Susan Gubar

Sandra M. Gilbert

In this work the authors explore the works of many 19th-century women writers. They chart a tangible desire expressed for freedom from the restraints of a confining patriarchal society and trace a distinctive female literary tradition.

The Woman Writer and the Nineteenth-Century Literary Imagination

The Madwoman in the Attic

A brilliant, sweeping history of the contemporary women's movement told through the lives and works of the literary women who shaped it.

American Women Writers and the Feminist Imagination

Still Mad

Called "a feminist classic" by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. "Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again."--Carolyn G. Heilbrun, Washington Post Book World

Este texto supone una novedosa interpretación de las obras de las grandes escritoras del siglo XIX. A través del estudio de sus logros en géneros radicalmente diferentes, las autoras descubrieron lo que parecía ser una tradición literaria manifiestamente femenina, que nadie había definido en su totalidad. Imágenes de encierro y fuga, fantasías en las que dobles locas hacían de sustitutas asociales de yoes dóciles, metáforas de incomodidad física manifestada en paisajes congelados e interiores ardientes; estos modelos reaparecían a lo largo de toda esta tradición, junto con las descripciones obsesivas de enfermedades como la anorexia, la agorafobia y la claustrofobia.

la escritora y la imaginación literaria del siglo XIX

La loca del desván

Susan David Gubar

Feminist Essays on Women Poets

Shakespeare's Sisters

In this moving memoir, a renowned feminist scholar explores the physical and psychological ordeal of living with ovarian cancer.

Memoir of a Debulked Woman: Enduring Ovarian Cancer

Long the standard teaching anthology, the landmark Norton Anthology of Literature by Women has introduced generations of readers to the rich variety of women s writing in English."

The Norton Anthology of Literature by Women: Early twentieth-century through contemporary

"Tender, unsparing, poignant. . . . [A] love story that braids together intimate self-revelation with a rich meditation on the literature of aging.'-- Stephen Greenblatt. On Susan Gubar's seventieth birthday, she receives a beautiful ring from her husband, a gift that startles her into an appreciation of their luck. As she contemplates their sustaining relationship, Susan considers how older lovers differ from their youthful counterparts--and from ageist stereotypes. When her husband encounters age-related disabilities, Susan procrastinates over moving from their burdensome house in the country to a more manageable town apartment by searching out literature on the longevity of desire by authors from Ovid and Shakespeare to Toni Morrison and Marilynne Robinson. During subsequent months of care-giving, her own ongoing cancer treatments, and apartment-hunting, Susan studies the obstacles many older couples overcome and marvels at the passion that buoys her own relationship. A memoir proving that love and desire have no expiration date, Late-Life Love is a resounding retort to negative valuations of old age and a celebration of second chances"--

a memoir

Late-life love

The Middle Ages Through the Turn of the Century

The Norton Anthology of Literature by Women

With selections by more than 100 writers and scholars, the Reader is an ideal companion for literature surveys where critical and theoretical texts are featured, as well as a rich, flexible core text for advanced courses in feminist theory and criticism. The Reader can be packaged with the Norton Anthology of Literature by Women, Third Edition, at a substantial discount.

A Norton Reader

Feminist Literary Theory and Criticism

A unique collection of verse about maternity and the celebration of motherhood, MotherSongs brings together for the first time a range of classic and contemporary poems from the United States, Great Britain, and Canada by some of our most memorable writers. The editors have included traditional ballads about maternity and courtly elegies for or by mothers as well as landmark nineteenth-century tributes to mothers and early twentieth-century meditations on motherhood. Taken together, the works collected here bear witness to the powerful ways in which motherhood has been transformed into art and artistry has been shaped by maternity.

Poems For, By, and about Mothers

Mother Songs

Remembering What One Never Knew (Jewish Literature and Culture)

Poetry After Auschwitz

How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of "woman," "man," "family," and "society"? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the "future shock" associated with profound changes in the roles and rules governing sexuality. Divided into two parts, Letters from the Front is chronological in organization, with the first section focusing on such writers of the modernist period as Virginia Woolf, Zora Neale Hurston, Edna St. Vincent Millay, Marianne Moore, and H.D., and the second devoted to authors who came to prominence after the Second World War, including Gwendolyn Brooks, Sylvia Plath, Margaret Atwood, Toni Morrison, and A.S. Byatt. Embroiled in the sex antagonism that Gilbert and Gubar traced in The War of the Words and in the sexual experimentations that they studied in Sexchanges, all these artists struggled to envision the inscription of hitherto untold stories on what H.D. called "the blank pages/of the unwritten volume of the new." Through the works of the first group, Gilbert and Gubar focus in particular on the demise of any single normative definition of the feminine and the rise of masquerades of "femininity" amounting to "female female impersonation." In the writings of the second group, the critics pay special attention to proliferating revisions of the family romance--revisions significantly inflected by differences in race, class, and ethnicity--and to the rise of masquerades of masculinity, or "male male impersonation." Throughout, Gilbert and Gubar discuss the impact on literature of such crucial historical events as the Harlem Renaissance, the Second World War, and the "sexual revolution" of the sixties. What kind of future might such a past engender? Their book concludes with a fantasia on "The Further Adventures of Snow White" in which their bravura retellings of the Grimm fairy tale illustrate ways in which future writing about gender might develop.

The Place of the Woman Writer in the Twentieth Century - Letters from the Front

No Man's Land

Long the standard teaching anthology, the landmark Norton Anthology of Literature by Women has introduced generations of readers to the rich variety of women's writing in English.

The Norton Anthology of Literature by Women: The Middle Ages through the turn of the century

Contains selections written by over 150 women authors from English-speaking countries. Ranges from the fourteenth century to the present.

The Tradition in English

The Traditions in English

An account of the story of the New Testament's arch-villain and his history over the past 2000 years in which Gubar links Christian anti-Semitism with Christianity's attempt to grapple with transcendent evil.

Judas: A Biography

An important addition to the literature of cancer by an award-winning scholar and memoirist. Elaborating upon her “Living with Cancer” column in the New York Times, Susan Gubar helps patients, caregivers, and the specialists who seek to serve them. In a book both enlightening and practical, she describes how the activities of reading and writing can right some of cancer’s wrongs. To stimulate the writing process, she proposes specific exercises, prompts, and models. In discussions of the diary of Fanny Burney, the stories of Leo Tolstoy and Alice Munro, numerous memoirs, novels, paintings, photographs, and blogs, Gubar shows how readers can learn from art that deepens our comprehension of what it means to live or die with the disease. From a writer whose own memoir, Memoir of a Debulked Woman: Enduring Ovarian Cancer, was described by the New York Times Book Review as “moving and instructive…and incredibly brave,” this volume opens a path to healing.

Reading and Writing Cancer: How Words Heal

Twenty-seven pioneering thinkers share their discovery of and commitment to feminism in this essential collection. In a series of autobiographical reflections, the contributors to True Confessions, including Gayatri Spivak, Sandra M. Gilbert, Hortense Spillers, and Martha Nussbaum, among others, tell us what experiences ground their activism and how they confronted the dilemmas they faced in the course of their training and careers. Why do a family's religious practices captivate or repel girls grappling with their parents' faith? What happens when a lesbian graduate student assumes she must be closeted, or when a female professor encounters hostility from other women on the faculty, or when a feminist professor is accused of sexually harassing her graduate students? Susan Gubar has selected the most influential thinkers in the humanities to elucidate the origins as well as the consequences of their commitment to feminism and its institutionalization in higher education. This is an indispensable book for anyone who cares about the place of feminism in today's landscape.

True Confessions: Feminist Professors Tell Stories Out of School

With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor. A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.

Susan Gubar

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