Tanya X. Short

This edited collection of chapters concerns the evolving discipline of procedural storytelling in video games. Games are an interactive medium, and this interplay between author, player and machine provides new and exciting ways to create and tell stories. In each essay, practitioners of this artform demonstrate how traditional storytelling tools such as characterization, world-building, theme, momentum and atmosphere can be adapted to full effect, using specific examples from their games. The reader will learn to construct narrative systems, write procedural dialog, and generate compelling characters with unique personalities and backstories. Key Features Introduces the differences between static/traditional game design and procedural game design Demonstrates how to solve or avoid common problems with procedural game design in a variety of concrete ways World's finest guide for how to begin thinking about procedural design begin thinking about procedural design

Procedural Storytelling in Game Design

Tarn Adams

Making a game can be an intensive process, and if not planned accurately can easily run over budget. The use of procedural generation in game design can help with the intricate and multifarious aspects of game development; thus facilitating cost reduction. This form of development enables games to create their play areas, objects and stories based on a set of rules, rather than relying on the developer to handcraft each element individually. Readers will learn to create randomized maps, weave accidental plotlines, and manage complex systems that are prone to unpredictable behavior. Tanya Short's and Tarn Adams' Procedural Generation in Game Design offers a wide collection of chapters from various experts that cover the implementation and enactment of procedural generation in games. Designers from a variety of studios provide concrete examples from their games to illustrate the many facets of this emerging sub-discipline.

Procedural Generation in Game Design

This edited collection of chapters concerns the evolving discipline of procedural storytelling in video games. Games are an interactive medium, and this interplay between author, player and machine provides new and exciting ways to create and tell stories. In each essay, practitioners of this artform demonstrate how traditional storytelling tools such as characterization, world-building, theme, momentum and atmosphere can be adapted to full effect, using specific examples from their games. The reader will learn to construct narrative systems, write procedural dialog, and generate compelling characters with unique personalities and backstories. Key Features Introduces the differences between static/traditional game design and procedural game design Demonstrates how to solve or avoid common problems with procedural game design in a variety of concrete ways World’s finest guide for how to begin thinking about procedural design

Erin Cole

Mary Fan

Julie Ann Dawson

Tim McDaniel

M.E.L.I. 

James Zahardis

Jaime Lackey

Danielle N. Gales 

Since 2009, the Bards and Sages Quarterly has brought fans of speculative fiction an amazing variety of short stories from both new and established authors. Each issue sets out to introduce readers to the wealth of talent found in the horror, fantasy and science fiction genres. Our authors have included Nebula, Hugo, and Pushcart winners and nominees. In this Issue: An Interview with Sci-Fi Author Mary Fan After refusing to sell his grandmother’s old phonograph to a peculiar man, Evan learns what it means to defy the desires of ancient forces in “A Song from the Old Country.” An almost indestructible princess discovers the truth of her strength, and her heritage, in “Rebirth.” A young man concocts a scheme to get his parents to stop pressuring him to find someone to sue in “Victims.”

Tanya X. Short

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