Michael Löwy

Robert Sayre

DIVA translation from the French of Michael Lowy and Robert Sayre’s attempt to unify discussion of the diverse manifestations of of Romanicism./div

Romanticism Against the Tide of Modernity

Revolta e melancolia, dos sociólogos Michael Löwy e Robert Sayre, traz uma análise da visão social de mundo romântica. Para eles, mais do que uma corrente artística europeia do começo do século XIX, o romantismo expressa uma visão de mundo complexa que persiste até nossos dias, em toda parte, como resposta ao modo de vida da sociedade capitalista. Caracterizado pela convicção dolorosa e melancólica de que o presente perdeu certos valores humanos essenciais, esse movimento representa uma modalidade particular de (auto)crítica do mundo moderno, a partir de seu âmago. Com grande repercussão internacional, em especial na França, onde foi originalmente publicado, Revolta e melancolia se tornou o principal ponto de partida para debates sobre a importância do "espírito" do romantismo em nosso tempo. Considerado um movimento abrangente e atemporal, o romantismo transpôs a literatura e as artes plásticas e se manifestou em diversas áreas da sociedade, como a filosofia e a política. Em sua abordagem, Löwy e Sayre mostram como essa forma de ver o mundo influencia a produção social contemporânea e constitui um questionamento profundo da economia de mercado e da sociedade dominada por ela. A obra perscruta a relação ambígua entre romantismo e Revolução Francesa e entre romantismo e Revolução Industrial e identifica dimensões românticas no Maio de 1968; na crítica à cultura de massa; nos movimentos sociais atuais; em correntes políticas e intelectuais; e também nas obras de autores os mais diversos, de diferentes momentos e lugares, de Schelling a Tönnies, de Burke a Weber, de Dickens a Thomas Mann, de Balzac a Tolstói, de Victor Hugo a José Martí, de Bakunin a Rosa Luxemburgo, Marx e Engels.

O romantismo na contracorrente da modernidade

Revolta e melancolia

figures du romantisme anti-capitaliste

Esprits de feu

Romanticism is a worldview that finds expression over a whole range of cultural fields—not only in literature and art but in philosophy, theology, political theory, and social movements. In Romanticism Against the Tide of Modernity Michael Löwy and Robert Sayre formulate a theory that defines romanticism as a cultural protest against modern bourgeois industrial civilization and work to reveal the unity that underlies the extraordinary diversity of romanticism from the eighteenth to the twenty-first century. After critiquing previous conceptions of romanticism and discussing its first European manifestations, Löwy and Sayre propose a typology of the sociopolitical positions held by romantic writers-from “restitutionist” to various revolutionary/utopian forms. In subsequent chapters, they give extended treatment to writers as diverse as Coleridge and Ruskin, Charles Peguy, Ernst Bloch and Christa Wolf. Among other topics, they discuss the complex relationship between Marxism and romanticism before closing with a reflection on more contemporary manifestations of romanticism (for example, surrealism, the events of May 1968, and the ecological movement) as well as its future. Students and scholars of literature, humanities, social sciences, and cultural studies will be interested in this elegant and thoroughly original book.

Romantic Anti-capitalism and Nature examines the deep connections between the romantic rebellion against modernity and ecological concern with modern threats to nature. The chapters deal with expressions of romantic culture from a wide variety of different areas: travel writing, painting, utopian vision, cultural studies, political philosophy, and activist socio-political writing. The authors discuss a highly diverse group of figures - William Bartram, Thomas Cole, William Morris, Walter Benjamin, Raymond Williams, and Naomi Klein - from the late eighteenth to the early twenty-first century. They are rooted individually in English, American, and German cultures, but share a common perspective: the romantic protest against modern bourgeois civilisation and its destruction of the natural environment. Although a rich ecocritical literature has developed since the 1990s, particularly in the United States and Britain, that addresses many aspects of ecology and its intersection with romanticism, they almost exclusively focus on literature, and define romanticism as a limited literary period of the late eighteenth and early nineteenth centuries. This study is one of the first to suggest a much broader view of the romantic relation to ecological discourse and representation, covering a range of cultural creations and viewing romanticism as a cultural critique, or protest against capitalist-industrialist modernity in the name of past, pre-modern, or pre-capitalist values. This book will be of great interest to students and scholars of ecology, romanticism, and the history of capitalism.

Robert Sayre

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