A Billion Black Anthropocenes or None

A Billion Black Anthropocenes or None

Rewriting the “origin stories” of the Anthropocene No geology is neutral, writes Kathryn Yusoff. Tracing the color line of the Anthropocene, A Billion Black Anthropocenes or None examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. Yusoff initiates a transdisciplinary conversation between feminist black theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
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Highlights

Photo of Laurence Favre
Laurence Favre@laurence

As the Anthropocene proclaims the language of species life--anthropos-through a universalist geologic commons, it neatly erases histories of racism that were incubated through the regulatory structure of geologic relations.

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Photo of Laurence Favre
Laurence Favre@laurence

The proximity of black and brown bodies to harm in this intima- cy with the inhuman is what I am calling Black Anthropocenes. It is an inhuman proximity organized by historical geographies of extraction, grammars of geology, imperial global geographies, and contemporary environmental racism. It is predicated on the presumed absorbent qualities of black and brown bodies to take up the body burdens of exposure to toxicities and to buffer the violence of the earth. Literally stretching black and brown bodies across the seismic fault lines of the earth, Black Anthropocenes subtend white Geology as a material stratum.

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Photo of Laurence Favre
Laurence Favre@laurence

Every generation confronts the task of choosing its past. Inheritances are chosen as much as they are passed on. The past depends less on “what happened then" than on the desires and discontents of the present. Strivings and failures shape the stories we tell. What we recall has as much to do with the terrible things we hope to avoid as with the good life for which we yearn. But when does one decide to stop looking to the past and instead conceive of a new order? When is it time to dream of another country or to embrace other strangers as allies or to make an opening, an overture, where there is none? When is it clear that the old life is over, a new one has begun, and there is no looking back? From the holding cell was it possible to see beyond the end of the world and to imagine living and breathing again?

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quoting Saidiya Hartman, Lose your Mother: A journey along the Atlantic slave route.

Photo of Laurence Favre
Laurence Favre@laurence

If the Anthropocene proclaims a sudden concern with the exposures of environmental harm to white liberal communities, it does so in the wake of histories in which these harms have been knowingly exported to black and brown communities under the rubric of civilization, progress, modernization, and capitalism. The Anthropocene might seemn to offer a dystopic future that laments the end of the world, but imperialism and ongoing (settler) colonialisms have been ending worlds for as long as they have been in existence. The Anthropocene as a politically infused geology and scientific/popular discourse is just now noticing the extinction it has chosen to continually overlook in the making of its modernity and freedom.

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