
Beware of Pity
Reviews

what a book. but it wouldve been better if this was a hundred pages less

man me and this guilt-fraught body

I might be slightly overrating this one. But Stefan Zweig is such a master storyteller and this novel was so oddly working in spite of its feverishness and confusion that I can't resist a five-star review. It certainly could have been shorter—and would have been, had Zweig had time before WWII to exert upon it his well-known method of cutting a bulky piece of writing so much as to produce a final work that is no longer than a novella. There are indeed a few too many repenting letters and dramatic soliloquies; but, on the other hand, you won't see me complaining about the myriad, pleasant stories-within-a-story scattered in abundance in the 400-odd pages of this novel. Anthea Bell's translation was magnificent and the Pushkin Press paperback was a pleasure to behold. It took me a criminally long time to climb the not-so-steep mountain that Beware of Pity was, but the journey was quite worth it.

















Highlights

I could no longer understand how it was that I had tortured myself when everything, after all, was so simple. You just sat together and held hands, there was no need for you to force yourselves or to hide your real feelings, you showed that you were fond of one another, you did not struggle against your tender feelings, you accepted the other’s love for you without shame and with sheer gratitude.

Again and again, day after day, I found fresh opportunities for indulging, trying out, this passion that had suddenly possessed me. And I said to myself: from now on, help anyone and everyone so far as in you lies. Cease to be apathetic, indifferent! Exalt yourself by devoting yourself to others, enrich yourself by making everyone’s destiny your own, by enduring and understanding every facet of human suffering through your pity. And my heart, astonished at its own workings, quivered with gratitude towards the sick girl whom I had unwittingly hurt and who, through her suffering, had taught me the creative magic of pity.

In all sorts of delightful, obvious ways I was made to realize that I was regarded as one of the family. Every one of my little weaknesses and predilections was anticipated and encouraged; my favourite brand of cigarettes was always laid out ready for me, the book that on my last visit I had happened to say I should like to read I would find lying, as though by chance, the pages carefully cut, on the little stool; one particular arm-chair opposite Edith’s chaise-longue was regarded incontestably as 'my’ chair — trifles, mere nothings, all these, to be sure, but such things as imperceptibly cast a homely warmth over a strange room and, without one’s being aware of it, cheer and lighten the spirit.

For the first time in my life I had received an assurance that I had been of use to someone on this earth, and my astonishment at the thought that I, a commonplace, unsophisticated young officer, should really have the power to make someone else so happy knew no bounds.

I realized that to mortify oneself in this way was stupid and useless. I realized that there was no point in denying oneself a pleasure because it was denied another, in refusing to allow oneself to be happy because someone else was unhappy. I realized that all the time one was laughing and cracking silly jokes, somewhere in the world someone was lying at the point of death; that misery was lurking, people starving, behind a thousand windows; that there were such things as hospitals, quarries and coal mines; that in factories, in offices, in prisons countless thousands toiled and moiled at every hour of the day, and that it would not relieve the distress of a single human being if yet another were to torment himself needlessly.

‘Talk her out of it? Talk her out of what? Talk a woman out of being in love? Tell her she ought not to feel as she does feel? Not to love when she does love? That would be about the worst thing one could possibly do, and the stupidest into the bargain. Have you ever heard of logic prevailing against passion? Of anyone’s being able to say to a fever: “Fever, cease raging!”, or to a fire, “Fire, stop burning!”

I was running away because I could not bear to be loved against my will.

Why worry as to whether I had said too much or too little? Even if I had gone further than in all honesty I should have done, my lies, those lies born of pity, had made her happy; and to make a person happy could never be a crime.

It is never until one realises that one means something to others that one feels there is any point or purpose in one’s own existence.

...stroked my sleeve, that one restrained gesture of heart-felt gratitude had sufficed to cause some emotional spring deep down within me to well up and overflow.

There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart’s impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another’s unhappiness ...; and the other, the only kind that counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.