Anthony Burgess

Stanley Kubrick

Based on the Novel by Anthony Burgess

Stanley Kubrick's A Clockwork Orange

Alison Castle

Accompanying CD-ROM: Interview with Stanley Kubrick by Jeremy Bernstein, November 27, 1966. Interview is in audio and transcript form.odyssey.

The Stanley Kubrick Archives

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective. Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange. "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. " Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story. Gene D. Phillips, S.J., is a professor of English at Loyola University in Chicago, where he teaches fiction and the history of film. He is the author of many notable books on film and is a founding member of the editorial board of both Literature/Film Quarterly and The Tennessee Williams Journal. He was acquainted with Stanley Kubrick for twenty-five years.

Interviews

Arthur Schnitzler

Frederic Raphael

Dream Story...is a sensual tale that explores the subconscious, forbidden desires of a husband and wife, in both their dreams and fantasies and their increasingly daring sexual adventures. Ahead of its time and marked by the deep influence of the author's contemporary, Sigmund Freud, Schnitzler's novel has become a modernist classic. In this volume the original story's themes of depravity and the elusive ambiguity of dream and reality can be compared to Kubrick's own transforming vision -- in the film that has become the culminating achievement of his career...

Eyes Wide Shut

Arthur Charles Clarke

Two astronauts find their journey into space and their very lives jeopardized by the jealousy of an extraordinary computer named Hal

A Space Odyssey

2001

البرتقالة الآلية

romanzo

2001: odissea nello spazio

Arthur C Clarke

A breakthrough into the twenty-first century, this novel and movie puts the man of today into the credible environment of tomorrow, when he has conquered the perils of interplanetary travel and is ready for what comes next. You are hurtling across the abyss of space on an expedition to unexplored planets. Your only companion is a fellow astronaut: The three hibernauts who lie in a deep-freeze sleep will not be awakened until their skills are needed. An essential member of your crew is Hal, the electronic, almost-human brain that ceaselessly guides your course. For months your atom-powered craft Discovery has been carrying you away from earth at a hundred thousand miles an hour. You are now farther from home than any man in history. Your living quarters within the 400-foot-long spacecraft is a centrifugal drum equipped with an electronic library of literature and music. Here you relax, eat, exercise, sleep, and chat with Hal, the conversational computer who never forgets anything-not even your birthday. Your mission is of such importance that it has been surrounded by the deepest official secrecy. You are probing a fantastic frontier, following a trail that has led to the outer edges of the Solar System. You are searching the stars for evidence that man is not alone. On the Earth colonized Moon, deep in the crater Tycho, a discovery has been made that has shattered the human concept of the universe. You are journeying towards something. You do not know what it is. You only know it has been waiting for man to find it for four million years. Arthur C. Clarke, Fellow of the Royal Astronomical Society and a writer of science fiction, has produced this work that compares to the prophetic novels of Jules Verne. Author of the novel and co-author with Stanley Kubrick of the screen play for Kubrick's motion picture production, Clarke creates the cosmic desolations and splendors that man will someday see as he travels gigamiles into time and space.

2001 A Space Odyssey

Christiane Kubrick

The Greatest Movie Never Made

Stanley Kubrick's Napoleon

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective. Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine", he says in a 1972 interview about A Clockwork Orange. "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator". Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story.

Arthur C. Clarke

Screenplay

2001: a Space Odyssey

A Clockwork Orange

Jim Thompson

Calder Willingham

Paths of Glory

The French General Staff in World War I, safely behind the lines, sends orders for what amounts to a suicide mission. To cover up their fatal blunder, three soldiers are arrested and made scapegoats. A harsh attack on the futility of war in general and World War I in particular. A blistering indictment of military politics.

2001 una odisea del espacio

a space odyssey (Blu-Ray).

2001. A Space Odyssey. A Novel by Arthur C. Clarke Based on the Screenplay by Arthur C. Clarke & Stanley Kubrick

Stanley Kubrick

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