People of the Book A Novel

An emotionally resonant and beautifully written novel that immerses me in the journey of an extraordinary artifact. The narrative, which shifts between different time periods and perspectives, truly shines when it delves into the life of the original artist of the haggadah. The novel’s structure, with its scattered narratives, may seem disjointed at first, but it ultimately enhances the story’s emotional weight. Zahra Al-Tarek’s painting, A White Hair (Seville, 1480), ties the chapters together in a way that elevates the entire narrative. Geraldine Brooks’ prose is exquisite, painting each setting with such vivid detail that it feels as though I was truly walking through the places described. The descriptions are so rich that they invite pause, allowing me to savor the emotions. This attention to detail made me feel deeply connected to the story, as though I were not just reading, but experiencing the events firsthand.

Loved it. Easily moved into position as one of my favorite books of all time.

I was ready to love this based on premise and recommendation alone. I did love some chapters/characters but really hated others; it's tough to get invested in a story when the main characters are unbelievable.

Discovered this lying forgotten on a bookshelf in the house. Really enjoyed the interweaving narratives of modern day conservationist Hanna Heath with the prior throw the ages that had come into contact in variations ways with the book. Historical fictions meets arts and science.

Oh, oh, can you help me? I just read the first page of this on Amazon and it reminded me of a book that entranced me several years ago. I'll give you a prize if you can help me find the book. What I remember: a traveling researcher or restoration specialist in China who describes her approach to memory as like a house with many rooms, and to retrieve a memory she must mentally walk into that room. What is it?

I want to love this book. So far, I don't. It's been a long time since I read The Source by James Michener, but the structure and approach are similar. So far, that was a much MUCH better book. It's a shame,too, because I really like Brooks' previous novel, March.

OK, there’s no getting around that there are some Da Vinci Code similarities. I know that will keep some from wanting to read it right there – so let’s just get that over with. But for those of you who liked the DVC or at least didn’t hate it, this is a pretty good read. Hanna Heath, an Australian rare-book expert is asked to stabilize the famed Sarajevo Haggadah that has just been rescued from destruction during the Bosnian war. She finds some tiny little clues to the past owners of the holy book and becomes obsessed with figuring out what they mean. We get her story and the possible explanation of the origin and path the book has traveled. The story gets a little bogged down at times – and some of the occurrences are not very believable – but still, I enjoyed it.

Amazing.

Interesting premise, great characters, well-written. The main part of the story takes place in the mid-1990s in war-torn Sarajevo as book conservationist Hanna travels there from her native Australia to work on the Sarajevo Haggadah, the oldest surviving Jewish illuminated manuscript, which contains the traditional text that accompanies the Passover Seder. Brooks's history of the Haggadah is fiction based loosely on fact but the book itself is real. Hanna discovers many interesting things in the Haggadah, including an Alpine insect wing, a non-kosher wine stain, a white cat hair, and saltwater. Hanna notes that a very intricate and decorative clasp is missing from the book. The book is also full of elaborate illuminations, which are apparently very unusual in a haggadah. One of the paintings portrays a well-dressed dark-skinned woman standing with a white family - for all appearances, a slave in what looks like a family portrait. Hanna sets out to solve the mystery of how these odd items came to be in the book, as well as to figure out what happened to the clasp and who the slave woman is. While Hanna comes close to solving a few of the mysteries, the real story of each of the items is told in a series of short stories within the main narrative. The author alternates between the present-day and the short stories. Each short story goes back further in time and retraces the places the book has been, the people who intereacted with it and how they protected the book and themselves against those who would destroy them over religious differences. Each of the short stories are so well done that any of them could probably be developed into a full story on their own. I found myself wishing to read more about many of them. At the core of the story is the sad truth that people have been persecuting each other over differences in religion throughout history all the way up through the "ethnic cleansing" in Sarajevo. And of course, religious persecution continues today. The book really struck a chord with me in both the senselessness of killing people over religion as well as the fact that humankind appears doomed to perpetuate such senselessness.

This book was a pure WOW. Absolutely riveting. Brilliantly written. Engrossing story well designed. I just can't say enough good stuff about it. It definitely goes down as one that I will be recommending. The reader was great too.