Thomas Barker

Gaik Cheng Khoo

Mary Ainslie

After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.

From Independence to Financial Crisis (1945-1998)

Southeast Asia on Screen

Biker Gangs and Transnational Organized Crime, Second Edition, describes and analyzes a rapidly expanding global problem: criminal acts committed by motorcycle gangs. Thomas Barker, one of the world’s top experts on outlaw biker gangs, offers fascinating details about the Bandidos, the Vagos, the Mongols, and other "one percenters" (criminal biker gangs, as opposed to the vast majority of motorcycle enthusiasts). He combines this data with a strengthened conceptual framework that makes sense of this complicated picture. U.S.-based motorcycle gangs like the Hells Angels have proliferated, especially in Canada and Europe, to the point where these gangs have more members in other countries than in the United States. Increasingly more often in recent years their crimes are not limited to rumbles or drug use—these gangs challenge the dominance of organized crime, leading to violent conflicts between the rivals. Germany, Scandinavia, the UK, the Netherlands, and Canada are particularly hard-hit by this rising violence. One of Barker’s unique contributions is his Criminal Organization Continuum, building on the groundbreaking network approach to organized crime proposed by Klaus von Lampe. Introduced in the first edition, Barker elaborates his continuum tool and makes it more multi-dimensional to help refine the definition of adult criminal gangs. The product of years of research, this book lays the groundwork for further study by offering students, police, and researchers the most thorough account available of outlaw motorcycle gangs.

Biker Gangs and Transnational Organized Crime

A collection of 32 poems by the London born, West Australian, Thomas Barker from 2013 to 2014. The poems chronicle the trials and tribulations he went through on his way to a sudden spiritual awakening and a complete upheavel of his life. Through trauma, pain, love and friendship the poet sets his sights firmly on redifining his place in this grand new order. Commenting on society, morality, ethics and even wrestling with the ideas of what is his and maybe even our relative realities. Nothing short of an epic trip

My Chemical Breakfast

Outlaw bikers represent a very small percentage of motorcycle riders who join motorcycle clubs, but they receive disproportionate attention due to their mystique, unconventional behavior, and violence. Although the outlaw biker phenomenon started in the United States, it has since spread throughout the world. The involvement of Outlaw Motorcycle Gangs (OMGs) in organized crime at the local, regional, national, and transnational levels fosters violence that puts innocent persons at risk for death or injury and leads to the demonization of “bikers” and the overcriminalization of motorcycle enthusiasts and club members. The Outlaw Biker Legacy of Violence, written by internationally known expert Thomas Barker, addresses the legacy of violence in the outlaw biker culture and tackles the implications of the violence that progressed as outlaw biker clubs evolved into adult criminal gangs engaged in crimes for profit over long periods of time and across borders. Beginning with a history of outlaw bikers and the construction of the “folk devil” of the biker, the book outlines the distinctions between conventional motorcycle clubs, Outlaw Motorcycle Clubs, and Outlaw Motorcycle Gangs, and then traces the expansion of these groups across the globe. This book will be relevant to those interested in the examination or investigation of biker gangs in particular or organized criminal groups in general. It is essential reading for criminal justice students and others studying social groups, gangs, and organizations, or the sociology of deviance, and is also relevant for law enforcement professionals dealing with these organizations

The Outlaw Biker Legacy of Violence

​​This brief covers the unique crime group of Outlaw Motorcycle Gangs. Outlaw Motorcycle Gangs are adult criminal associations composed of “bikers” living a deviant lifestyle that includes individual, group, and club criminal behavior. These groups are sometimes called one percenters, due to the American Motorcycle Association statement that ninety-nine percent of motorcyclists are law abiding citizens. While many may be familiar with the reputation of the Hells' Angels, many may not realize the wide network of other Outlaw Motorcycle Gangs or the extent of their involvement in criminal activities. The brief includes a breakdown of the criminal networks and activities of these groups, which operate similarly to an organized crime group. It also covers the evolution of motorcycle clubs to motorcycle gangs. It examines the recent trend of American-based motorcycle gangs into international organized crime activities. This book will be of interest to researcher studying criminology, particularly organized crime and criminal networks, as well as international and comparative law and public policy.​

Outlaw Motorcycle Gangs as Organized Crime Groups

In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University

Thomas Barker

About

Books

Join the club