A Tinderbox in Three Acts

A Tinderbox in Three Acts

Cynthia Dewi Oka — 2022
In her fourth poetry collection, Cynthia Dewi Oka performs a lyric accounting of the anti-Communist genocide of 1965, which, led by the Indonesian military and with American assistance, erased and devastated millions of lives in Indonesia. Under the New Order dictatorship that ruled by terror for over three decades in the aftermath, perpetrators of the killings were celebrated as national heroes while survivors were systemically silenced. Drawing on US state documents that were only declassified in recent years, Oka gives form and voice to the ghosts that continue to haunt subsequent generations despite decades of state-produced amnesia and disinformation. In service of recovering what must not be remembered, A Tinderbox in Three Acts repurposes the sanitized lexicon of official discourse, imagines an emotional syntax for the unthinkable, and employs synesthetic modes of perception to convey that which exceeds language. Here, the boundary between singular and collective consciousness is blurred. Here, history as an artifact of the powerful is trumped by the halting memory of the people whom power sought to destroy. Where memory fails, here is poetry to honor the dishonored, the betrayed, the lost and still-awaited.
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🪢@dictee
4 stars
Mar 20, 2025

(more like 3.75 but rounding up)

i recently attended a workshop on speculative diagramming led by kameelah janan rasheed and she asserted that diagrams are primarily defined by their exterior structure, flexible and fleeting. a diagram is always provisional and never authoritative. diagrams should not just be built based on how they (will) look, but on how they will be deployed/used/misused.

i would say that some of the poems here can be read visually as diagrams because they show how national ideology/propaganda is internalized, and thus can be unlearned and broken. when i made diagrams during the workshop i realized very quickly that it was much easier to fill in an existing diagram (such as for a worksheet) than to conjure one myself and imagine an alternative visual structure. some of the diagrammatic poems here represent how i feel now trying to make new diagrams, scrawling lines across the page and hoping that the information will make sense. it is easy to feel this way when your country's official record is a ghost (p.18).

Highlights

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🪢@dictee

A country is a feeling. I am afraid / I understand. It might leave you / swinging, dark / exclamation mark at the end of every reason -- God, / the people, the prophets, the prospect of prosperity, peace, / the palace, the revolution, heroes of the revolution.

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