Tim Kendall

Mary Jo Salter

Margaret Ferguson

This highly anticipated new edition features NEW poets, NEW poems, and innovative digital resources. The Sixth Edition of The Norton Anthology of Poetry is an even better teaching tool for instructors and remains an unmatched value for students.

Sixth Edition

Norton Anthology of Poetry

Fiona Mathews

Countryfile's best nature and wildlife books for 2023 Shortlisted for the Wainwright Prize 'Elegiac, informative and funny; some truly magical encounters in the wild' Peter Fiennes Britain is teeming with wildlife, often in the most unexpected places. There are stone mines where bats hang out with pot-smoking teenagers and water voles thrive without water in Glaswegian parklands. Our coastlines are laden with seals. That’s the good news. The bad news is that a quarter of British mammals are at imminent risk of extinction. Tim Kendall and Fiona Mathews take us on a safari unlike any other. Armed with binoculars, a Thermos and, regrettably, an inexhaustible supply of puns, they travel from Scotland to the Isles of Scilly in search of their elusive subjects. You’ll find answers to questions you never thought to do pine marten droppings really smell like Parma Violets? Should we give squirrels access to family planning? And what do wild boar have in common with a certain royal? Black Ops and Beaver Bombing is a celebration of Britain’s marvellous mammals, and a rallying cry to save them.

Adventures with Britain's Wild Mammals

Black Ops and Beaver Bombing

A new anthology that combines generous selections from well-known soldier poets such as Wilfred Owen and Siegfried Sassoon with work by civilian and women writers. A general introduction places Great War poetry in its contexts and the work of each poet is prefaced with a biographical account that explains the circumstances of composition.

An Anthology

Poetry of the First World War

Sylvia Plath was one of the most gifted and innovative poets of the twentieth century, yet serious study of her work has often been hampered by a fierce preoccupation with her life and death. Tim Kendall seeks to redress the balance in his detailed and dispassionate examination of her poetry. Taking a roughly chronological structure, he traces the unique nature of Plath's poetic gift, finding - with reference to Letters Home, The Bell Jar, The Journals and the stories and autobiographical reminiscences - an essential unity in her inspiration, tracing the evolution of recurring themes and at the same time exhibiting her accelerated development from the formal restraint of The Colossus through to the ground-breaking techniques of Ariel. He shows that Plath was a poet constantly remaking herself, experimenting with different styles, forms and subject matter.

A Critical Study

Sylvia Plath

Thirty-seven chapters, written by leading literary critics from across the world, describe the latest thinking about twentieth-century war poetry. The book maps both the uniqueness of each war and the continuities between poets of different wars, while the interconnections between the literatures of war and peacetime, and between combatant and civilian poets, are fully considered. The focus is on Britain and Ireland, but links are drawn with the poetry of the United States and continental Europe. The Oxford Handbook feeds a growing interest in war poetry and offers, in toto, a definitive survey of the terrain. It is intended for a broad audience, made up of specialists and also graduates and undergraduates, and is an essential resource for both scholars of particular poets and for those interested in wider debates about modern poetry. This scholarly and readable assessment of the field will provide an important point of reference for decades to come.

The Oxford Handbook of British and Irish War Poetry

Offers detailed accounts of sixty-five poems that span Frost's writing career and assesses the particular nature of the poet's style, discussing how it changes over time and relates to the works of contemporary poets and movements.

The Art of Robert Frost

The Handbook ranges widely and in depth across 20th-century war poetry, incorporating detailed discussions of some of the key poets of the period. It is an essential resource for scholars of particular poets and for those interested in wider debates. Contributors include some of the most important international poetry critics of our time.

Modern English War Poetry ranges widely across the twentieth century, incorporating detailed discussions of some of the most important poets of the period. It emphasizes the influence of war and war poetry even on those poets usually considered in other contexts, such as Ted Hughes and Geoffrey Hill.

Modern English War Poetry

Peter McDonald

The essays in this book testify to the fascination of Paul Muldoon's poems, and also to their underlying contentiousness. The contributors see Muldoon from many different angles - biographical, formal, literary-historical, generic - but also direct attention to complex moments of creativity in which an extraordinary amount of originality is concentrated, and on the clarity of which a lot depends. In their different ways, all of the essays return to the question of what a poem can 'tell' us, whether about its author, about itself, or about the world in which it comes into being. The contributors, even in the degree to which they bring to light areas of disagreement about Muldoon's strengths and weaknesses, continue a conversation about what poems (and poets) can tell us which Paul Muldoon's work has made both compelling and fruitful.

Critical Essays

Paul Muldoon

"Showcasing 65 poems that span Frost's writing career, beginning in the 1890s and ending with ""Directive"" from the 1940s, this book offers a detailed account of each poem and assesses the particular nature of the poet's style, discussing how it changes over time and relates to the works of contemporary poets and movements."

A first collection with conviction and authority, Strange Land gathers poems of love and of the natural world, elegies and satires, poems of childhood and parenthood, verses of the familiar and the exotic, apocalyptic and meditative. Kendall resists settling for the comfort of a single voice: in their formal variousness his poems evoke lives that are questing and contradictory, antic and mundane. The history of the last century cannot be evaded-- poems are haunted by the Second World War and its legacy, by Einstein, by the space race and the transformative discoveries of Hubble "I sing the time being, I sing/the getting there, not knowing where to get/and whether I should not not care/as rumours of progress dwindle to farce."

Tim Kendall

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