributions to the modern tradition and shaped an alternative to the "grey" architecture that dominated highrise East Coast buildings at the time.

Ada Louise Huxtable

Harold M. Williams

Stephen D. Rountree

This volume completes the documentation of the planning, design, and construction of the Getty Center begun in The Getty Center (1991). Designed by Richard Meier and Partners, the Getty Center sits atop a stunning 110-acre hilltop in west Los Angeles and is the new home for the Museum, the five Institutes, and the Grant Program that make up the J. Paul Getty Trust. The book includes a series of essays that underscore the challenges faced by architect, contractor, and owner working collaboratively. A chronology identifies the key dates and events in the design and construction process. Extensively illustrated with photographs by several accomplished photographers, site drawings from Richard Meier and Partners, and Robert Irwin's drawings of the Central Gardens, the book presents readers with an insider's view of the making of the Getty Center.

The Getty Center

Making Architecture

Der New Yorker Architekt Richard Meier (*1934 in Newark, New Jersey) errichtete für die Sammlung Frieder Burda ein helles Haus an der Lichtentaler Allee in Baden-Baden, unmittelbar neben der Staatlichen Kunsthalle und mit dieser durch eine gläserne Brücke verbunden. Der Architekt, der bereits mit dem Museum für Angewandte Kunst Frankfurt, dem Getty Center in Los Angeles und dem Museum für Zeitgenössische Kunst in Barcelona hervortrat, bezeichnet dieses Museumsgebäude als" Juwel im Park". In der Art einer kalifornischen Villa besticht der Bau für die hochrangige Privatsammlung durch seine klare Struktur, Transparenz und Offenheit; auch die Anbindung an die benachbarte Kunsthalle in ihrem zurückhaltenden Neoklassizismus wurde mit Eleganz gelöst. Die vorliegende überarbeitete Neuausgabe stellt das Museum mit einer Vielzahl von Skizzen, Plänen und neuen Fotografien sowie mit Beiträgen von Kunsthistorikern und Architekturkritikern zu Bau, Funktion und Standort vor.

Architect Richard Meier

Museum of Modern Art (New York, N.Y.)

Peter Eisenman

Michael Graves

Charles Gwathmey

John Hejduk

Five Architects, originally published in 1975, grew out of a meeting of the CASE group (Conference of Architects for the Study of the Environment) held at the Museum of Modern Art in 1969. The purpose of this gathering was to exhibit and criticize the work of five architects -- Eisenman, Graves, Gwathmey, Hejduk, and Meier -- who constituted a New York school, and who are now among the most influential architects working today.The buildings shown here have more diversity than one might expect from a school, but share certain properties of form, scale, and treatment of material. Collectively, their work makes a modest claim: it is only architecture, not the salvation of man and the redemption of the earth.Providing complete drawings and photographic documentation, this collection also includes a comparative critique by Kenneth Frampton, an Introduction by Colin Rowe that suggests a still broader context for the work as a whole, and two short texts in which individual positions are outlined. Now back in,print, Five Architects serves as a reference to the early work of some of America's most important architects and provides us with a glimpse back at the direction of architecture as they saw it over twenty years ago.

Eisenman, Graves, Gwathmey, Hejduk, Meier

Five Architects

Paul Goldberger

Frank Stella

Volume five comprehensively documents Meier's work since 2004. This extensively illustrated presentation vividly conveys the purity and power of Meier's unique and celebrated vision.

This clearly designed and illustrated book is dedicated to a complete overview of Richard Meier's Barcelona Museum of Contemporary Art, completed in 1995. Located in the area of the Casa de la Caritat, a former monastic enclave, this extraordinary building maintains a unique dialogue between the city's old urban fabric and the contemporary art housed within the museum. Barcelona's first institution devoted entirely to twentieth-century art, this museum synthesizes the striking contemporaneity of its bold architecture and the rich medieval history of its context. Meier's masterful use of materials -- pristine white aluminum panels, glass, stucco, and granite -- and characteristic modern style emphasize a play of solid and void, light and shadow, through the museum's fluid, geometric forms. An external ramp leads from the sweeping plaza to a triple-height atrium space. An internal, glass-enclosed ramp unfolds vertically along the front facade of the building, offering breathtaking vistas of a sixteenth-century church and the romantic city beyond and leading to three floors of open exhibition areas. This unique publication documents the dramatic design with preliminary sketches, models, drawings, and lavish color photographs.

Richard Meier

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