Clive Gamble

Yannis Hamilakis

Paul Halstead

Eleni Kotjabopoulou

Animals have always been integral to life and culture in Greece. Recently the study of animal bones has played an important role in investigations of Greek archaeology. In this volume the current position is reviewed with papers ranging from the Palaeolithic to the Medieval periods and employing a wide range of techniques and approaches. The papers cover not only the themes of subsistence and methodology but also symbolism, ritual and the artistic representation of animals. The interdisciplinary and international character of zooarchaeology is confirmed and many new avenues for research are suggested.

Recent Advances

Zooarchaeology in Greece

Nicoletta Momigliano

Producing and Consuming the 'Minoans'

Archaeology and European Modernity

This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritising isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice.

Human Experience, Memory, and Affect

Archaeology and the Senses

Philip Carabott

Eleni Papargyriou

While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. Camera Graeca: Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, ’Imag(in)ing Greece’, shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, ’Photographic narratives, alternative histories’, demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, ’Photographic matter-realities’, foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, ’Photographic ethnographiesâ

Camera Graeca: Photographs, Narratives, Materialities

Minoan Crete is one of the most intensively investigated archaeological cultures in the world, and one that has often captured the public imagination. It is a Bronze Age Aegean society, but it has been intimately connected with the Classical Greek myth of King Minos and his Labyrinth since Sir Arthur Evans excavated and restored (some would say orebuilto) the important site of Knossos, more than a century ago. Yet many archaeological interpretations of this fascinating culture are still largely traditional in focus and often anachronistic. This collection of papers, challenging and re-examining many conventional and established versions of aeMinoanAe history, is thus long overdue. How have modern preconceptions and socio-political developments shaped archaeological interpretations of aeMinoanAe society? What were the gender roles and attitudes of the inhabitants of Bronze Age Crete? How can data such as the puzzling architecture, the stunning wall-paintings, the elaborate and abundant pots, the landscape and the way it is perceived by humans, help us understand the nature and the negotiations of power and the role of the so-called palaces? These are just some of the questions that this book addresses, considering aeMinoanAe culture from variety of interpretative angles, and situating aeMinoanAe archaeology in the mainstream of archaeological thinking and practice. CONTENTS: What Future for the aeMinoanAe Past? Re-thinking Minoan Archaeology (Yannis Hamilakis); Archaeology as Museology: Re-thinking the Minoan Past (Donald Preziosi); Virtual Discourse: Arthur Evans and the Reconstructions of the Minoan Palace at Knossos (Louise Hitchcock and Paul Koudounaris); Cretan Questions: Politics and Archaeology 1898-1913 (John C McEnroe); Palaces with Faces in Protopalatial Crete: Looking for the People in the First Minoan States (Marianna Nikolaidou); Gender and the Figurative Art of Late Bronze Age Knossos (Benjamin Alberti); Integration and Complexity in the Late Pre-Palatial Period: A View from the Countryside in Eastern Crete (D C Haggis); Landscapes of Memory, Craft and Power in Pre-Palatial and Proto-Palatial Knossos (Peter M Day and David E Wilson); Mind the Gap: Between Pots and Politics in Minoan Studies (Carl Knappett); Pottery as a Barometer of Economic Change: From the Protopalatial to the Neopalatial Society in Central Crete (Aleydis Van de Moortel); Millennial Ambiguities (John Bennet). 248p, many b/w illus (April 2002)

Rethinking 'Minoan' Archaeology

Labyrinth Revisited

This is an illustrated study examining how classical antiquities and archaeology contributed to the production of the modern Greek nation and its national imagination, and how, in return, national imagination has created and shaped classical antiquities and archaeological practice from the 19th century to the present.

Antiquity, Archaeology, and National Imagination in Greece

The Nation and Its Ruins

Keith S. Brown

In this volume, scholars of history, archaeology and anthropology explore the located and contextual nature of historical narratives, analysing contested historical rituals, building style, and traditions, .

Greek Metahistories

The Usable Past

Aris Anagnostopoulos

This volume charts archaeological ethnography as a new territory of engagement and research. Archaeological Ethnography is defined here as a trans-disciplinary and trans-cultural space, a meeting ground for diverse publics and researchers, in archaeology, social anthropology, and potentially other disciplines, practices, and traditions. It is a space that encourages and fosters dialogue, collaboration and critique on materiality and temporality, on archaeology as a social practice in the present, on the links, interactions and associations amongst things and people, on local and trans-local valorisations of past material remains. Bringing together the most notable practitioners of this new area from archaeology and social anthropology, and building on a wide range of case studies from England, Greece, Italy, Kyrgyzstan, Mexico, Thailand, and the United States, the volume explores issues of definition and ontology, epistemology and method, but also ethics and politics. This dialogic book will inspire readers to shape their own view and position on this emerging field, and experiment with their own archaeological ethnographies.

Yannis Hamilakis

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