Damien Broderick

Van Ikin

Science fiction loves strangeness. It relishes oddities, even when it piles on fear and dystopian loathing. The technical term for a fascination with the strange and alien is xenophilia, just as the term for a terror of the strange is xenophobia. At its core, then, science fiction is...Xeno Fiction. So science fiction seeks out the strange, roams far from home in space and time, looks with avid eagerness upon the ways of the Others, human or alien. It participates, in brilliantly lighted imagination, in their strange lives. In this second gathering from Van Ikin's critical journal, Science Fiction: A Review of Speculative Literature, writers of the alien are investigated with wit and insight. G. Travis Regier follows the Other into its own home, accompanying those experts in the alien, C. J. Cherry and Samuel R. Delany. In the book's long key essay, Terry Dowling pursues the Art of Xenography as exemplified by Jack Vance's "General Culture" novels. Three expert commentators look into Booker Prize-winner Peter Carey's postcolonial and postmodern frolics into alternative realities. And the Xeno fictions of Isaac Asimov, Greg Egan, Mary Gentle, Ursula K. Le Guin, Naomi Mitchison, Neal Stephenson, and Stanley Weinbaum are read as their road maps into the strange. Eleven revealing essays on speculative fiction by some of the best critics in the field.

A Review of Speculative Fiction

Xeno Fiction: More Best of Science Fiction

Russell Blackford

Sean McMullen

Australia captured the imagination of European writers in the nineteenth century, and with the beginning of settlement, Australia became the setting for various "lost world" stories. Australia has since developed a rich national literature, and perhaps because of its exotic and ancient nature, the continent has inspired numerous science fiction writers. This book surveys the history of Australian science fiction from its nineteenth century origins to the close of the twentieth century. Included are discussions of Australian writers who have been substantially engaged with science fiction as a genre. The volume proceeds chronologically, with sections devoted to Australian science fiction before 1925, the rise of traditional science fiction from 1926 through 1959, the international recognition of Australian science fiction from 1960 to 1974, and the serious acclaim given to Australian science fiction writers in the last 25 years.

Van Ikin

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