A Little Life
Heartbreaking
Tragic
Depressing

A Little Life

SHORTLISTED FOR THE MAN BOOKER PRIZE 2015 "Astonishing and unsettling ... A masterwork" San Francisco Chronicle "A book that demands to be read." Wall Street Journal The million copy bestseller, A Little Life by Hanya Yanagihara, is an immensely powerful and heartbreaking novel of brotherly love and the limits of human endurance. When four graduates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their centre of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he'll not only be unable to overcome - but that will define his life forever. ACCLAIM FOR A LITTLE LIFE Shortlisted for the Baileys Prize for Women's Fiction 2016 Winner of The Kirkus Prize 2015 Finalist for the National Book Awards 2015 "Transporting . . . A Little Life is not to be missed." Evening Standard "The first must-read novel of the year" Kirkus "A singularly profound and moving work . . . It's not often that you read a book of this length and find yourself thinking "I wish it was longer" but Yanagihara takes you so deeply into the lives and minds of these characters that you struggle to leave them behind." The Times "Makes for near-hypnotically compelling reading, a vivid, hyperreal portrait of human existence that demands intense emotional investment . . . An astonishing achievement: a novel of grand drama and sentiment, but it's a canvas Yanagihara has painted with delicate, subtle brushstrokes." Independent "Utterly compelling . . . quite an extraordinary novel. It is impossible to put down . . . And it is almost impossible to forget." Daily Express
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Reviews

Photo of Kalista Dickson
Kalista Dickson@kalistand
4.5 stars
Feb 26, 2025

While I understand the “trauma porn” take on this book: I personally loved it. I will always make sure that a potential reader checks tw’s and is down for a devastating read, but after that I think it’s an incredible story and a heartbreaking experience.

I love split perspective books and stories that provoke intense emotion. I loved this

+2
Photo of Margo Koss
Margo Koss@margwrit

Okay even from the get-go this book is so melodramatic which is not for me, but the funny thing is what actually made me abruptly lose interest was in Part 2 when Jude for kinda no reason asserts that abortion is “indefensible on moral grounds but necessary on social ones” 🙄like, ok 👍🏻 what a judgmental, pretentious, fake smart thing to say lolol (that also has nothing to do with anything, plot-wise?)

Photo of louv
louv@yunglouv
2.5 stars
Feb 16, 2025

A Little Life

i took such a long time to review this, half grappling half trying to ignore how a book that made me so angry and revolted still had me looking back fondly at some passages and characters. so — this is going to be long.

does this book have redeeming qualities in my opinion? i've come to terms with the fact that yes, it does. i do enjoy Yanagihara's prose, even when she ends up repeating structures and similies throughout the span of 800+ pages. i especially admire the way she builds very long periods that still flow seamlessly, without falling into forced or clunky wording. and i do have love for some of the characters Yanagihara created in A Little Life, even if some of those she left undeveloped, uncared for, or even killed off uncerimoniously.

this is the first of many of my big, massive, grievances with a little life: its world is so ambitious and yet unfinished, characters lovable but anonymous, their attributes and lives so unparalleled and almost infallible that by the second act it feels like Yanagihara is abandoning any story building in favor of lavish successes and riches. we find the four friends that are (supposed to be) the core of the book struggling, unrecognized, unsure of their path, and about 200 pages later we find them at the top of their respective fields, so Jude becomes a revered litigator and by all counts a millionaire, JB’s paintings are unrivalled and pursued by collectors and the MoMa alike, Malcolm is a prized world-renowned architect, and Willem is the biggest movie star on the scene from his late 20s to his 50th, and last, birthday.

the first pages of the book come alive with the introduction of the quartet, their lives and dreams, fears and struggles so vivid. Even the dialogue, in retrospect, seems to flow smoother than it does in the rest of the book. I fell in love with them, but after the 80 page mark or so, after Jude's harrowing story hits us for the first time on New Year's Eve, the book shifts away from ever considering again the point of view of two of them, Malcom and JB, except for a short and agonizing passage when the latter is struggling with addiction and an abusive relationship. There are many opportunities for Yanagihara to delve into the evolution of Malcolm's life, but instead everything we learn from his adulthood is from Jude and Willem's pov, his struggles and successes condensed in a couple of lines, ticking off one by one the issues of the lists Malcolm made for himself in the first 30 pages of the book: “ his work (at a standstill), his love life (nonexistent), his sexuality (unresolved), his future (uncertain)". From excerpts in the stories of Willem and Jude, we sense that many of these decisions weighted heavy on Malcolm’s mind but we never get to witness his inner world again. When, in the end, he is killed in one of the most egregious decisions of the book, he remains as cast away as when he lived, with Jude even reflecting on how he is grateful that Willem died in the same accident as that immense loss offset the pain of Malcom.

To me, it is clear that the fulcrum of the book is not about the friendship of these four men, as it is implied and boasted in its praises, and i would argue that it is not even Jude and the people orbiting his adult life with an endless supply of love. The cardinal hinge on which the book is built is suffering. I do not want to echo the people who dismiss this book as trauma porn, even if Yanagihara surely seems to try her darnedest to prove them right. But I will say unequivocally that Yanagihara beliefs on therapy, depression, and trauma both distress and disgust me. I can understand how, to a deeply traumatized and depressed person, the love of others and their efforts to keep him alive might feel like unwanted palliative care; but seeing Yanagihara outright saying that suicide is a valid “cure” for mental illness is appalling. This belief seeps through every part of the book from the middle of the second act forwards. In fact, this statement and her refusal of doing any sort of research on the subject matters of the book, make me think that A Little Life is a whole apology of Yanagihara’s beliefs.

So I cannot help but read the horrific streak of heart-wrenching, stomach churning abuse that Jude receives as a way for Yanagihara to present the most extreme scenario she can conjure in order to support her thesis: wouldn't it have been better if Jude was to commit suicide? The childhood abuse development in this book is something that really drives me mad. Yanagihara takes very real, tragic circumstances that children experience throughout the globe and draws them out, builds and builds on them, to the point of rendering them cartoonish. That is mind boggling to me. God knows that situations like the one Jude was in the monastery exist out there, that children put through the system are put through cycles of abuse and abandonment, that Brother Lukes, Dr Traylors, the goddamn truck drivers, are roaming the streets. Yanagihara might have not done any research, but everything she wrote about Jude's time with his abuser are very real. The paragraph in which Jude, now an adult, looks back on how he opted to selling his teenage body to truck drivers even when he could have taken a bus, ring very true to the mental processes of a person that went through the same abuse as he did.

But Yanagihara builds Jude’s abuse the same way she builds her characters’ lives: with fairy tale-like grandeur. By the time Jude falls prey to Dr Traylor, the abuse is so relentless that it becomes a mockery. Jude’s injury could’ve been easily written into his time with Brother Luke or with the truck drivers. And then into his adulthood when Jude has achieved a family of his own, success, money, respect, a collection of friends who relentlessly love him; when he is safe and away from monsters then Caleb enters, and the evil has become despicably banal. Caleb’s abuse is so violent, so distressing, so pointed to breaking everything on the inside and the outside of Jude’s newfound safety that is is sickening. Jude’s abused is spaced out throughout the book, but is revisited seemingly endlessly, going from being implied (but nonetheless abundantly clear) to being nauseatingly described. His own self harm follows a similar trajectory, his methods getting increasingly graphic and detailed and gruesome. Why? Surely Yanagihara has a twisted fascination for making her characters go through the unimaginable. Notably, the one passage we get from the perspective of adult JB is when he is suffering and self-destructing. The character’s lives are never described in detail as much as they are when they are going through pain: Willem’s brother and family, Harold’s son, Willem’s struggling to love a Jude that doesnt want to be helped, JB’s addiction.

I am a person that can withstand a lot of graphic content, so besides being nauseated by the gratuitousness of the repetition of abuse I went through with the book. Again, I found in it things that I loved, passages that spoke to me, stories that moved me interspersed in this complicated and infuriating novel. But one part almost made me put the book away forever: when the title of the book makes its appearance. I cannot compute the fact that the cover in the hands of thousands, picturing Peter Hujar’s Orgasmic Man, bears the phrase of a pedophile and groomer instructing a 11yo boy how to act with the men that pay to rape him. Further, Yanagihara cannot resist soiling one of the only two truly pure relationships that Jude has, and, as an almost throw-away moment, she has him repeat what Brother Luke said to him when he is facing the reality of his sex life with Willem. Shameless. This might be the most disgusting thing that Yanagihara did with this book, the culmination of the twisted relationship she has with Jude, this character that she so clearly loves but that she only serves by crushing and humiliating, giving apparent solace only to beat him back down to a pulp, again and again until there is no Jude left, just the appearance of a man who is better off dead. There is no other conflict or theme that seems to interest Yanagihara, and for that this remains to me a complicated but ultimately sickening book.

This review contains a spoiler
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zai@shrimpeater
3.5 stars
Feb 8, 2025

a very emotional read

+4
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Rose Donovan@rosedonovan
3.5 stars
Jan 31, 2025

It was a very hard book to read, only got invested at page 300.. I also had to switch to audiobook to get through/hooked. Parts of Jude’s history are just too unrealistic with the amount of men he bumped into being evil. The fact he couldn’t believe those around him really care/loved him who were there for decades. I loved Willem, it’s a shame he couldn’t help Jude fully after what he went through but the platonic bond I felt they had was written beautifully. I feel like more could’ve been said about Malcom, he was the only one in the group that didn’t really have a whole chunk about him which is a shame for the inevitable that occurs. Overall it was very good in how it is a slow burn to be obsessed with the characters but felt unnecessarily long in some parts.

This review contains a spoiler
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Macy M@macym26
5 stars
Jan 13, 2025

This is equally the most heartbreaking and best book I've ever read. I've seen many reviews saying this is unbelievable that this many bad things can't happen to one person and it was made up just for the shock factor. This stuff does happen to every day people. There are people like Jude who have gone through unspeakable horrors, people like Willem who you only think their backstory was made up because of who they became. Following these four friends through life and seeing how the friendships ebb and flow was an honor even though these men were just made for paper. I feel like you can find a piece of yourself in each man, more in some than the others. A wonderful book that evokes every emotion under the sun. 

+8
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Darian@darianalexis
5 stars
Jan 6, 2025

The writing in this book is absolutely beautiful. I was drawn into the story immediately. The descriptions of the characters were amazing, I almost felt like I knew some of them personally. This book really describes the true love and devotion of friendship and chosen family. It also follows the brutal realities of life and the trials and triumphs that we as humans go through. It’s a book that might not be for everyone, but I found it to be hauntingly beautiful. This book is truly devastating, I was in tears for a good portion of the time while reading. Please look up the trigger warnings for this book before reading, there are a lot. I think about Jude St. Francis every single day.

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Dora Tominic@dorkele

Disclaimer: this is not a review.

I have 50 pages left but I overdosed on it and simply don't have the strength to finish it today. Still I want to simbolically leave it in 2024. This book is just devastating. And any other thoughts I would maybe form around it, are clouded by how heavy it is. Which doesn't sound good. Still, there must be a reason I read 700 pages of it.

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p.@softrosemint
2 stars
Dec 31, 2024

I am so glad to be finally finished with this so I can have definitive own opinion for it. I am so brave for this, such an independent thinker, so controversial but so true, etc.

Firstly, can I start off with the fact that famous takedown article and the reviews calling it "euthanasia" fanfiction are sort of true but after having read the novel itself, seem a little bit overly hyperbolistic? It is not that there is nothing there but I feel like sometimes dunk on the novel without really trying to analyse why exactly the depiction of - let's be honest - suffering in the novel comes off so cheap to some and why it works for others. This an immensely successful novel that is pretty firmly central to the literary conversation - surely this is worth examining?

On my own thoughts, I would like to start with Yanagihara's prose itself. Her turn of phrase and use of language is gorgeous; it is clear that she is incredibly erudite in a manner that does not come off as pretentious. There is a lulling quality to the narration, in the way the words fall one after the other. An absolute paradise for people who enjoy long sentences, benefitting of multiple instances of punctiation, without losing their sense. (The downside here, of course, is that, due to the length of the novel, and if one does not find particular interest or pleasure in the plot, the writing begins to appear too long. There is also a talent and skill in brevity).

Beyond that, is this a bad novel? Well, it is not the worst. I am not sure whether it is because I have read a lot and because I tend to read broadly but I cannot say that I found anything that I particularly connected with or elicited a strong emotion from me. It is unfortunate but by now I have encountered many instances of cruelty that made me flinch away but also somehow prepared me for this novel. (And, I would suggest, the sheer amount of trauma that Jude, in particular, undergoes risks desensetising the reader to it. It is not writter for shock value but after a while it loses impact all the same.)

And therein lies the division in opinion for the novel, in my view.

Why do we write about suffering? For some, it offers great release - to receive catharsis through second-hand experience, second-hand extreme emotions (not unlike horror). For others, there is an interesting psychological or sociological examination to be presented. For some, even, there is pleasure to be derived (whether this tips into torture porn or not).

"A Little Life" is a novel that concerns itself with the act of suffering itself. The cruelties and acts of senseless violence, the constant emotional and physical pain Jude endures are as long as the list of ships in <i>The Iliad</i>. And as the novel offers no examination of the reasons why Jude, in particular, was uniquely vulnerable to life's cruelties, this becomes a novel that seek the catharsis of the reader.

I do not want to argue whether this is exploitative - of gay people, of socially vulnerable people, of people with chronic illnesses and/or disabilities; though this is the social context within which the novel has been released and it is a worthwhile effort to discuss it, I do not currently feel prepared enough to delve into it. What is a more succint conclusion for myself about the way this novel functions is this: if the writing does not connect to the reader, so much to offer them emotional release, it can quickly tip into apparent torture porn. If neither of those are a reason for reading, the novel then cannot be much of a pleasurable experience.

This was the case for me. To me, there was a disconnect between the litany of cruelties to which Jude is subjected and why someone would be uniquely positioned so. The narrative is so squarelly focused on Jude's suffering, it feels like the misfortunes of others (even Willem's loss of his brother or Harold's loss of his son) is to add to it by way of shaping their relationships with him. Here, the novel truly loses its effect with a reader such as myself; due to the sheer amount of misfortune and the exceptional cruelty, at some point, the novel tips into caricature. It becomes simply too difficult to take it with the seriousness it seems to demand.

I could elaborate more on each of the points above but frankly, it is NYE day and I have better things to do, and the above briefly captures what I find interesting about the novel and what may or may have not worked for me. Maybe I can pick this up another time but I have not kept many notes and I doubt I will ever re-read it.

P.S. Yanagihara hates fat people, change my mind.

Photo of Liv Harman
Liv Harman @liv_harman7
5 stars
Dec 6, 2024

hurt a little too much

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𝒟anielle@evestears
4 stars
Dec 4, 2024

sad. beautiful but so painfully sad.

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Martin Meyer@martin
3 stars
Nov 22, 2024

Mit unendlichem Leid, können keine Gefühle erzwungen werden.

Photo of Aina
Aina@ainer
5 stars
Nov 16, 2024

The magnum opus of sadness. This book broke me. It’s hauntingly beautiful yet concomitantly devastating. I’ve never thought a book would genuinely shatter my heart to pieces but here I am, still crying as we speak. I think I’ll never be the same anymore.

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Storm@stormtaleese
5 stars
Oct 5, 2024

if you value your mental health, avoid this book. if you’re like me and you don’t, please read it because it has broken me as a human (in a good way?). also genuinely all the trigger warnings needed

+3
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py@gojoscutegf
5 stars
Sep 11, 2024

for a sappy soul, i did not cry but my heart wrenched a tad bit. this was a begrudgingly slow plot but i loved every part of it. seth was right, if we are lucky we find maybe 3 or 4 life qualities in someone and we get to call them our partner. and that struck a chord deep within me. i was telling a friend that we get to choose who loves us & if we’re worthy of it and he told me why do we get to decide that? and he was right, there is enough love to go around

This review contains a spoiler
+3
Photo of Katie Roberts
Katie Roberts@katie05
3 stars
Sep 10, 2024

Hard book to read. But was so well thought out. Was honestly not expecting Jude to die. I thought the heartbreak would be over after Willem and malcholms deaths but nope. Willem and Jude are hopefully together. Harold at the end broke me. That man deserves all the happiness in the world

This review contains a spoiler
+3
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Throckmorton@throckmorton
3.5 stars
Sep 7, 2024

I will have to say it's well-written but I got tired of it near the end. It can get repetitive, and it's very, very, long.

I also didn't cry, but that's more on me than on the book.

Otherwise, I thought it painted a nice picture of male companionship. The title drop was was also masterfully executed, and quite unforgettable. Keep your eyes peeled for it, that's all I ask of you.

Photo of Liv N.
Liv N.@cinnamonsunshine914
5 stars
Aug 9, 2024

Haunting. Beautiful. Raw.

I went in thinking “I never cry at books. Everyone’s being dramatic.”


Dearest gentle reader - they are not being dramatic.


I am missing characters as if they existed. Just a beautiful story of friendship, pain, healing, and loss. Please, please pick it up.

+6
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felicity hu@feli77
4 stars
Aug 7, 2024

watched the stage play and i do not need to emotionally go through that again goodbye

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Jovana Gjekanovikj @jovana
5 stars
Aug 5, 2024

The best and worst book there ever was or will be. Took me months to finish it. It is a literary equivalent of someone stabbing you with a knife and twisting it and twisting it.

Best of luck to anyone who reads it.

+4
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burcu yigit@burcuyigit
3 stars
Aug 4, 2024

no one can save a person who thinks he/she doesn't deserve to be saved

Photo of Ariariari
Ariariari@ariariari
5 stars
Aug 3, 2024

I bought this book in June and had started reading it immediately. I love Hanya’s style of writing; easy to follow yet so much depth and details… but this wasn’t an easy read at all.

I had already known that this book is going to be a slow, sad, and depressing read. But, I did not imagine it to break my heart into a gazillion pieces. I remember a friend mentioning that I must be so happy and that my life must be so perfect to want to torture my self reading this book. I also remember a friend warning me to not read at least the last 100 pages in public…

I read this book on the daily when commuting and over the weekends. I think emotions started to flood in when I was closer to a third of the book. That’s when I realised I really need to stop reading it in public because there were times on the train when I really had to stop my tears from falling. And so, I continued reading it at home in my own time…

I went through so many emotions reading this book - more sadness than happiness but strangely, some comfort too. There are some moments in this book that made me reflect and think deeply about the relationships in my life - with my partner, my family, and my friends. I also thought deeply about adulthood and how easy it is for us to get consumed by the idea of success and how fast we want to have it. I was comforted with the fact that when these characters were in their late twenties, they were just starting out… with careers, with friendships, with relationships - with life in general.

I finished reading this book just half an hour ago. I had prepared myself for the worst but never have I imagined that I would literally hang on to every single written word and bawled my eyes out to this book - I was inconsolable (I still am). I felt the comfort, the pain, the peace, the anger, the frustration - every single emotions known to me. I never think myself of someone that’s imaginative but this book has allowed me to depict and see clearly every single scene in every single page and chapter. It was as if I was running a movie in my head.

I know that this is the type of book that I’ll never read again - not that i don’t want to but I don’t think that I can ever again. I’m truly and genuinely heartbroken by this piece. How can something so painful be so beautiful? How can something so violent be so peaceful? How can something so chaotic be so comforting?

Anyways, highly recommend if you want to torture yourself and seep into the darkness of depression. Heavy read but easy to follow. Not suitable to be read in public.

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elinabel hidalgo @cookiejar
5 stars
Aug 3, 2024

My therapist is going to be thrilled with the amount of material this book has provided for our sessions.

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Indi@indiw-ellink
4.5 stars
Aug 1, 2024

I’m dead

+3

Highlights

Photo of Margo Koss
Margo Koss@margwrit

Just wanna see what the fuss is all about. Predicting I DNF

Photo of Srijita Sarkar
Srijita Sarkar @srijita

You don't visit the lost, you visit the people who search for the lost.

Photo of Srijita Sarkar
Srijita Sarkar @srijita

He wants to be normal, he has only ever wanted to be normal, and yet with each year, he moves further and further from normalcy.

Photo of Srijita Sarkar
Srijita Sarkar @srijita

The thing he hadn't realized about success was that success made people boring.

Photo of Srijita Sarkar
Srijita Sarkar @srijita

You understood that proof of your friendship lay in keeping your distance, in accepting what was told you, in turning and walking away when the door was shut in your face instead of trying to force it open again.

Photo of Srijita Sarkar
Srijita Sarkar @srijita

When did pursuing your ambitions cross the line from brave into foolhardy? How did you know when to stop?

Photo of Srijita Sarkar
Srijita Sarkar @srijita

He was never to know whether he only thought he remembered it, having grown up studying the photograph of his father that sat on his mother's bedside table, or whether he actually did.

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Rose Donovan@rosedonovan

“That he died so alone is more than I can think of; that he died thinking he owed us an apology is worse”

Heartbreak…

Photo of Celine
Celine@152celine

The renderings were realistic, but photo-realistic; he had never replaced Ali's camera with a better one, and he tried to make each painting capture that gently fuzzed quality the camera gave everything, as if someone had patted away the top layer of clarity and left behind something kinder than the eye alone would see.

Page 34
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Celine@152celine

[…] the only thing uniting them being their newness to America and their identical expressions of exhaustion, that blend of determination and resignation that only the immigrant possesses.

Page 27

27/626

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Vanessa@casperbean

It is morals that help us make the laws, but morals do not help us apply them.

Photo of Vanessa
Vanessa@casperbean

"Fair" is never an answer, I would tell them. But it is always a consideration.

Photo of Vanessa
Vanessa@casperbean

Things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.

Photo of Aina
Aina@ainer

And so I try to be kind to everything I see, and in everything I see, I see him.

Page 814
Photo of Aina
Aina@ainer

"Willem," I ask you, "do you feel like I do? Do you think he was happy with me?" Because he deserved happiness. We aren't guaranteed it, none of us are, but he deserved it. But you only smile, not at me but just past me, and you never have an answer.

Page 814
This highlight contains a spoiler
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Aina@ainer

Finally he lifts his head and sees Harold staring at him, sees that Harold is actually crying, silently, looking and looking at him. "Harold," he says, although Andy is still talking, "release me. Release me from my promise to you. Don't make me do this anymore. Don't make me go on."

Page 787
This highlight contains a spoiler
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Aina@ainer

Harold sighs. "Jude," he says, "there's not an expiration date on needing help, or needing people. You don't get to a certain age and it stops."

Page 762
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Aina@ainer

What he knew, he knew from books, and books lied, they made things prettier.

Page 750
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Aina@ainer

Life is so sad, he would think in those moments. It’s so sad, and yet we all do it. We all cling to it; we all search for something to give us solace.

Page 705
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annemie@annemie

[...] things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.

Page 152
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Aina@ainer

Wasn’t friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely?

Page 650
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Aina@ainer

As you got older, you realized that really, there were very few people you truly wanted to be around for more than a few days at a time, and yet here you were with someone you wanted to be around for years, even when he was at his most opaque and confusing.

Page 590
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Aina@ainer

The person he thought he knew had turned out to be, in some ways, not the person before him, and it had taken him time to figure out how many facets he had yet to see: it was as if the shape he had all along thought was a pentagram was in reality a dodecahedron, many sided and many fractaled and much more complicated to measure. Despite this, he had never considered leaving: he stayed, unquestioningly, out of love, out of loyalty, out of curiosity, But it hadn't been easy. In truth, it had been at times aggressively difficult, and in some ways remained so. When he had promised himself that he wouldn't try to repair Jude, he had forgotten that to solve someone is to want to repair them: to diagnose a problem and then not try to fix that problem seemed not only neglectful but immoral.

Page 586
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Aina@ainer

If you love home — and even if you don't — there is nothing quite as cozy, as comfortable, as delightful, as that first week back. That week, even the things that would irritate you — the alarm waahing from some car at three in the morning; the pigeons who come to clutter and cluck on the windowsill behind your bed when you’re trying to sleep in — seem instead reminders of your own permanence, of how life, your life, will always graciously allow you to step back inside of it, no matter how far you have gone away from it or how long you have left it.

Page 583