Teresa De Lauretis

"Technologies of Gender builds a bridge between the fashionable orthodoxies of academic theory (Lacan, Foucault, Derrida, et al.) and the frequently-marginalized contributions of feminist theory.... In sum, de Lauretis has written a book that should be required reading for every feminist in need of theoretical ammunition—and for every theorist in need of feminist enlightenment." —B. Ruby Rich "... sets philosophical ideas humming.... she has much to say." —Cineaste "I can think of no other work that pushes the debate on the female subject forward with such passion and intellectual rigor." —SubStance This book addresses the question of gender in poststructuralist theoretical discourse, postmodern fiction, and women's cinema. It examines the construction of gender both as representation and as self-representation in relation to several kinds of texts and argues that feminism is producing a radical rewriting, as well as a rereading, of the dominant forms of Western culture.

Essays on Theory, Film, and Fiction

Technologies of Gender

When Freud revised his view of the drives, he was living under the shadow of death and the threat of biological and cultural genocide. Like the early twentieth century, our times are marked by massive geopolitical trauma and shifts in technological, epistemic and sexual-representational practices. This book argues for the renewed relevance of the Freudian theory of drives through a variety of works ranging from cinema and literature to metapsychology and cultural theory. After presenting Freud's successive configurations of the drive in the form of a guide, 'illustrated' with reference to popular films, Teresa De Lauretis discusses two instances of philosophical-political contestation: Foucault's critique of Freud's 'stubborn drive', which served as foundation for the notion of social construction, and Laplanche's critique of Freud's biologism. The last two chapters trace the figural inscription of the death drive through close readings of Djuna Barnes's high-modernist novel Nightwood (1936) and David Cronenberg's postmodern film eXistenZ (1999). -- Back cover.

Psychoanalysis, Literature and Film

Freud's Drive

"... a work that builds a substantial bridge between Freudian psychoanalysis and radical feminist thought, particularly on the subject of lesbianism.... Presenting a complex argument about an issue vital to the psychoanalytic endeavor as well as to feminist theory, The Practice of Love should stimulate a reconsideration of 'perversion' and the construction of sexual fantasy. The illumination of the fantasies that make lesbian desire distinctive will necessarily open up our understanding of all sexuality." --Jessica Benjamin, New York Times Book Review "Teresa de Lauretis has entwined three books into one: a critical history of psychoanalytic theories of female homosexuality; a bold study of how lesbians keep disappearing from popular culture, especially film; and an original speculation on the dynamics of lesbian desire." --Elisabeth Young-Bruehl "An important and original contribution not only to lesbian and gay studies, but also to psychoanalytic theory and film criticism. De Lauretis brings a unique and valuable perspective to issues of great importance today in all these areas." --Leo Bersani "De Lauretis's influential theory gets top marks from sapphic scholars who know best." --Out In an eccentric reading of Freud through Laplanche and the Lacanian and feminist revisions, Teresa de Lauretis delineates a model of "perverse" desire and a theory of lesbian sexuality. The Practice of Love discusses classic psychoanalytic narratives of female homosexuality, contemporary feminist writings on female sexuality, and the evolution of the original fantasies into cultural myths or public fantasies.

Lesbian Sexuality and Perverse Desire

The Practice of Love

Dans les trois textes qui composent ce recueil, l'auteure expose sa conception de la construction sociale du genre et montre comment sa démarche éclaire la construction sociale de classe, de race et d'âge.

de Foucault à Cronenberg

Théorie queer et cultures populaires

"There is hardly a page in this collection of hard-thought and brilliantly written essays that does not yield some new insight." —Hayden White "... de Lauretis's writing is brisk and refreshingly lucid." —International Film Guide

Feminism, Semiotics, Cinema

Alice Doesn't

Anu Koivunen

Tutta Palin

Kaisa Sivenius

kirjoituksia sukupuolesta, elokuvasta ja seksuaalisuudesta

Itsepäinen vietti

Lesbian and Gay Sexualities

Queer Theory

Alice Doesn't: Feminism, Semiotics, Cinema

"Technologies of Gender builds a bridge between the fashionable orthodoxies of academic theory (Lacan, Foucault, Derrida, et al.) and the frequently-marginalized contributions of feminist theory.... In sum, de Lauretis has written a book that should be required reading for every feminist in need of theoretical ammunition—and for every theorist in need of feminist enlightenment." —B. Ruby Rich "... sets philosophical ideas humming.... she has much to say." —Cineaste "I can think of no other work that pushes the debate on the female subject forward with such passion and intellectual rigor." —SubStance This book addresses the question of gender in poststructuralist theoretical discourse, postmodern fiction, and women’s cinema. It examines the construction of gender both as representation and as self-representation in relation to several kinds of texts and argues that feminism is producing a radical rewriting, as well as a rereading, of the dominant forms of Western culture.

Conference on the Cinematic Apparatus, Held from 22 to 24 Febr. 1978 by the Center for Twentieth Century Studies of the Univ. of Wisconsin-Milwaukee

The Cinematic Apparatus

The essays in this collection represent very recent developments in feminist research and writing in the areas of history, scientific discourse, literary criticism, and cultural theory.

Teresa De Lauretis

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