Terry Castle

In essays on literary images of lesbianism from Defoe and Diderot to Virginia Woolf and Djuna Barnes, on the homosexual reputation of Marie Antoinette, on the lesbian writings of Anne Lister, Sylvia Townsend Warner, and Janet Flanner, and on Henry James's The Bostonians, Castle shows how a lesbian presence can be identified in the literature, history, and culture of the past three centuries.

Female Homosexuality and Modern Culture

The Apparitional Lesbian

At the heart of this striking collection is the title work: a candid and wrenching exploration of Castle's relationship, during her graduate school years, with a female professor. At once hilarious and rueful, it is a pitch-perfect recollection of the fiascos of youth: how we come to own (or disown) our sexuality; how we understand (or fail to) the emotional needs and wishes of others; how the ordeals of desire can prompt a lifelong search for self-understanding. With The Professor: And Other Writings Terry Castle cements her reputation as a truly remarkable writer: distinctive, wise, frank, incredibly funny and utterly fearless.

And Other Writings

The Professor

Patricia Highsmith

"A document of persecuted love--perfect." --The Independent"Highsmith was the first writer to mix roadside Americana, transgressive sex, and the impinging threat of a morals charge--and she went about it as masterfully as anyone." --Terry Castle, The New RepublicAbout the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format--annotated text, contexts, and criticism--helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

The Price of Salt - a Norton Critical Edition

Ann Ward Radcliffe

Bonamy Dobrée

`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the threat of her own psychological disintegration. A best-seller in its day and a potent influence on Walpole, Poe, and other writers of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. As the same time, with its dream-like plot and hallucinatory rendering of itscharacters' psychological states, it often seems strangely modern: `permanently avant-garde' in Terry Castle's words, and a profound and fascinating challenge to contemporary readers.

The Mysteries of Udolpho

From one of America's most brilliant critics and cultural commentators comes a long-awaited collection of penetrating autobiographical essays and a riveting short memoir, novelistic in style and ambition, about the pathos, comedy, and devastation of early love. Stanford professor and longtime contributor to the London Review of Books, the Atlantic, the New Republic, Slate, and other publications, Terry Castle is widely admired for the wit, panache, intellectual breadth, and emotional honesty of her writings on life, literature, and art. Now, at long last, she has collected some of the more personal of her recent essays in a single volume. Several pieces here are already acknowledged classics: "Desperately Seeking Susan," the celebrated account she wrote in 2005 of her droll and somewhat bittersweet friendship with Susan Sontag; "My Heroin Christmas," a darkly humorous examination of addiction, her family and stepsiblings, and the late, great jazz saxophonist Art Pepper; and the picaresque "Travels with My Mother," a rollicking travelogue that brings together Castle's complicated relationship with her mother, lesbianism, art, and the difficult yet transcendent work of the painter Agnes Martin. At the center of the collection, however, is the title work, published here for the first time: a candid and wrenching exploration of Castle's relationship, during her graduate school years, with a female professor. At once hilarious and rueful, it is a pitch-perfect recollection of the fiascos of youth: how we come to own (or disown) our sexuality; how we understand (or don't) the emotional needs and wishes of others; how the ordeals of desire can prompt a lifelong search for self-understanding. In this account of a sentimental education, as in all the essays in The Professor and Other Writings, Terry Castle reveals herself as a truly remarkable writer: utterly distinctive, wise, frank, and fearless.

The Professor and Other Writings

Niccolò Machiavelli

Wayne A. Rebhorn

A Norton Critical Edition

Price of Salt

From Renaissance love poems to twentieth-century novels, plays, and short stories, The Literature of Lesbianism brings together hundreds of literary works on the subject of female homosexuality with an astonishing and often unpredictable range of attitudes. Both male and female authors are represented as Castle explores the emergence and transformation of the "idea of lesbianism" over the past five centuries.

A Historical Anthology from Ariosto to Stonewall

The Literature of Lesbianism

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Essays on Women, Sex, and Writing

Boss Ladies, Watch Out!

As Samuel Richardson's 'exemplar to her sex,’ Clarissa in the eponymous novel published in 1748 is the paradigmatic female victim. In Clarissa’s Ciphers, Terry Castle delineates the ways in which, in a world where only voice carries authority, Clarissa is repeatedly silenced, both metaphorically and literally. A victim of rape, she is first a victim of hermeneutic abuse. Drawing on feminist criticism and hermeneutic theory, Castle examines the question of authority in the novel. By tracing the patterns of abuse and exploitation that occur when meanings are arbitrarily and violently imposed, she explores the sexual politics of reading.

Meaning and Disruption in Richardson's Clarissa

Clarissa's Ciphers

As Samuel Richardson's 'exemplar to her sex, ' Clarissa in the eponymous novel published in 1748 is the paradigmatic female victim. In Clarissa's Ciphers, Terry Castle delineates the ways in which, in a world where only voice carries authority, Clarissa is repeatedly silenced, both metaphorically and literally. A victim of rape, she is first a victim of hermeneutic abuse. Drawing on feminist criticism and hermeneutic theory, Castle examines the question of authority in the novel. By tracing the patterns of abuse and exploitation that occur when meanings are arbitrarily and violently imposed, she explores the sexual politics of reading.

Meaning & Disruption in Richardson's "Clarissa"

Politics and the Novel clarifies the role of revolutionary ideas in fiction, establishing the role of the political novel, and tracing the growth of this novel into the 20th century. Examples are drawn from such classics as Stendhal's The Red and the Black, Dostoevsky's The Possessed, Conrad's The Secret Agent, and Turgenev's Fathers and Sons. Howe examines how American novels failed to integrate ideology into their works, including DeForests' Playing the Mischief, Adams' Democracy, James' The Bostonians, and Hawthorne's The Bilthedale Romance. he also discusses political fiction after World War II: Kundera's Book of Laughter and Forgetting, Naipaul's Bend in the River, and Solzhenitsyn's The First Circle, among others.

Kindred Spirits

Noël Coward & Radclyffe Hall

The work of leading scholar Terry Castle, called by the New York Times "always engaging...consistently fascinating," has helped to revolutionize eighteenth-century studies. The Female Thermometer brings together Castle's essays on the phantasmagoric side of eighteenth-century literature and culture. Taking as her emblem the fanciful "female thermometer," an imaginary instrument invented by eighteenth-century satirists to measure levels of female sexual arousal, Castle explores what she calls the "impinging strangeness" of the eighteenth-century imagination--the ways in which the rationalist imperatives of the age paradoxically worked to produce what Freud would later call the uncanny. In essays on doubling and fantasy in the novels of Defoe and Richardson, sexual impersonators and the dream-like world of the eighteenth-century masquerade, magic-lantern shows, automata, and other surreal inventions of Enlightenment science, and the hallucinatory obsessions of Gothic fiction, Castle offers a haunting portrait of a remarkable epoch. Her collection explores the links between material culture, gender, and the rise of modern forms and formulas of subjectivity, effectively rewriting the cultural history of modern Europe from a materialist and feminist perspective.

Eighteenth-century Culture and the Invention of the Uncanny

The Female Thermometer

Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought to suppress it. The book is in two parts. In the first, the author recreates the historical phenomenon of the English masquerade: the makeup of the crowds, the symbolic language of costume, and the various codes of verbal exchange, gesture, and sexual behavior. The second part analyzes contemporary literary representations of the masquerade, using novels by Richardson, Fielding, Burney, and Inchbald to show how the masquerade in fiction reflected the disruptive power it had in contemporary life. It also served as an indispensable plot-catalyst, generating the complications out of which the essential drama of the fiction emerged. An epilogue discusses the use of the masquerade as a literary device after the eighteenth century. The book contains some 40 illustrations.

Terry Castle

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