Ute Wartenberg

Peter Van Alfen

This book collects the most complete, current scholarship on the history of known examples of ancient electrum coinage of the Greek world, with text, catalogues, and images. From the Preface The genesis of this volume took place in 2011 when then Numismatic Curator, Haim Gitler, conceived of a unique exhibition to be held at the Israel Museum in Jerusalem that would showcase the earliest coins in the Western tradition, those struck in electrum. Five hundred coins, all from the collections of Dr. Thomas S. Kaplan, Baron Lorne Thyssen-Bornemisza, and several from the Israel Museum, were displayed in a spectacular exhibition, the first of its kind anywhere that looked at electrum coinage from the seventh to the fourth centuries BCE. Catharine Lorber soon joined Gitler in curating the exhibition, White Gold: Revealing the World's Earliest Coins, a name suggested by Lorber, which opened in June 2012, with an exhibition catalogue of the same name written by Koray Konuk, Lorber, and edited by Gitler. Meanwhile, Gitler organized a conference on electrum coinage that was held at the Israel Museum the week the exhibit opened. Tom Kaplan and Lorne Thyssen-Bornemisza, who have been keenly interested in this area of numismatic research, both actively participated in the conference. We are also most grateful for their most generous support, which funded the exhibition and conference, as well as this volume, and also for their help and enthusiasm for this project. Initially, Gitler, Lorber, and Konuk planned to publish the conference proceedings with the Israel Museum's imprimatur, but as many of the conference participants felt a follow-up meeting would be beneficial to address some of the outstanding problematic aspects of early electrum raised in Jerusalem, a second White Gold conference was held in November 2013 at the American Numismatic Society (ANS) in New York City. In 2016, it was decided that publication of the proceedings of the two conferences would be undertaken by the ANS with Ute Wartenberg and Peter van Alfen serving as the volume's editors, who received considerable editorial and other assistance on several of the chapters from Wolfgang Fischer-Bossert. Since 2013, the scope of the volume grew. Scholars, notably Kristin Kleber and Donald Jones, who had not participated in the two original conferences were invited to contribute chapters, and others who had participated offered additional contributions. While the expanded scope of the volume delayed publication, nonetheless we can now offer a fuller and more detailed picture of the evidence at hand for understanding the various contexts in which early electrum coins were produced and used.

Studies in Early Electrum Coinage

White Gold

Stephen Quirke

R. B. Parkinson

Bridget Leach

One of the most remarkable inventions of ancient Egypt was the making of paper from the papyrus plant. As early as 3000 BC sheets and rolls of papyrus provided an ideal surface for writing with reed pen and cakes of carbon black and red ochre pigment. Egyptian scribes used papyrus for administrative records, legal documents and letters of business and personal life. Equally important for our understanding of ancient Egypt, papyrus was used to record literary texts as well as compendia of knowledge such as the famous Rhind mathematical papyrus. Religious hymns and litanies are recorded, as are the great collections of formulae to secure life after death, the Book of the Dead.

Papyrus

Andrew Meadows

This, the ninth volume of Coin Hoards, is again dedicated solely to hoards of Greek coins. It includes hoards from all areas around the Mediterranean from the sixth century BC to the second century AD. Coin Hoards IX, together with the previous volumes in the series, thus forms an essential supplement to the Inventory of Greek Coin Hoards, published in 1973 by Thompson, Morkholm and Kraay. Since the last volume, published eight years ago, the number of Greek coin hoards has increased considerably. Not only does this volume list new hoards, but it also updates and often amends information on hoards already published. Overall, the inventory for this volume consists of 744 entries, with detailed references to find-spot (if known), content, approximate burial date and bibliography. In addition to the inventory, Coin Hoards IX also contains the detailed publication of a number of significant hoards. An important aspect of this volume is the inclusion of 66 plates of photographs illustrating a large proportion of those coins described. This volume will be in indispensable tool for all future research in the field.

Coin Hoards

Christine Kondoleon

Dorothy H. Abramitis

Ariel Herrmann

Seán Hemingway

Carmelo Malacrino

Christopher S. Lightfoot

Joan R. Mertens

Olga Palagia

Agnes Schwarzmaier

Dominique Robcis

Andreas Scholl

Susan I. Rotroff

Lillian Bartlett Stoner

Karen Stamm

R. R. R. Smith

Jeffrey Spier

Alessandro Viscogliosi

Mark Wypyski

Paul Zanker

Kiki Karoglou

Sophie Descamps-Lequime

Marsha Hill

This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

From Pergamon to Rome

Art of the Hellenistic Kingdoms

Ute Wartenberg

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