Ernest Hemingway

Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published. Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and his first wife, Hadley. Also included are irreverent portraits of other luminaries, such as F. Scott Fitzgerald and Ford Madox Ford, and insightful recollections of his own early experiments with his craft. Sure to excite critics and readers alike, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and enthusiasm that Hemingway himself experienced. In the world of letters it is a unique insight into a great literary generation, by one of the best American writers of the twentieth century.

A Moveable Feast

Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft. It is a literary feast, brilliantly evoking the exuberant mood of Paris after World War I and the youthful spirit, unbridled creativity, and unquenchable enthusiasm that Hemingway himself epitomized.

Stavros Kosmas

We both touched wood on the café table and the waiter came to see what it was we wanted. But what we wanted not he, nor anyone else, nor knocking on wood or on marble, as this café table-top was, could ever bring us. But we did not know it that night and we were very happy.

 He grinned with his hat on the back of his head. He looked more like a Broadway character of the Nineties than the lovely painter that he was, and afterwards, when he had hanged himself, I liked to remember him as he was that night at the Dôme. They say the seeds of what we will do are in all of us, but it always seemed to me that in those who make jokes in life the seeds are covered with better soil and with a higher grade of manure.

When he would ask me to tell him something absolutely truly, which is very dificult to do, and I would try it, what I said would make him angry, often not when I said it but afterwards, and sometimes long afterwards when he had brooded on it. My words would become something that would have to be destroyed and sometimes, if possible, me with them.

I could never be lonely along the river. With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason. In those days, though, the spring always came finally but it was frightening that it had nearly failed.

Published posthumously in 1964, A Moveable Feast, Ernest Hemingway’s classic memoir of Paris in the 1920s, remains one of his most beloved works. Since Hemingway’s personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author intended it to be published. This volume features a personal foreword by Patrick Hemingway, Ernest’s sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway. Also included are a number of unfinished, never-before-published sketches revealing experiences that Hemingway had with his son Jack; his first wife, Hadley; F. Scott Fitzgerald; and Ford Madox Ford, as well as insightful recollections of his own early experiments with his craft. This restored edition brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

The Restored Edition

Sarah Christine Gill

Andrew Reeves

Really don't know what the fuss was about for this book. Can think of a lot of other Hemingway books I've much preferred. And the name dropping just doesn't do much for me.

Sarah Sammis

Ernest Hemingway was married to Elizabeth Hadley Richardson, his first wife, from 1921 to 1926. They lived in Paris during that time. A Moveable Feast is Hemingway's posthumous memoir covers this time in his life.

This short and fascinating book has two contradictory introductions; one by Hemingway's final wife, Mary and one by Ernest himself. Mary, who edited the book after his death, describes how her husband wrote the book and what is covered in the book. Ernest Hemingway's introduction tells the reader to consider the book a work of fiction!

So which is it? It's probably both. The book covers historical events and real people (F. Scott Fitzgerald, Zelda Fitzgerald, Ford Maddox Ford, Ezra Pound among others). But it was written from 40 year old memories and comes without footnotes or other documentation. Memories are fleeting and subject to augmentation whether intentional or not. Finally, Mary apparently did a fairly heavy editing job on it, significantly changing the tone of the memoir. Her edits may have turned fact into fiction.

Does A Moveable Feast's dubious status matter? No. It's still a fascinating portrait of the early years of Ernest Hemingway's career. It still shows Hemingway's wit. Hemingway's description of his fellow writers is worth the read just to see them described as actual human beings.

jess

The story revolves around Paris. Where Hemingway met lots of influential people that affect his whole life and career, in a whole magical place.

A moveable feast

Laura Mauler

One of my favorite parts was a passage that described being on a writing-roll by him narrating from inside the scene, and you don't realize what he's doing until his writing gets interrupted. At first it wasn't clear, but when I realized what he was doing I got excited. I reread the passage, then read it aloud to N, and only then did I get enough of it to continue with the chapter.

Most of his name-dropping was lost on me, save for the Fitzgeralds and Gertrude Stein (whose name I recognize only because she was a friend of Hemingway's); because I didn't know them, his anecdotes and descriptions would fall a little flat. When he wrote about normal people, however, like his favorite waiter, they came to life. And naturally his descriptions of Paris itself were fantastic, written with true love and affection.

Ernest Hemingway’s classic memoir of Paris in the 1920s, now available in a restored edition, includes the original manuscript along with insightful recollections and unfinished sketches. Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway’s most enduring works. Since Hemingway’s personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published. Featuring a personal foreword by Patrick Hemingway, Ernest’s sole surviving son, and an introduction by grandson of the author, Seán Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway’s own early experiments with his craft. Widely celebrated and debated by critics and readers everywhere, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

erin

His fiction is masculine in a way I can't really enjoy. This, however, has enough wine and food and sassy descriptions of author friends (and frenemies) to gloss over his less charming qualities. It's a brief 200 pages. There is a lot of a wine, a lot of rain, and more horse racing than is prudent.

Traci Wilbanks

If you are interested in the writing process, in 20's Paris life, in ex-pats living abroad, in Gertrude Stein, Ford Maddox Ford, or F. Scott Fitzgerald, I recommend this. The chapters are vignettes whose order is discussed in the forward, but there isn't a narrative thread running through them.

Amazing. He does so much with so little. Hemingway is a force of nature.

Steven Ovadia

I travel to Paris in a week and reading this has me even more desperate to soak in the beauty and the art. Bohemian Paris, the writers and the artists, sounds like a very magical time indeed. Hemingway's style is to the point and blunt, but still so incredibly readable and I loved that about this work of non-fiction. 

Beth Bartholomew

"There is never any end to Paris"

I travel to Paris in a week and reading this has me even more desperate to soak in the beauty and the art. Bohemian Paris, the writers and the artists, sounds like a very magical time indeed. Hemingway's style is to the point and blunt, but still so incredibly readable and I loved that about this work of non-fiction. 

Ecem Unal

Turkish translation is a bit problematic, tough.

Ahmed Salem

نصيحة: لا تبدأ أبدا القراءة لمؤلف بسيرته الذاتية.

سأحاول قراءة أعمالك الأخرى عزيزي هيمنجواي ثم أعيد قراءة تلك الوليمة، لعلها تكون أشهى :)

Merged review:

نصيحة: لا تبدأ أبدا القراءة لمؤلف بسيرته الذاتية.

سأحاول قراءة أعمالك الأخرى عزيزي هيمنجواي ثم أعيد قراءة تلك الوليمة، لعلها تكون أشهى :)

Tim Orenstein

I really enjoyed this. The way that Hem writes makes me feel like I know him. It's incredibly direct with no embellishments at all, but when there is an emotional moment it hits quite hard. There is one line that will stick with me forever.

Elizabeth Moore

This would be 4.5 stars but in the absence of halves, I’m rounding up without hesitation. I’ve read a lot of Hemingway over the years - most because I had to, and a few because I wanted to. My experience with his writing growing up was that I knew it was beautiful and important, but I couldn’t figure out exactly what it was that made me feel that way, or what, exactly, the important things were. A Moveable Feast clarified for me that it was the things that were left out were the ones that were so important, tugging at me just past the corner of my eyes on the page, and in most cases I just hadn’t lived enough life or paid attention to the lives that many others have lived to realize what they were. Everyone knows the stripped, no-frills brevity that Hemingway’s famous for, but it was a wonderful experience to read this meditation on life, and mistakes made, and writing done and not done, and then feel a flood rush of all the things pouring into the gaps and omissions of his works past that still hang around in my brain caves.

I also diverge from a lot of the popular opinion on this book, and I’m not sure if it’s my loss or others’: 

1. All of my favorite stories were the ones that happened outside Paris (especially the ones in Schruns and the amazing sketch of him and a crazy-ass Fitzgerald driving back from Lyon)

2. remark how Hemingway was stone cold; I found him just about as vulnerable and emotionally spring-loaded as one could ever be (underneath one thin layer that is very easy to peep under if you’re trying to be perceptive).

3. Reviews and criticism I kept finding said Hemingway was never funny; I found some of the lines in this story were LOL-hilarious (please read An Agent of Evil and his description of Ralph Dunning Cheever simply as “a poet who smoked opium and forgot to eat).

4. My very favorite chapter, which completely floored me and had me pausing every 30 seconds and muttering “holy sh*t YES that’s it” is, according to every single person in the universe that I can find on the internet except for me, about something COMPLETELY different than what I think it is about. I can’t delve into this anymore in case I’m on the verge of the biggest literary Hemingway-related revelation of all time and I’m going to become a famous well-respected berjillionaire because of it (because literary critics are obviously all extremely rich and famous) so sorry but you’ll have to try and figure out the mystery for yourself.

Hemingway’s writing on life and Paris and travel is beautiful, his honesty about both the limitations and possibility of the individual human memory is beautiful, and his writing on writing itself is beautiful. I love Ernest and, though I had very different opinions in some areas, I agree with the masses that he was a beautiful, broken man who was both larger than life and always doomed and destined to write.

Some parts were duller than I remembered, others still totally dazzling. No one describes a better lunch. 🦪🥂


Melody Izard

Ah! Paris! And to be young! And well-connected. And good-looking. And just a master at whatever you do. And not hindered by rules or held down by a wife and child. But to have that wife and child if you want them. But mostly - just Paris! And a good Apéritif. Or maybe two. Or several. And to go off racing! And not call it gambling! And to be so much better than, what was his name again? That Fitzgerald guy - with the crazy wife and the tiny penis? Oh well! And so glad to have that cat to do the baby sitting if needed. Because we were so poor.

I know - I gave it it high rating because I liked it. I can still make fun of it.

París era una fiesta

Rebeca Keren Nuñez

Hermosa historia. La empece a leer después de ver la película Midnight in Paris, y me enamoro totalmente.

noha

Oh my oh my

“When spring came, even the false spring, there were no problems except where to be happiest. the only thing that could spoil a day was people and if you could keep from making engagements, each day had no limits. people were always the limiters of happiness except for the very few that were as good as spring itself.”

I loved the book and beyond happy that it’s my first read in 2019 💫

Hemingway and the vivid picture he creates when he talks about Paris <3 he makes me feel like I’m right there; breathing the same air, admiring the beautiful winter light on the streets and holding a cup of coffee to keep me warm~ 
 Also, I did cry on the last couple of pages when he talked about Hadley and his never ending love for her :’>

Maria Amaro

Me he vuelto a reencontrar con Hemingway y ha sido precioso.

Erin 

This book is so romantic. And I don't mean that it's about romance so much, per say, but that it makes one fall in love with Paris, and makes me want to take a time machine straight to Hemingway's front doorstep and force him to let me follow him around. all. the. time.

Jesper Bylund

It took two pages until I was hooked. Five later and I wanted to move to Paris. This is not really a story so much as a meandering observation, but the language is amazing, and the world it portrays is alluring. I'm sad it's over.

A Moveable Feast

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