Richard Sennett

In his most ambitious book to date, Richard Sennett offers an original perspective on craftsmanship and its close connections to work and ethical values

The Craftsman

THE NARRATOR

"Sennett presses social theory and historical experience to his service in developing a provocative thesis: that the public world stage has been usurped by the private psychic scene to the detriment of both individual and society".--Carl Schorske, Princeton University. "Stimulating and challenging".--Christopher Lehmann-Haupt, New York Times.

The Fall of Public Man

RICHARD AUTOR SENNETT

Sennett's compelling proposal for a city that can incorporate creative anarchy to goose its adults into expressive community was originally published in 1970 by Knopf. Annotation copyrighted by Book News, Inc., Portland, OR

The Uses of Disorder: Personal Identity & City Life

Drawing on interviews with former IBM executives, bakers, a former bartender who entered the advertising profession, and many other interesting characters, this exploration of work and the new economy looks at the effects of the changing workplace on a wide range of people. Reprint.

The Corrosion of Character: The Personal Consequences of Work in the New Capitalism

Jonathan Cobb

The authors conclude that in the games of hierarchical respect, no class can emerge the victor; and that true egalitarianism can be achieved only by rediscovering diverse concepts of human dignity. Examining personal feelings in terms of a totality of human relations, and looking beyond the struggle for economic survival, The Hidden Injuries of Class takes an important step forward in the sociological critique of everyday life.

The Hidden Injuries of Class

Living with people who differ -- racially, ethnically, religiously, or economically -- is one of the most difficult challenges facing us today. Though our society is becoming ever more complicated materially, we tend to avoid engaging with people unlike ourselves. Modern politics emphasizes unity and similarity, encouraging the politics of the tribe rather than of complexity. Together: the rituals, pleasures and politics of Co-operation explores why this has happened and what might be done about it. Sennett argues that living with people unlike ourselves requires more than goodwill: it requires skill. The foundations for skillful co-operation lie in learning to listen well and to discuss rather than debate. People who develop these capacities earn a reward: they can take pleasure in the company of others. Together traces the evolution of cooperative rituals in medieval churches and guilds, Renaissance workshops and courts, early modern laboratories and diplomatic embassies. In our lives today, it explains the trials and prospects of cooperation online, face-to-face in ethnic conflicts, among financial workers and community organizers. Exploring the nature of cooperation, why it has become weak, and how it could be strengthened, this visionary book offers a new way of seeing how humans can live together.

The Rituals, Pleasures and Politics of Co-operation

Together

Pablo Sendra

A manifesto for the Open City: vibrant, disordered, adaptable. In 1970 Richard Sennett published the ground breaking The Uses of Disorder, that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. Fifty years later, Sennett returns to these still fertile ideas and alongside campaigner and architect, Pablo Sendra, sets out an agenda for the design and ethics of the Open City. The public spaces of our cities are under siege from planners, privatisation and increased surveillance. Our streets are becoming ever more lifeless and ordered. What is to be done? Can disorder be designed? Is it possible to maintain the public realm as a flexible space that adapts over time? In this provocative essay Sendra and Sennett propose a reorganisation of how we think and plan the social life of our cities. What the authors call 'Infrastructures of disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide up, remain open to change rather than closed off. The book proves that ideas of disorder are still some of the most radical and transformative in debates on 21st century cities.

Experiments and Disruptions in the City

Designing Disorder

'Thank god for Richard Sennett ... essential reading for all students of the city' Anna Minton, Prospect 'Constantly stimulating ideas from a veteran of urban thinking' Jonathan Meades, Guardian In Building and Dwelling, Richard Sennett distils a lifetime's thinking and practical experience to explore the relationship between the good built environment and the good life. He argues for, and describes in rich detail, the idea of an open city, one in which people learn to manage complexity. He shows how the design of cities can enrich or diminish the everyday experience of those who dwell in them. The book ranges widely - from London, Paris and Barcelona to Shanghai, Mumbai and Medellin in Colombia - and draws on classic thinkers such as Tocqueville, Heidegger, Max Weber, and Walter Benjamin. It also draws on Sennett's many decades as a practical planner himself, testing what works, what doesn't, and why. He shows what works ethically is often the most practical solution for cities' problems. This is a humane and thrilling book, which allows us to think freshly about how we live in cities. 'Sennett is my kind of urbanist. He sees the modern city. He reads its secrets as he walks down the street, kicking over the detritus of the past ... There is no alternative to the planner, but please a planner who has read Sennett's book' Simon Jenkins, Sunday Times

Ethics for the City

Building and Dwelling

The Performer

Why do people work hard, and take pride in what they do? This book, a philosophically-minded enquiry into practical activity of many different kinds past and present, is about what happens when people try to do a good job. It asks us to think about the true meaning of skill in the 'skills society' and argues that pure competition is a poor way to achieve quality work. Sennett suggests, instead, that there is a craftsman in every human being, which can sometimes be enormously motivating and inspiring - and can also in other circumstances make individuals obsessive and frustrated. The Craftsmanshows how history has drawn fault-lines between craftsman and artist, maker and user, technique and expression, practice and theory, and that individuals' pride in their work, as well as modern society in general, suffers from these historical divisions. But the past lives of crafts and craftsmen show us ways of working (using tools, acquiring skills, thinking about materials) which provide rewarding alternative ways for people to utilise their talents. We need to recognise this if motivations are to be understood and lives made as fulfilling as possible. The book divides into three parts- the first addresses the craftsman at work. This is a story of workshops - the guilds of medieval goldsmiths, the ateliers of musical instrument makers, modern laboratories - in which masters and apprentices work together but not as equals. In its second part the book explores the development of skill- knowledge gained in the hand through touch and movement. A diverse group of case studies illustrates the grounding of skill in physical practice - from striking a piano key to the use of imperfect scientific instruments like the first telescopes or the anatomist's scalpel. The argument of the third part is that motivation counts for more than talent. Enlightenment thinkers believed that everyone possesses the ability to do good work, and that we are more likely to fail as craftsmen due to our motivation than because of our lack of ability. The book assesses and challenges this belief, concluding by considering craftsmanship as more than a technical practice, and considering the ethical questions that craftsmen's sustaining habits raise about how we anchor ourselves in the world around us.

Yeni Kapitalizmde Isin Kisilik ¿erindeki Etkileri

Karakter Asinmasi

A description of urban life from a body sense perspective spans 2,500 years through ancient Athens, Hadrian's Rome, medieval and revolutionary Paris, Renaissance Venice, Edwardian London, and contemporary New York

Flesh and Stone: The Body and the City in Western Civilization

In 1970, Richard Sennett published the groundbreaking The Uses of Disorder, arguing that the ideal of a planned and ordered city was flawed. Fifty years later, Sennett returns to these still fertile ideas and, alongside campaigner and architect Pablo Sendra, sets out an agenda for the design and ethics of the Open City. The public spaces of our cities are under siege from planners, privatisation and increased surveillance. Our streets are becoming ever more lifeless and ordered. What is to be done? Can disorder be designed? In this provocative essay Sendra and Sennett propose a reorganisation of how we think and plan the social life of our cities. 'Infrastructures of disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide up, remain open to change rather than closed off.

About the industrial nature of capitalism.

The Culture of the New Capitalism

Making and Dwelling is the definitive statement on cities by the renowned public intellectual Richard Sennett. In this sweeping work, he traces the anguished relation between how cities are built and how people live in them, from ancient Athens to twenty-first-century Shanghai. He shows how Paris, Barcelona, and New York City assumed their modern forms; rethinks the reputations of Jane Jacobs, Lewis Mumford, and others; and takes us on a tour of emblematic contemporary locations, from the backstreets of Medellin, Colombia, to the Google headquarters in Manhattan. Through it all, he laments that the "closed city"--segregated, regimented, and controlled--has spread from the global North to the exploding urban agglomerations of the global South. As an alternative, he argues for the "open city," where citizens actively hash out their differences and planners experiment with urban forms that make it easier for residents to cope.

ethics for the city

Building and dwelling

"The Craftsman leads Richard Sennett across time and space, from ancient Roman brickmakers to Renaissance goldsmiths to the printing presses of Enlightenment Paris and the factories of industrial London. History has drawn fault lines dividing practice and theory, technique and expression, craftsman and artist, maker and user; modern society suffers from this historical inheritance. But the past life of craft and craftsmen also suggests ways of using tools, organizing work, and thinking about materials that remain alternative, viable proposals about how to conduct life with skill."--BOOK JACKET

Ten Ve Tas

Reissue of the classic text on how cities should be planned When first published in 1970, The Uses of Disorder, was a call to arms against the deadening hand of modernist urban planning upon the thriving chaotic city. Written in the aftermath of the 1968 student uprising in the US and Europe, it demands a reimagination of the city and how class, city life and identity combine. Too often, this leads to divisions, such as the middle class flight to the suburbs, leaving the inner cities in desperate straits. In response, Sennett offers an alternative image of a "dense, disorderly, overwhelming cities" that allow for change and the development of community. Fifty years later this book is as essential as it was when it first came out, and remains an inspiration to architects, planners and urban thinkers everywhere.

Personal Identity and City Life

The Uses of Disorder

Richard Sennett has spent an intellectual lifetime exploring how humans live in cities. In this pair of essays he visits two of the world's greatest cities at crucial moments in their history to meditate on the condition of exile in both geographical and psychic space.

Richard Sennett

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