Stephen C. Meyer

Charles Darwin knew that there was a significant event in the history of life that his theory did not explain. In what is known today as the "Cambrian explosion," 530 million years ago many animals suddenly appeared in the fossil record without apparent ancestors in earlier layers of rock. In Darwin's Doubt Stephen C. Meyer tells the story of the mystery surrounding this explosion of animal life—a mystery that has intensified, not only because the expected ancestors of these animals have not been found, but also because scientists have learned more about what it takes to construct an animal. Expanding on the compelling case he presented in his last book, Signature in the Cell, Meyer argues that the theory of intelligent design—which holds that certain features of the universe and of living things are best explained by an intelligent cause, not an undirected process such as natural selection—is ultimately the best explanation for the origin of the Cambrian animals.

The Explosive Origin of Animal Life and the Case for Intelligent Design

Darwin's Doubt

The New York Times bestselling author of Darwin’s Doubt and Intelligent Design scholar presents groundbreaking scientific evidence of the existence of God, based on breakthroughs in physics, cosmology, and biology. Beginning in the late 19th century, many intellectuals began to insist that scientific knowledge conflicts with traditional theistic belief—that science and belief in God are “at war.” Philosopher of science Stephen Meyer challenges this view by examining three scientific discoveries with decidedly theistic implications. Building on the case for the intelligent design of life that he developed in Signature in the Cell and Darwin’s Doubt, Meyer demonstrates how discoveries in cosmology and physics coupled with those in biology help to establish the identity of the designing intelligence behind life and the universe. Meyer argues that theism — with its affirmation of a transcendent, intelligent and active creator — best explains the evidence we have concerning biological and cosmological origins. Previously Meyer refrained from attempting to answer questions about “who” might have designed life. Now he provides an evidence-based answer to perhaps the ultimate mystery of the universe. In so doing, he reveals a stunning conclusion: the data support not just the existence of an intelligent designer of some kind—but the existence of a personal God.

Three Scientific Discoveries That Reveal the Mind Behind the Universe

Return of the God Hypothesis

The first, major scientific argument for Intelligent Design by a leading spokesperson within the scientific community, "Signature in the Cell" proposes the design hypothesis as the best explanation for the origin of the information necessary to produce the first life.

DNA and the Evidence for Intelligent Design

Signature in the Cell

Wayne Grudem

J. P. Moreland

Christopher Shaw

Theistic Evolution brings together leading scholars from science, philosophy, and theology to demonstrate how the model of theistic evolution contradicts the clear teaching of Scripture, while making a compelling case for an alternative model: intelligent design.

A Scientific, Philosophical, and Theological Critique

Theistic Evolution

Ken Ham

Hugh Ross

J. B. Stump

Deborah Haarsma

Four Views on Creation, Evolution, and Intelligent Design

William A. Dembski

Michael J. Behe

Wethersfield Institute

As progress in science continues to reveal unimagined complexities, three scientists revisit the difficult and compelling question of the origin of our universe. As mathematician, biochemist, and philosopher of science, they explore the possibility of developing a reliable method for detecting an intelligent cause and evidence for design at the origin of life. In the process, they present a strong case for opening and pursuing a fruitful exchange between science and theology. Mathematician William Dembski, author of The Design Inference, first argues that new developments in the information sciences make intelligent design objectively and scientifically detectable--he identifies the signs of design. Next, philosopher of science, Stephen Meyer, and biochemist Michael Behe, author of Darwin's Black Box, argue that these signs are now clearly evident in both the architecture of the universe and the features of living systems. Other essays by the authors defend the scientific status of the theory of intelligent design and show how that theory supports traditional religious belief without necessarily "proving" the existence of God. In a concluding essay, Michael Behe responds to critics of his best selling book, Darwin's Black Box, thus bringing readers up-to-date on the status of the contemporary design argument in biology.

Papers Presented at a Conference Sponsored by the Wethersfield Institute, New York City, September 25, 1999

Science and Evidence for Design in the Universe

Kirsten Yri

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.

The Oxford Handbook of Music and Medievalism

A Compelling Case for Intelligent Design Based on Revolutionary Discoveries in Science In Signature in the Cell, Stephen Meyer has written the first comprehensive DNA-based argument for intelligent design. As he tells the story of successive attempts to unravel a mystery that Charles Darwin did not address—how did life begin?—Meyer develops the case for this often-misunderstood theory using the same scientific method that Darwin himself pioneered. Offering a fresh perspective on one of the enduring mysteries of modern biology, Meyer convincingly reveals that the argument for intelligent design is not based on ignorance or "giving up on science," but instead on compelling, and mounting, scientific evidence.

Paul Nelson

Jonathan Moneymaker

Scott Minnich

Ralph Seelke

The Arguments for and Against Neo-Darwinism

Explore Evolution

Ann K. Gauger

Many prominent Christians insist that the church must yield to contemporary evolutionary theory and therefore modify traditional biblical ideas about the creation of life. They argue that God used—albeit in an undetectable way—evolutionary mechanisms to produce all forms of life. Featuring two dozen highly credentialed scientists, philosophers, and theologians from Europe and North America, this volume contests this proposal, documenting evidential, logical, and theological problems with theistic evolution—making it the most comprehensive critique of theistic evolution yet produced.

The Explosive Origin of Animal Life and the Case for Intelligent Design By Stephen C. Meyer

Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s.

Music in Postwar Hollywood Biblical Films

Epic Sound

John Angus Campbell

From the Scopes Trial in 1925 through the action of the Kansas board of education, the teaching of evolution in public schools has been a flashpoint in American education. The evolution of fundamentalist creationism into the proposition of "intelligent design" (ID) in the late 20th century reignited the character of this controversy. Darwinism, Design, and Public Education provides a thorough and readable source of primary literature for and against the rhetoric of intelligent design as a science, a philosophy, and a movement for educational reform.

Darwinism, Design, and Public Education

As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.

Listening to Spectacle

Music in Epic Film

“Signature in the Cell is a defining work in the discussion of life’s origins and the question of whether life is a product of unthinking matter or of an intelligent mind. For those who disagree with ID, the powerful case Meyer presents cannot be ignored in any honest debate. For those who may be sympathetic to ID, on the fence, or merely curious, this book is an engaging, eye-opening, and often eye-popping read” — American Spectator Named one of the top books of 2009 by the Times Literary Supplement (London), this controversial and compelling book from Dr. Stephen C. Meyer presents a convincing new case for intelligent design (ID), based on revolutionary discoveries in science and DNA. Along the way, Meyer argues that Charles Darwin’s theory of evolution as expounded in The Origin of Species did not, in fact, refute ID. If you enjoyed Francis Collins’s The Language of God, you’ll find much to ponder—about evolution, DNA, and intelligent design—in Signature in the Cell.

Stephen C. Meyer details the intricate relationships between the operas Der FreischÃ1⁄4tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.

Carl Maria von Weber and the Search for a German Opera

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P�rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.

Stephen C. Meyer

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