Sloane Crosley

From a New York Times bestselling author and Thurber Prize finalist comes a twisted mystery on the metaphysics of modern love, memory, and mind control. One night in Chinatown: Our heroine, Lola, is at a work reunion dinner with her former colleagues when she ducks out to buy cigarettes and runs into an ex-boyfriend. And then . . . another. And another. The city is suddenly awash with ghosts of heartbreaks past, and what would normally pass for a coincidence becomes something much stranger. The soon-to-be-married Lola must contend not only with the viability of her current relationship but with the fact that both her best friend and her former boss, a magazine editor turned guru, might have an unhealthy, ahem, investment in the outcome. Memories of the past swirl and converge in mystical ways both comic and eerie as Lola is forced to decide if she will buy into romance, and possibly into a weird startup-slash-cult. Both suspenseful and delightfully funny, this new novel from Sloane Crosley combines the breathtaking twists and turns of a psychological thriller with the will-she-won't-she of romantic comedy. Cult Classic is an original: a masterfully crafted, surrealist meditation on love in an age when the past is ever at your fingertips and sanity is for sale.

A Novel

Cult Classic

Named a Most Anticipated Book of 2018 by Entertainment Weekly, Glamour, Buzzfeed, Elle, Cosmopolitan, The Millions, InStyle, Bustle, BookRiot, and Southern Living Sloane Crosley returns to the form that made her a household name in really quite a lot of households: Essays! From the New York Times–bestselling author Sloane Crosley comes Look Alive Out There—a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There’d Be Cake and How Did You Get This Number know Sloane Crosley’s life as a series of relatable but madcap misadventures. In Look Alive Out There, whether it’s scaling active volcanoes, crashing shivas, playing herself on Gossip Girl, befriending swingers, or staring down the barrel of the fertility gun, Crosley continues to rise to the occasion with unmatchable nerve and electric one-liners. And as her subjects become more serious, her essays deliver not just laughs but lasting emotional heft and insight. Crosley has taken up the gauntlets thrown by her predecessors—Dorothy Parker, Nora Ephron, David Sedaris—and crafted something rare, affecting, and true. Look Alive Out There arrives on the tenth anniversary of I Was Told There’d be Cake, and Crosley’s essays have managed to grow simultaneously more sophisticated and even funnier. And yet she’s still very much herself, and it’s great to have her back—and not a moment too soon (or late, for that matter).

Essays

Look Alive Out There

Part comedy of manners, part treasure hunt, the first novel from the writer whom David Sedaris calls "perfectly, relentlessly funny" Kezia, Nathaniel, and Victor are reunited for the extravagant wedding of a college friend. Now at the tail end of their twenties, they arrive completely absorbed in their own lives-Kezia the second-in-command to a madwoman jewelry designer in Manhattan; Nathaniel the former literary cool kid, selling his wares in Hollywood; and the Eeyore-esque Victor, just fired from a middling search engine. They soon slip back into old roles: Victor loves Kezia. Kezia loves Nathaniel. Nathaniel loves Nathaniel. In the midst of all this semi-merriment, Victor passes out in the mother of the groom's bedroom. He wakes to her jovially slapping him across the face. Instead of a scolding, she offers Victor a story she's never even told her son, about a valuable necklace that disappeared during the Nazi occupation of France. And so a madcap adventure is set into motion, one that leads Victor, Kezia, and Nathaniel from Miami to New York and L.A. to Paris and across France, until they converge at the estate of Guy de Maupassant, author of the classic short story "The Necklace." Heartfelt, suspenseful, and told with Sloane Crosley's inimitable spark and wit, The Clasp is a story of friends struggling to fit together now that their lives haven't gone as planned, of how to separate the real from the fake. Such a task might be possible when it comes to precious stones, but is far more difficult to pull off with humans.

The Clasp

Disarmingly witty and poignant, Sloane Crosley's first memoir explores multiple kinds of loss following the death of her closest friend. Grief Is for People is an unusual kind of grief book--the story of several compounding, unexpected losses, and the struggle to hold on to the past without being consumed by it, but told with the verve and voice we have come to expect from Sloane Crosley. Focusing her trademark humor and wit on the deep pain and confusion of losing her closest friend and mentor to suicide, Crosley looks for answers in friends, philosophy, and art, searching for a framework more useful than the unavoidable stages of grief to understand her new reality. Sloane and Russell worked together and played together, navigating the corridors of office life, the literary world, weekends in the country, and the dramatic ups and downs of making it in New York City. In a city where friends become family, they were best friends. When Russell dies, Sloane is already reeling from a break-in and the theft of her jewelry, her most prized and meaningful possessions. While Russell's death puts that loss in perspective, it also propels her on a quest to right the losses she is feeling, as the city itself faces the staggering toll brought on by the pandemic. Crosley's search for answers is frank, funny, and gilded with a deeply resounding empathy. Upending the "grief memoir" in utterly unexpected and entirely welcome ways, Grief Is for People rises precisely to console and challenge our notions of loss during these grief-stricken times.

Grief Is for People

A new anthology of personal writings by the author of I Was Told There'd Be Cake shares her whimsical observations of such locales as Paris, Portugal and Alaska as well as her more experienced understandings of her home and relationships in New York.

How Did You Get this Number

Jason Wilson

Presents an anthology of the best travel writing published in the previous year, selected from magazines, newspapers, and web sites.

The Best American Travel Writing 2011

Up the Down Volcano

From the author of the sensational bestseller I Was Told There'd Be Cake comes a new book of personal essays brimming with all the charm and wit that have earned Sloane Crosley widespread acclaim, award nominations, and an ever-growing cadre of loyal fans. In Cake readers were introduced to the foibles of Crosley's life in New York City-always teetering between the glamour of Manhattan parties, the indignity of entry-level work, and the special joy of suburban nostalgia-and to a literary voice that mixed Dorothy Parker with David Sedaris and became something all its own. Crosley still lives and works in New York City, but she's no longer the newcomer for whom a trip beyond the Upper West Side is a big adventure. She can pack up her sensibility and takes us with her to Paris, to Portugal (having picked it by spinning a globe and putting down her finger, and finally falling in with a group of Portuguese clowns), and even to Alaska, where the "bear bells" on her fellow bridesmaids' ponytails seemed silly until a grizzly cub dramatically intrudes. Meanwhile, back in New York, where new apartments beckon and taxi rides go awry, her sense of the city has become more layered, her relationships with friends and family more complicated. As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

How Did You Get This Number

From getting locked out of her flat twice on the same day and being fired for baking a giant cookie in the shape of her boss's head, to playing bridesmaid for a friend she'd long forgotten, Sloane Crosley can do no right, despite the best of intentions. With sharp, original and irresistible storytelling that confounds expectations at every turn, Crosley recounts her victories and catastrophes, finding uproarious comedy and genuine insights in the most unpredictable places.

I Was Told There'd Be Cake

Part comedy of manners, part treasure hunt, the first novel from the writer whom David Sedaris calls "perfectly, relentlessly funny" Kezia, Nathaniel, and Victor are reunited for the extravagant wedding of a college friend. Now at the tail end of their twenties, they arrive completely absorbed in their own lives—Kezia the second-in-command to a madwoman jewelry designer in Manhattan; Nathaniel the former literary cool kid, selling his wares in Hollywood; and the Eeyore-esque Victor, just fired from a middling search engine. They soon slip back into old roles: Victor loves Kezia. Kezia loves Nathaniel. Nathaniel loves Nathaniel. In the midst of all this semi-merriment, Victor passes out in the mother of the groom's bedroom. He wakes to her jovially slapping him across the face. Instead of a scolding, she offers Victor a story she's never even told her son, about a valuable necklace that disappeared during the Nazi occupation of France. And so a madcap adventure is set into motion, one that leads Victor, Kezia, and Nathaniel from Miami to New York and L.A. to Paris and across France, until they converge at the estate of Guy de Maupassant, author of the classic short story "The Necklace." Heartfelt, suspenseful, and told with Sloane Crosley's inimitable spark and wit, The Clasp is a story of friends struggling to fit together now that their lives haven't gone as planned, of how to separate the real from the fake. Such a task might be possible when it comes to precious stones, but is far more difficult to pull off with humans.

Sloane Crosley returns to the form that made her a household name in really quite a lot of households: Essays! From the New York Times–bestselling author Sloane Crosley comes Look Alive Out There—a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There’d Be Cake and How Did You Get This Number know Sloane Crosley’s life as a series of relatable but madcap misadventures. In Look Alive Out There, whether it’s playing herself on Gossip Girl,scaling active volcanoes, crashing shivas, befriending swingers, or staring down the barrel of the fertility gun, Crosley continues to rise to the occasion with unmatchable nerve and electric one-liners. And as her subjects become more serious, her essays deliver not just laughs but lasting emotional heft and insight. Crosley has taken up the gauntlets thrown by her predecessors—Dorothy Parker, Nora Ephron, David Sedaris—and crafted something rare, affecting, and true. Look Alive Out There arrives on the tenth anniversary of I Was Told There’d be Cake, and Crosley’s essays have managed to grow simultaneously more sophisticated and even funnier. And yet she’s still very much herself, and it’s great to have her back—and not a moment too soon (or late, for that matter).

Jonathan Safran Foer

Roxane Gay

Jonathan Ames

Joyce Carol Oates

Billy Collins

Gary Shteyngart

Joshua Ferris

Lee Child

Valeria Luiselli

Alain Mabanckou

Jonathan Coulton

Aimee Mann

Lee Child's street corner. Gary Shteyngart's bed. Joyce Carol Oates's classroom. Roxane Gay's dream house. Billy Collins's New York City. Aimee Mann and Jonathan Coulton's kitchen. Valeria Luiselli's writing desk. Sloane Crosley's conference call. Alain Mabanckou's Department of Human Resources. Jonathan Ames's shrink's office. Jonathan Safran Foer's Genius Bar. Joshua Ferris's America.What do these places have in common? More than might initially meet the eye. They're the spaces¿real or imagined¿where thirteen remarkably talented and original voices do their work. These writers, poets, and singer-songwriters come together to give us a guided tour through the places that inspire them. There's mystery here. Dark confessions. Office crushes. Tales of deals made, careers built and broken, and the love and dread and hope of being at work.Everyone works someplace. This group of authors has created a place that is by turns hilarious, illuminating, shocking, wonderful. It might make you cry. It will certainly make you laugh. And you might never see your own office in the same (fluorescent?) light again.

Sloane Crosley

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