
Death of a Salesman Certain Private Conversations in Two Acts and a Requiem
In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'
Reviews

Maureen@bluereen

arwen@corienrielle

Chaitanya Baranwal@chaitanyabaranwal

jaz ☁️@whatjazreads

Roisin Ramdhayan @roisin05

Julia@juliahansen

Zeke Taylor@zt1230

Morgan Thomas@moalthom91

Katherine Yang@bookwormgirl910

Blazgorb Throxis@iwillbestokedwhenthequeendies

Camille@camm7

Vanya de Lang @vampibish

linda@lkt

Callie Anna@callieanna

Trever@kewlpinguino

allison moler@slayingreading

Christopher McCaffery@cmccafe

Tallulah Robinson @tallulahray

Fiona@mcfizzle

Simon Elliott Stegall@sim_steg

Jennifer@vivaldi

Gayatri Rao @escapism

sarah 🤠@sarahsperusals

Trevor Berrett@mookse
Highlights

Farnazkhalili@lustszen

ssuking@ssuking