Etgar Keret

Samir El-Youssef

Avi Pardo

Gazze blues

Two writers, Israeli Etgar Keret and Palestinian Samir El-youssef, have engaged in a challenging and provocative artistic collaboration, producing a book of short stories and a novella exploring different aspects of a fraught and complex situation. Their darkly humorous tales reflect the dreams and nightmares of living in Israel today and during the first Intifada. All of Keret's collections have been best-sellers in Israel and have been translated to high acclaim around the world - into seventeen languages so far - and now, for the first time into English in the UK.

Different Stories

Gaza Blues

Saleem Haddad

Selma Dabbagh

Mazen Maarouf

Talal Abu Shawish

Ahmed Masoud

Tasnim Abutabikh

Emad El-Din Aysha

Anwar Hamed

Majd Kayyal

Abdalmuti Maqboul

Rawan Yaghi

Palestine + 100 poses a question to twelve Palestinian writers: what might your country look like in the year 2048 – a century after the tragedies and trauma of what has come to be called the Nakba? How might this event – which, in 1948, saw the expulsion of over 700,000 Palestinian Arabs from their homes – reach across a century of occupation, oppression, and political isolation, to shape the country and its people? Will a lasting peace finally have been reached, or will future technology only amplify the suffering and mistreatment of Palestinians? Covering a range of approaches – from SF noir, to nightmarish dystopia, to high-tech farce – these stories use the blank canvas of the future to reimagine the Palestinian experience today. Along the way, we encounter drone swarms, digital uprisings, time-bending VR, peace treaties that span parallel universes, and even a Palestinian superhero, in probably the first anthology of science fiction from Palestine ever. Translated from the Arabic by Raph Cormack, Mohamed Ghalaieny, Andrew Leber, Thoraya El-Rayyes, Yasmine Seale and Jonathan Wright. WINNER of a PEN Translates Award 2018 'It's necessary, of course. But above all it's bold, brilliant and inspiring: a sign of boundless imagination and fierce creation even in circumstances of oppression, denial, silencing and constriction. The voices of these writers demand to be heard - and their stories are defiantly entertaining.' - Bidisha

Palestine +100: Stories from a century after the Nakba

The illusion of return

The nameless narrator of this startling novella believed himself to be under no illusion: a Palestinian refugee, he had escaped the deadly tumult of Lebanon, the roving militias and endlessly complicated religious violence, by having long ago fled to London. He knew he could never go back. But then one day an old friend, who had also escaped, calls him and asks to meet at the airport on a stop-over on his way back to Lebanon. For the narrator, it summons up everything he thought he had suppressed, both the yearning to go home and the secret reason he can't. Thus the reunion with his old friend becomes, for the narrator, a disturbing confrontation.

A Novel

The Illusion of Return

For the first time in six years, Ibrahim enjoys a breakfast of tomatoes, onions and pita bread, while his girlfriend Ruth takes a parcel to the local post office. As he waits for her return, he reflects on the events of the previous few days and then of the past few years. He is Palestinian, she Israeli and they live in London, a city they explore and grow to love. They delight in living against the political tide and in confounding people’s assumptions. But, as the situation in the Middle East deteriorates, so it inevitably impinges on their life together and they struggle to maintain their relationship. It is the family secret that Ibrahim finally reveals that threatens to engulf them forever.

A Treaty of Love

Meeting a friend after many years’ separation, the narrator wonders whether the events they both lived through in Lebanon really took place. Time and distance give a sense of unreality but when the narrator and Ali meet at Heathrow Airport, after seventeen years, the past slowly begins to unfold. Like so many other Palestinians who were born in the Lebanon, they had to leave in the mid-1980s, when it became a battlefield for different militias and armies – Lebanese, Palestinian, Israeli and Syrian. Ali leaves for America and, two years later, the narrator leaves for London. Their memories are concentrated on one fatal night when they and two other friends are together for the last time, before tragedy strikes. But for the narrator, a personal tragedy had struck much earlier, one which he would never forget and could not share.

Samir El-Youssef

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